1. I wanted to say thank you
for pushing me.
Copy !req
2. - (BULLETS RICOCHET)
- Now I have a purpose.
Copy !req
3. The debt has been paid.
Copy !req
4. Slate is clean.
You owe me nothing.
Copy !req
5. I can't work with you
anymore, man.
Copy !req
6. Oh, Jesus Christ,
not this thing again. Why?
Copy !req
7. You wore a wire.
You sold me out.
Copy !req
8. I got you, Barry!
(LAUGHS)
Copy !req
9. Tell me the time
when I met Ken.
Copy !req
10. Sam, just don't be an idiot.
Copy !req
11. (YELLING)
You calling me an idiot?
Copy !req
12. (ADMIRINGLY)
End scene.
Copy !req
13. Hank. It's go time.
Copy !req
14. Capture the monastery
before the caravan arrives,
Copy !req
15. or we are—
Copy !req
16. Fuck.
Copy !req
17. Cristobal?
Copy !req
18. We are very disappointed
in you, Hank.
Copy !req
19. So, Lindsay told us all
about the show you're doing.
Copy !req
20. Oh, yeah. Well, it's still
kind of a... a work in progress.
Copy !req
21. Humble.
I love it.
Copy !req
22. Well, sounded really great,
really great, really important.
Copy !req
23. But mostly, really great.
Copy !req
24. Thank you.
Copy !req
25. The point is, in this climate,
Copy !req
26. you've got hashtag MeToo,
hashtag HandsOff.
Copy !req
27. Right, so—
I-I told them
Copy !req
28. that you're directing
and writing your own piece,
Copy !req
29. and how moving
and relevant it was,
Copy !req
30. and these guys
had a great idea.
Copy !req
31. Okay.
Copy !req
32. We'd like to put you
in a room with Aaron Ryan.
Copy !req
33. - The TV producer?
- He's a client.
Copy !req
34. Oh, my
God! Oh, my God!
Copy !req
35. Sorry, I— Oh, my God,
I love Divorced Women.
It's so good.
Copy !req
36. And what was that one, um,
Copy !req
37. what was the one, you know,
about the teens in prison?
Copy !req
38. - Lindsay: Prison Teens.
- Prison Teens. Yeah,
we had the package on that.
Copy !req
39. It ran ten seasons.
Paid for the Mapplethorpe
in the mail room.
Copy !req
40. Aah, shit, fuck.
Copy !req
41. Sorry, feature falling apart.
Keep talking.
Copy !req
42. Anyway, Aaron has a project.
It sounds perfect for you.
Copy !req
43. Wait, for me?
Copy !req
44. For one of
the leads, Sally.
Copy !req
45. (chuckling):
Oh, my God.
Copy !req
46. Aaron Ryan?
Copy !req
47. - I'm nervous.
- Don't be nervous.
Copy !req
48. - Don't seem nervous.
- Sally: Okay.
Copy !req
49. Are you a client here?
Copy !req
50. Oh, no. No, uh,
my girlfriend is.
Copy !req
51. Sally Reed?
I'm her ride.
Copy !req
52. Oh, you're Barry Block?
Copy !req
53. Yeah.
Copy !req
54. Michael Cohen.
Yeah, my associate
Lindsay saw you
Copy !req
55. in Sally's piece,
said you were great.
Copy !req
56. She said,
"He's very loud."
Copy !req
57. Ah, she didn't
have to say that.
Copy !req
58. How tall are you?
Copy !req
59. - So, we'll see
you at 11:00 a.m.
- Yeah.
Copy !req
60. - Very excited for you.
- Thank you. Oh.
Copy !req
61. - Congrats. You deserve it.
- Thank you. Okay.
Copy !req
62. - I'm so excited for you.
- Thank you.
Copy !req
63. - Yeah.
- Okay, I'll see
you tomorrow.
Copy !req
64. - Yeah, see you tomorrow.
- Okay, okay.
Copy !req
65. Get some sleep.
Copy !req
66. Thank you.
Wow. Thank you.
Copy !req
67. - Okay, cool.
- Hey. Hey.
Copy !req
68. Hey!
Oh, wow!
Copy !req
69. Look good. You look good.
You look good.
Copy !req
70. Oh, my God.
They are putting me
in a room tomorrow
Copy !req
71. with Aaron Ryan!
Copy !req
72. - Oh, wow!
- To talk about being the lead
in one of his new shows.
Copy !req
73. Or, well, yeah, a lead.
Copy !req
74. Yeah, Aaron Ryan,
I've seen that name
on billboards.
Copy !req
75. - That's huge.
- Yeah. I mean, he's massive.
Copy !req
76. Oh, my God.
I can't believe this.
Copy !req
77. It's just, it's so crazy
that I just, like,
Copy !req
78. put my art out into
the universe, you know,
Copy !req
79. and I'm already seeing
the benefits I deserve.
Copy !req
80. - Aw!
- Thank you so much
Copy !req
81. for helping me with my scene
and for pushing me, and...
Copy !req
82. It's you.
It's all you.
Copy !req
83. Were you just talking
to Michael?
Copy !req
84. Is that his name?
The guy with the ball?
Michael? Yeah, no.
Copy !req
85. He was super nice.
Yeah, he just got me
an audition.
Copy !req
86. - What?
- Yeah, I didn't realize
that's how it worked.
Copy !req
87. It's kind of neat.
Copy !req
88. So...
Copy !req
89. So, it-it's a feature?
Copy !req
90. No, it's a movie.
So, how did your
thing go?
Copy !req
91. And, um, you're,
Copy !req
92. you're going straight in
for... for the director?
Copy !req
93. Yeah. Some guy
named Jay Roach.
Copy !req
94. They like me
'cause I'm tall,
Copy !req
95. and the other guy
they cast is short.
Copy !req
96. Apparently, it affects
the poster.
Copy !req
97. The poster?
(chuckles)
Copy !req
98. Uh, so, so, so,
let me get this straight.
Copy !req
99. So, so, just because
you're tall,
Copy !req
100. you skipped like five rounds
of callbacks, at least?
Copy !req
101. I mean, Michael
is Lindsay's boss.
Copy !req
102. Michael?
Copy !req
103. Michael.
Copy !req
104. - The man you met
in the lobby.
- Oh, right.
Copy !req
105. Yeah, he gave me
his card. Michael.
Copy !req
106. - An audition?
- Mm-hmm.
Copy !req
107. - You?
- Yeah.
Copy !req
108. - Have an audition?
- Yeah.
Copy !req
109. What, are they
reading extras now?
Copy !req
110. No. That is so weird.
Sally said the same thing.
Copy !req
111. - What's the part?
- It's a guy named, um...
Copy !req
112. J.T. in a movie called
Swim Instructors.
Copy !req
113. How many of these
did you print?
Copy !req
114. It's just one.
It's four scenes.
Copy !req
115. Holy moly.
J.T. is on every page.
Copy !req
116. That's a lot
of lines, Barry.
Copy !req
117. Yeah, I think
he's one of the leads.
Copy !req
118. (gasps)
No!
Copy !req
119. You say, "Oh, we're just
a bunch of swim instructors."
Copy !req
120. That's the title.
They can't cut that!
Copy !req
121. All of you, on your feet!
Copy !req
122. Now!
Copy !req
123. If we grab...
Yeah, if you grab me,
and we just...
Copy !req
124. There we go.
Copy !req
125. Cristobal? Okay.
Come on, my friend.
Copy !req
126. Uh... Maybe fresh start?
Copy !req
127. You know,
one-time do-over?
Copy !req
128. Mulligan?
Get out of free jail?
Copy !req
129. Get on.
Copy !req
130. Oh, for fuck's sake.
This fucking guy.
Copy !req
131. Can someone please
shut him up?
Copy !req
132. Get on.
Copy !req
133. At this point, for me,
Copy !req
134. the worst reason
to make another TV show
Copy !req
135. would be to make a TV show.
Copy !req
136. - You know what I mean?
- I... Uh-huh.
Copy !req
137. Like, another zero
on my paychecks
Copy !req
138. - isn't going to change my life.
- (Sally chuckles)
Copy !req
139. I mean, at this point,
I'm really gravitating
Copy !req
140. towards smaller,
more interesting,
Copy !req
141. more relevant material.
Copy !req
142. Like, I'm interested in
what's going on right now.
Copy !req
143. Yes. Totally. Me, too.
Copy !req
144. I mean, I am also gravitating
toward more honest—
Copy !req
145. Which isn't
what's being made.
Copy !req
146. I mean, not in
this town, at least.
Copy !req
147. So, look, it sounds like
we might be a good fit.
Copy !req
148. Totally.
(chuckles)
Copy !req
149. Yeah, Team Gersh
told me about your past,
Copy !req
150. what you're
working on right now.
Copy !req
151. Sounds really relevant,
really current.
Copy !req
152. Thank you. I-I really
appreciate that because—
Copy !req
153. So, the elevator pitch
is basically this:
Copy !req
154. There's three women.
Copy !req
155. When we meet them,
they're all in
abusive relationships.
Copy !req
156. They're lost.
But then over
the course of the pilot,
Copy !req
157. they meet each other,
they realize how much
they have in common,
Copy !req
158. and they start to lean
on each other.
Copy !req
159. - Oh, that's nice.
- And because now there's
this sense of community,
Copy !req
160. - they become stronger.
- That's great. I love that.
Copy !req
161. So, they start a group where
they kill their husbands.
Copy !req
162. - Jesus.
- But that's the pilot.
Copy !req
163. The series is them
finding other women
Copy !req
164. in similar tough spots
and helping them get revenge,
Copy !req
165. whether it's slipping poison
into the dudes' cocktails
Copy !req
166. or blowing them and the new
girlfriend up on a boat.
Copy !req
167. It's empowering.
Copy !req
168. I'm really not supposed
to show you this.
Copy !req
169. - Payback Ladies?
- Yeah.
Copy !req
170. - Payback Ladies.
- Payback Ladies.
Copy !req
171. You'd be this one.
Copy !req
172. "It's that time
of the month...
for revenge."
Copy !req
173. Maybe this one.
Copy !req
174. What do you mean you passed?
Copy !req
175. You just passed on
an Aaron Ryan show? Why?
Copy !req
176. It was about three
abused women, um,
Copy !req
177. who become
murderers, okay?
Copy !req
178. I mean, he had
a period pun on the poster.
It was offensive.
Copy !req
179. The show has three leads in it,
Copy !req
180. and you would be one of them.
Copy !req
181. Do you not want to be
a lead in a TV show?
Copy !req
182. - Not that TV show, no.
- (door opens)
Copy !req
183. Did I just hear this right?
Did you just pass on Aaron Ryan?
Copy !req
184. Guys, look, I really appreciate
you getting me the meeting.
Copy !req
185. Really, I do. But I—
Copy !req
186. I mean, Lindsay,
you saw my piece.
Copy !req
187. Do you really think
that what he's doing
Copy !req
188. and what I'm doing
are the same thing?
Copy !req
189. - Uh...
- Can I be blunt?
Copy !req
190. You really
don't have the credits
to be turning this down.
Copy !req
191. - Yeah, we've all seen your reel.
- You cut together my reel.
Copy !req
192. You can't honestly think
that little theater piece
Copy !req
193. is a better
career move than this.
Copy !req
194. Look, I want to work, okay?
I really want to work.
Copy !req
195. I want to be the lead
on a TV show, obviously.
Copy !req
196. But I am trying
to do something real,
Copy !req
197. and that was not it.
Copy !req
198. That was revenge porn.
Copy !req
199. Well, let us know how big
the paycheck is on your play.
Copy !req
200. You know, maybe this
isn't a good fit.
Copy !req
201. Uh...
Copy !req
202. Hey, Sally.
Okay, Sally.
Copy !req
203. All right, Barry.
Copy !req
204. Somehow, you now
have an audition
for a major feature.
Copy !req
205. - Movie.
- Same process.
Copy !req
206. Now, they didn't send
the whole script.
Copy !req
207. They only sent your scenes.
Copy !req
208. We're gonna have to do
a little detective work,
Copy !req
209. and from what I can gather,
here's the journey.
Copy !req
210. - J.T.--
- J.T.'s one of
the swim instructors.
Copy !req
211. Yeah, I had a hunch.
Copy !req
212. He's very upset
in the beginning.
Copy !req
213. Yeah, 'cause, uh, another
swim instructor, Ike,
stole his girlfriend.
Copy !req
214. Oh, dear.
Copy !req
215. So, Ike has forced the horns
of the cuckold upon you,
Copy !req
216. so your guy seeks revenge by...
Copy !req
217. shitting in a pie
and trying to get him
to eat it.
Copy !req
218. Yeah, that's how I read it.
Copy !req
219. And then by some
cruel twist of irony...
Copy !req
220. you eat the shit pie.
Copy !req
221. Yeah, but that's not until
scene three, right?
Copy !req
222. I'm trying not
to overwhelm you, Barry.
Copy !req
223. I'm trying to give you
the view from 10,000 feet
Copy !req
224. before we dive in
and break it down
scene by scene.
Copy !req
225. - So, scene one, "Loss."
- Mm-hmm.
Copy !req
226. Scene two,
you shit in a pie.
Copy !req
227. So, uh, relief?
Copy !req
228. No. I think it's a little
more nuanced than that.
Copy !req
229. I think it's
about vengeance.
Copy !req
230. - Okay.
- And then, scene three,
Copy !req
231. whoopsie,
you eat the shit pie.
Copy !req
232. Comeuppance.
Copy !req
233. He who seeks revenge
digs two graves, Barry.
Copy !req
234. It's a tale as old as time.
Copy !req
235. Damn.
Copy !req
236. And then there's scene four
Copy !req
237. about the little girl
who's drowning,
Copy !req
238. but you don't
have to save her.
Copy !req
239. Yeah, 'cause I taught
her how to swim.
Copy !req
240. Yeah. And I think you only
have one line, which is...
Copy !req
241. - "No fucking way."
- "No fucking way."
Copy !req
242. So, you know what?
Let's save that for later.
Copy !req
243. Oh, okay.
Copy !req
244. By the way,
when is your audition?
Copy !req
245. Uh, it is—
I got it right here.
Copy !req
246. Tomorrow at 10:00 a.m.
with the casting director,
Allison Jones.
Copy !req
247. (chuckles)
No. Ms. Jones will show up
when the director's there.
Copy !req
248. No, it's a director's session.
He's there, too.
Copy !req
249. His name is Jay Roach.
Copy !req
250. Whose cock did you have
to suck in a former life?
Copy !req
251. All right. All right.
All right. Forget it.
Copy !req
252. I'll be there 9:45
to warm you up.
Copy !req
253. - Wait. You're gonna
come with me?
- Absolutely.
Copy !req
254. Every actor who's got a first
audition brings a scene partner.
Copy !req
255. - Really?
- Since Shakespeare.
Copy !req
256. Come on.
Let's get down to work.
Copy !req
257. Scene one. I just want
to hear the words.
Copy !req
258. I'm dying.
Copy !req
259. Hey, Ike, you shitbird!
Copy !req
260. (high-
You want a little pie?
Copy !req
261. Mr. Cousineau said
I should, um,
Copy !req
262. put a little mustard
on "pie" there—
Copy !req
263. I'm sorry. Can we, um...
Can we stop?
Copy !req
264. - Sure.
- For a second.
Copy !req
265. I just— I feel like I need
to say something, Barry.
Copy !req
266. - Okay.
- This piece that
I'm doing for class.
Copy !req
267. It's exactly what
I should be doing.
Copy !req
268. Yeah, no, and it's great.
What you're doing is—
Copy !req
269. I'm terrified, okay?
Because my piece is real.
Copy !req
270. It's not a character. It's me.
Copy !req
271. Raw, unapologetic truth
with a capital "T."
Copy !req
272. I mean, all caps, actually.
I'm thinking like a writer now.
Copy !req
273. I mean, this was stuff that
I couldn't even talk about
without lying.
Copy !req
274. And here I am, about
to strip naked in front
of a bunch of strangers
Copy !req
275. and share something that
I am massively ashamed of.
Copy !req
276. Not literally. I don't
believe in nudity unless
it drives the story forward.
Copy !req
277. I'm afraid
that they're gonna judge me,
Copy !req
278. and I'm afraid
that Sam's gonna find out
Copy !req
279. and do something crazy.
Copy !req
280. But I have to do this.
Copy !req
281. It's— it's my story to tell.
Copy !req
282. But then, I mean,
so many other women
have the same story.
Copy !req
283. What, am I a spokesperson
for them now?
Copy !req
284. Could I be the face
of a movement?
Copy !req
285. I mean, what if I get it wrong?
Copy !req
286. I mean, I resent the fact
that Nick can get up there
Copy !req
287. and talk about his
"stomach condition,"
Copy !req
288. and it's not like he has to be
the poster boy for bulimia.
Copy !req
289. But I get up there,
and whatever I say,
it's like,
Copy !req
290. "What are we saying
about women?"
Copy !req
291. I mean, this is just my story!
Copy !req
292. "But what if you
get it wrong, Sally?"
Copy !req
293. "I don't know."
"You can't get it wrong, Sally.
Copy !req
294. But you can't not
tell it either, Sally,
because it's who you are."
Copy !req
295. Which makes this thing that
my agents sent me on today
so fucking insulting.
Copy !req
296. Payback Ladies?
Copy !req
297. It's just another
shit male idea of
what strong women are.
Copy !req
298. Oh, oh, oh, grab a gun
and some stilettos
Copy !req
299. and get a goddamn blowout.
Copy !req
300. "And look how strong
you are now, Sally!"
Copy !req
301. It's bullshit!
Which, by the way, so is this.
Copy !req
302. It's quite possibly
the worst thing I've ever read.
Copy !req
303. But you want to know
the worst part?
Copy !req
304. You want to know what's really
driving me fucking crazy?
Copy !req
305. I am so jealous that
you're reading for this.
Copy !req
306. I have never had
a director's session
for a feature,
Copy !req
307. which is the same thing
as a movie, P.S.
Copy !req
308. And I have been doing
this for way longer,
Copy !req
309. and I think you'd agree
that I am way better.
Copy !req
310. I... made you!
Copy !req
311. And I'm actually
represented by Gersh.
Copy !req
312. Well, at least I was.
I don't even know if
they'd rep me anymore
Copy !req
313. after what I said
in there today, but still
at least I held my ground,
Copy !req
314. because I am an artist,
okay, an artist,
and this is not fucking art.
Copy !req
315. But then, I mean,
to be honest, of course
I'm so happy for you.
Copy !req
316. I mean, of course I want
you to get this part,
Copy !req
317. and I want to be
the one to help you
Copy !req
318. learn your lines
and fix your inflections.
Copy !req
319. But I need you to know
that if you do get it,
Copy !req
320. it's gonna make me like...
Copy !req
321. like a hundred times
more insane.
Copy !req
322. Okay?
Copy !req
323. Continue.
Copy !req
324. Hey, Ike, you shitbird.
You want a little pie?
Copy !req
325. Guys? Guys!
Copy !req
326. Noho Hank:
What are they doing?
Copy !req
327. Noho Hank:
Okay, shit.
Yeah, gasoline.
Copy !req
328. Okay, they're gonna
burn us. Fuck.
Copy !req
329. Oh, boy. All right,
this is it.
Copy !req
330. Yeah, this is it.
I've killed us all.
Copy !req
331. Okay, um, hey, guys?
Copy !req
332. Since we're all about
to die in a moment,
Copy !req
333. I have to be honest
about something, okay?
Copy !req
334. I have been
deceiving you guys.
Copy !req
335. And before we die,
Copy !req
336. - I have to come clean.
- (grunting)
Copy !req
337. I know you look at me
and you see
hard-as-nails criminal,
Copy !req
338. stone-cold killer,
ice man.
Copy !req
339. But, uh, this is lie.
Copy !req
340. In fact, I have been
lying about who I am
my entire life.
Copy !req
341. Real talk?
I should not be manager
of crime syndicate.
Copy !req
342. I should be manager
of hotel...
Copy !req
343. - chain of hotels.
- (men grunting)
Copy !req
344. Instead of being
this conning man,
Copy !req
345. playing the role of
the ruthless gangster.
Copy !req
346. I mean, that is not
who I am, because...
Copy !req
347. NoHo Hank:
so be it.
Copy !req
348. I'm nice. I'm polite.
Copy !req
349. I'm optometrist
by nature, you know?
Copy !req
350. But because I did not
have courage to stand up
Copy !req
351. and be my true self,
nice guy,
Copy !req
352. and instead chose
pants-on-fire existence,
Copy !req
353. we are all on
the barbecue bus.
Copy !req
354. So, guys, I am really sorry
Copy !req
355. for, uh, convincing you
I was ruthless leader.
Copy !req
356. I will regret it
for the rest of my life.
Copy !req
357. Probably two more minutes.
Copy !req
358. So, in closing, hopefully
there is afterlife,
Copy !req
359. and I can host
you all in heaven
Copy !req
360. and make you
delicious appetizers.
Copy !req
361. Wouldn't that
be something, guys?
Copy !req
362. Guys?
Copy !req
363. Guys!
Copy !req
364. Guys? Esther is leaving!
Copy !req
365. Also, really need
your help here.
Copy !req
366. Please!
Copy !req
367. - Mayrbek! (coughing)
- Aah! (shouting)
Copy !req
368. NoHo Hank (choking, coughing):
Mayrbek...
Copy !req
369. Okay, guys.
Copy !req
370. (sighs)
Looks like
we did it, huh?
Copy !req
371. He helped. Go team!
Copy !req
372. Akhmal, how you doing, buddy?
Copy !req
373. - How's the, uh, arm?
- (man grunts)
Copy !req
374. - Both arms?
- (Akhmal groans)
Copy !req
375. - Khazam, well, well, well.
- (accordion wheezes)
Copy !req
376. The musical traitor.
You know what happens
to cowards like you?
Copy !req
377. I was getting to that, man.
Copy !req
378. Okay, seriously, I was
right about to do that.
Copy !req
379. - Okay, guys, so—
- (Mayrbek speaks Chechen)
Copy !req
380. - (men muttering)
- Guys...
Copy !req
381. Wait, hold phone.
Is this about
what I said on bus?
Copy !req
382. Because I was delegating.
Copy !req
383. Okay? To empower you.
Copy !req
384. That's what
a good leader does.
Copy !req
385. And, uh, like a good leader,
Copy !req
386. I'm gonna get us some Ubers.
Copy !req
387. Once I get to a place
with enough bars.
Copy !req
388. Guys, it's hard to,
uh, type and walk.
Copy !req
389. It's just embarrassing.
Copy !req
390. That Aaron Ryan thing was
a terrible fit for you.
Copy !req
391. And so lame, by the way.
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392. And, you know,
I saw "lead role,"
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393. and I was thinking like
an agent, in the worst way.
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394. I— Honestly,
Lindsay, it's okay.
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395. No, it's not.
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396. Sally, I work for you.
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397. I should be
supporting your voice.
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398. I want to support artists.
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399. I promise I will be a better
agent moving forward.
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400. You still want
to represent me?
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401. Yes. And first and foremost,
by getting behind this piece.
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402. - (chuckles)
- All morning, I've been
rolling calls with
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403. casting directors,
executives, producers.
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404. I've been working my ass off
to fill this audience
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405. with industry professionals.
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406. So, wh—what about
Mike and Michael?
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407. I mean, they thought
the whole thing was silly.
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408. Yeah, I haven't, like,
looped them in yet.
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409. But don't worry about the Mikes.
I'll get them on board.
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410. What about the rest
of the class?
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411. Because the whole thing was
kind of supposed to be, like,
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412. this evening where everyone
was gonna tell their stories,
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413. and everybody's been
working really hard, and—
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414. I— You know, I don't—
I don't represent them,
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415. but as far as I'm concerned,
if you want them in it,
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416. they're in it.
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417. What do you say?
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418. I say... yes!
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419. - Oh my God!
I gotta get writing! Shit!
- Yeah.
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420. - Um, I should show you
around the theater.
- The theater, so, I'm...
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421. I might have already
pulled the trigger
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422. on a different venue.
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423. One of our senior partners
is on the board here,
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424. so we managed
to pull some strings.
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425. The whole place is yours.
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426. But it's gotta be
tomorrow night.
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427. Tomorrow?
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428. How many seats
is this?
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429. Four hundred.
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430. Wow... wow.
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431. - Hey, you guys wanna
see the dressing rooms?
- All: Yes! Yes.
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432. - Oh, my God.
- (excited chattering)
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433. Hey, Mr. Cousineau, um,
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434. guys brought their own
pies to the audition.
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435. Could you pick me one up
on your way over here?
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436. Listen, I am so sorry
to leave you in the lurch,
but I am not gonna make it.
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437. What do you mean you're
not gonna make it?
Who's gonna read with me?
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438. I'm headed up to my cabin.
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439. Cabin? Wait, your cabin?
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440. This private detective
approached me.
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441. He said he wants to take
a look at the area again,
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442. 'cause he thinks he can
get to the bottom of
what happened to Janice.
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443. - Private detective?
- Yeah, his name is
Kenneth Goulet.
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444. Oh, you know what?
Here he is now.
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445. Hold on. He wants
to talk to you.
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446. - Barry.
- Ah.
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447. Hi. Kenneth Goulet speaking.
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448. Fuches?
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449. Fuches, don't—
don't do this.
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450. Oh, it's good to talk to you,
too, there, Berkman.
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451. Now, you don't— you don't
happen to remember
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452. anything more about the night
Ms. Moss disappeared, do you?
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453. Fuches, I'll go back
to Cleveland.
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454. I'll— I'll kill again.
I'll do whatever
you want to do.
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455. Just please, please.
Don't hurt Mr. Cousineau.
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456. Shut up. (chuckles)
You think I'm out of moves?
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457. Fuck you, I'm out of moves!
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458. Fuches, please—
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459. Barry Block?
You ready?
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460. Jay Roach:
So, just one thing
before we get going.
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461. Um, how tall are you?
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462. Six-two.
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463. Oh, great.
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464. Good, good. Okay.
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465. Casting Assistant:
I'm gonna read
with you, Barry.
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466. "J.T., what's up,
boner boy?"
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467. "Hey, Ike."
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468. "Heard you and
the junior lifesavers
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469. had a pretty crazy
night last night."
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470. - Where'd you get that?
- "From Gwyneth.
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471. When she came over
to my place last night."
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472. What?
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473. "Yeah, I'm boning
your girlfriend.
Later, Homes."
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474. (as Jethro):
"J.T. Dudeman, did I
just hear that right?
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475. Did Ike say he was
boning Gwyneth?"
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476. Yeah, that's what
you heard, Jethro.
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477. "Well, forget her.
You should just move on,
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478. like you don't
give a shit."
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479. Oh, I'm gonna give
a shit, all right.
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480. Literally.
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481. Wow, you really...
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482. underplayed that.
(chuckles)
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483. It's like you didn't do
any of the jokes.
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484. Do you wanna do
the second scene?
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485. Wow.
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486. He did not give a fuck.
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487. No.
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488. What's his name again?
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489. Uh, Barry Block.
He's— he's six-two.
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490. Well, this is it.
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491. - Come on in.
- Ah.
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492. Wow.
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493. Barry Block.
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494. Isn't that the guy
I talked to on the phone?
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495. I thought you said
his name was Berkman.
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496. - Yeah, well, he changed it.
- Oh, he changed it?
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497. Well, nine times out of ten,
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498. a new name means
shady character.
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499. No, it's a stage name,
Mr. Goulet.
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500. And, uh, he took on a whole
new identity with it.
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501. How do you mean?
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502. Look, it might say
"drama teacher"
on my business card,
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503. but in actuality,
I'm more of a therapist,
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504. a father, if you will,
to those kids.
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505. And that boy,
when I met him?
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506. No direction,
nobody in his corner.
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507. He was like a plastic bag
blowing in the wind.
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508. But together,
we turned that around.
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509. He's got
a big audition today.
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510. That's where he was
when we spoke to him.
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511. I am so proud of him.
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512. - Want a tour?
I'll show you the rest.
- No. Let's take a walk.
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513. You sure you know
where you're going?
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514. Oh, yeah. Uh-huh.
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515. It's down this way.
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516. It's lovely.
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517. Just lovely... country
out here, isn't it?
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518. Gene? Lovely scenery?
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519. Hey, Gene, uh, could you
tell me what kind of tree
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520. that would be
right over there?
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521. You know, it kind of looks like
the same one that's over—
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522. Wait. That couldn't be
Janice's car, do you think?
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523. I do.
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524. Well, we gotta—
we gotta come closer.
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525. We gotta— all right?
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526. We gotta make sure, okay,
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527. that it's her car, okay?
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528. What do you think?
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529. It's her car.
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530. We found her car.
Oh, boy.
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531. Okay, you know what
I'm gonna do?
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532. I'm gonna borrow
your phone here.
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533. I'm just gonna step away
for a sec, right over there.
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534. I'm gonna call the cops.
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535. (quietly):
I'd like to report the body
of Detective Janice Moss.
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536. My name is Gene Cousineau,
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537. and I killed her,
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538. and I just couldn't
live with it anymore.
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539. If you're okay with it,
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540. I wanna open the trunk.
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541. Good. It's all right.
Here we go.
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542. Okay.
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543. Now, you okay, Gene?
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544. Oh...
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545. Fuches...
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546. I'm coming for you.
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