1. Excuse me, sir. Do you work here?
Copy !req
2. Barry, it's me.
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3. - It's Hank.
- I know it's Hank!
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4. - In a wig.
- I know you're in a wig!
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5. - Mr. Cousineau.
- Gene is in pain.
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6. He needs time to process what happened.
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7. Janice was murdered.
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8. I have come to offer you a proposition.
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9. Sweet baby Jesus!
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10. How can we not want to be
in business with this, huh?
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11. Esther is throwing
complete monkey wrench
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12. into my relationship with Cristobal.
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13. So you kill her. Classic crisscross.
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14. That's not a crisscross.
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15. Oh, thank God you're here!
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16. Mr. Fuches...
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17. You got a court order to take my DNA?
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18. We just got a DNA match on CODIS.
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19. Monroe Fuches. Cleveland.
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20. Ohio!
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21. Barry.
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22. - Barry.
- What?
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23. Ground Control to Major Barry.
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24. Are you listening, man?
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25. That troll Esther is pulling fast one.
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26. So Burmese come to America
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27. pretending to be
persecuted Buddhist monks.
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28. They ask government for
the religious asylum,
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29. then live here in temple until
they are clear from immigration.
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30. Then, they join Burmese mafia.
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31. Whole monastery is gateway
for soldiers and drugs.
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32. That's actually kind of a genius plan.
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33. No. It's not genius.
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34. She is not a genius, okay?
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35. It's an okay plan. It's fine.
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36. And I guarantee you, she
did not come up with it.
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37. I mean, look at her.
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38. And look at Cristobal's face.
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39. That is a cry for help.
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40. So you get in there,
you shoot her in her
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41. crazy watermelon-sized head with...
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42. this.
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43. My family sent it to me as threat.
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44. Now, if it came back with
Esther's blood on it,
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45. phew, massive fumble turnover for Hank.
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46. Came back with her blood
on it? What do you mean?
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47. I don't know how... You
want me to get the bullet
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48. out of her head, is that
what you're saying?
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49. - Yeah.
- I don't know how I'd do that.
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50. - That's not how bullets work.
- Okay, um...
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51. Dummy's version: What if you shoot her
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52. with a thick book behind her?
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53. It'll go through her head, get
stuck in book, you open up book,
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54. - take out bullet, simple.
- No, no.
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55. - It's so simple.
- That's not...
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56. So you're saying is I
need to get her to read
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57. a really thick book, and
then while she's reading,
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58. I shoot her in the back of the
head, is that what you're saying?
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59. - Okay. Yeah. I see what you're saying.
- You see what I'm saying?
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60. That's a hat on a hat, so... right.
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61. Regardless, everyone has to
know this is job done by Hank.
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62. So, come on, take it.
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63. Am I evil?
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64. Huh?
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65. Am I like an...
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66. Am I like, like an evil person?
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67. Oh, my God!
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68. I mean, absolutely.
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69. Do I not tell you that enough?
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70. You are like the most
evil guy I know, man!
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71. You know I take no pleasure
in killing people.
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72. You know that, right?
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73. Man, all this talking
has made me hungry.
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74. You know what I could really go for?
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75. Yoshinoya beef bowl.
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76. What the fuck?
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77. Hey, Loach. Ooh, look at that smile!
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78. Is that your ex?
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79. Who is that... Oh, that's the new guy.
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80. He's cute. It must be weird, though.
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81. You kind of want them to
end up with a dog, right?
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82. Mae, what did I tell you about
coming in to my office?
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83. To step out.
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84. Um, okay.
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85. Knock, knock.
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86. I'm ready to go on that trip.
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87. - All packed.
- Cool. What trip?
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88. Uh, to Cleveland to go
interview that Fuches guy.
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89. You're not going to Cleveland.
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90. What? You can't go alone.
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91. That would be a breach of protocol.
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92. Look, Moss was my partner.
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93. This is personal to me, and
you have to respect that.
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94. All right? I'm doing this alone.
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95. Is that all you're taking, though?
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96. Did your wife take all the luggage?
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97. I'm sorry to tell you,
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98. but one of the twins smothered
the other twin in the womb.
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99. - No...
- Why would God allow this to happen?
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100. Maybe he only wanted
us to have one child...
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101. - Hey.
- Hey.
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102. a girl.
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103. What's going on?
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104. Everyone was so jealous of
your performance last class,
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105. that they wanted to
share their own pain.
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106. It's like competitive grief.
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107. We'll name her...
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108. Natalie.
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109. Okay. Got him.
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110. All right, I know you
were just a fetus...
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111. Right.
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112. but is this close
to your experience?
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113. From what I remember, yes.
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114. Shh!
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115. - Okay, who's next?
- Yo, me, Antonio.
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116. Oh, I cannot wait to eat this taco.
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117. Oh, no, I spill hot sauce on my ankle.
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118. ¡Ay, Dios mío!
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119. Eric... Eric, stop.
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120. Doctor, will my leg be all right?
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121. Your pit bull bit through
your lower leg tendon.
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122. - Achilles.
- Achilles.
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123. Your professional soccer
career is over. I'm sorry.
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124. Ay!
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125. Vroom, vroom, vroom, vroom, vroom.
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126. Son...
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127. Your mother and I want you to
know we're getting a divorce.
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128. It's not your fault.
We've just grown apart.
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129. We'll always love you, baby Eric.
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130. Now get these dead bodies out of here,
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131. you fucked up serial killer.
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132. That's not what happened!
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133. Great day! What a journey
you all took us on, huh?
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134. A lot of doctors giving
us a lot of bad news.
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135. I don't know if your work
rose to yesterday's level
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136. from our good friend Barry here.
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137. Well, he was in a war.
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138. So lucky.
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139. Yes, Barry was blessed
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140. with being able to witness the
atrocities of war, absolutely.
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141. I bet you all wish you were
down in the shit with him.
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142. But here's the difference.
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143. Barry, you told your story
with such vulnerability,
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144. such honesty.
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145. Look, I know it is
hard to see yourselves
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146. reflected in the exercises up here.
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147. What if we challenged ourselves
to discover ourselves?
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148. What if we wrote our own pieces,
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149. using moments from our own lives
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150. that help shape and define us?
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151. What if we didn't elevate
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152. somebody else's character
in somebody else's story
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153. but we finally wrote our own?
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154. What if we made it about
ourselves for a change?
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155. - Yes.
- Now, Barry,
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156. you're gonna tell that
story from Afghanistan.
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157. The rest of you, you're gonna
find your sheep-fucker moments.
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158. And then we'll take them all,
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159. we will mold them into a show
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160. that we will do for a paying audience
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161. and the occasional VIP comp.
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162. Now, this is the new work,
ladies and gentlemen.
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163. Are you with me?
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164. - Well, let's get to it!
- Yes, Gene!
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165. Sally, excuse me.
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166. Where are you going?
You haven't gone yet.
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167. Oh, yeah. Shit, sorry.
Can I go next class?
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168. It's just, I have a meeting
to go to at Gersh.
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169. Are you telling me that
that is more important
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170. than sharing your truth with the class?
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171. It's just my new agents
have put together my reel
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172. of all the jobs I've been getting,
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173. like clips of them, like, cut together.
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174. - We know what a reel is.
- I'm really excited.
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175. Sorry. You guys were great, though.
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176. It was really, really good.
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177. You know what? To the rest
of you, take a loose 15.
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178. But, like, I'm not surprised
that she did that.
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179. Hey, Mr. Cousineau?
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180. Hey, Private Pyle. How you doing?
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181. Oh, let's not call me that.
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182. Your story, just an idea...
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183. There is an embellishment
called the Dennehy Balloon.
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184. Actually, it's a colostomy
bag filled with blood
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185. that Brian Dennehy used
during Death Trap.
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186. When he was shot, he would...
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187. Mr. Cousineau, um, I don't
really have to tell the story
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188. I told yesterday in front
of an audience, do I?
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189. - Of course not.
- Oh, good. Thank you.
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190. No, that version is just the beginning.
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191. - Shit.
- See during rehearsal...
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192. and this is just my instinct...
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193. you're gonna find more complicated
and fucked up details.
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194. Those... we have to hear.
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195. Right, but you know, you
said that this is a story
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196. - that, um, has to define us.
- Mm-hmm.
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197. I just... I don't think
that's the person that I am.
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198. - Barry, you're justifiably nervous.
- Yeah.
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199. But I will not hear a word about
switching it out, one iota,
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200. for something less compelling.
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201. You, sir, are doing Afghanistan.
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202. See, I want to do the
story about meeting you.
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203. Go on.
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204. Yeah, you know, being in this
class and seeing you teach and...
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205. So you wanna tell the
story of meeting me?
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206. Yeah.
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207. I'll allow it.
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208. Oh, good. That's great. That's great.
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209. I think it will be way
better than Afghanistan.
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210. I can be as involved
as you need me to be
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211. in order to craft this piece,
or I can stay on the sidelines.
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212. I totally understand.
Either way is fine.
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213. - Okay, I don't think I need...
- But who would know
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214. more about me than me?
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215. That's a good point,
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216. but I don't think you need to
be involved at all, you know?
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217. - I was there, so I remember.
- I've got scrapbooks.
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218. - Oh, cool.
- If you need them.
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219. I've got diaries, I've got
pictures, I've got tapes.
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220. Barry, I have got a lot of tapes.
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221. I think I'm good,
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222. - Mr. Cousineau, thank you. Thank you.
- Okay.
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223. You know what? I'm gonna
call Natalie and send her
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224. - to the storage unit anyway.
- Okay.
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225. - All right. Okay.
- Just in case.
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226. - For the tapes. Okay.
- Got it.
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227. If anyone calls or knocks on the door,
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228. - you just ignore them, okay?
- Okay.
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229. You and Emily just sit tight.
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230. And before you know it,
this'll all be over.
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231. There must be something
I can do to help.
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232. There is.
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233. Let me handle this.
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234. You've had to overcome
a lot of misogyny,
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235. adversity, sexism to
get to where you are.
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236. Nothing's been handed to you.
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237. You've earned it.
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238. Congratulations, ladies.
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239. You're my lead prosecutors now.
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240. We won't let you down,
District Attorney McGarrity.
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241. I know you won't. Now...
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242. - Sir, your three o'clock is here.
- Tell them to wait!
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243. I'm talking to my lead prosecutors.
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244. - Sorry about her.
- How did they not pick this up?
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245. Sar Norff's men have
surrounded our ship.
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246. How are we gonna get home, Dad?
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247. We'll just have to make a run for it.
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248. Make a run for it? If
we do that, we're dead.
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249. Thanks, Babe.
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250. Woo!
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251. So great.
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252. You are nailing these scenes.
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253. It's like I forgot you were acting.
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254. You became the character
of... what was her name?
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255. Oh, the script just said "wife."
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256. Well, you elevated it. Look, we love it.
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257. But forget how we feel.
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258. How do you feel? Be honest.
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259. It's... so great. Thank you so much.
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260. I mean, I feel so lucky. Thank you.
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261. Well, you are booking like crazy.
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262. You gotta come by more.
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263. - All right.
- Yeah.
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264. Sorry to keep this brief,
but Mike and I have to run.
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265. They'll validate you at the front.
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266. - You know how to get out, right?
- Uh, yeah.
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267. Sally, you stay. You two go
on ahead, I'll walk her out.
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268. So fucking thrilled.
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269. You hate it.
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270. I just, like...
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271. Seeing it all cut together
like that, back-to-back...
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272. Look, these parts are not the best
representation of your talent.
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273. I just feel like I have more to
bring to the table than breakfast.
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274. "Breakfast."
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275. That's amazing. I'm crazy about you.
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276. And I just want you to be happy.
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277. Okay.
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278. Um, so what do we do?
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279. Here's what we do...
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280. We play the game.
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281. Okay, okay. Hear me out.
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282. Before Jennifer Lawrence became "J-Law,"
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283. she was the daughter on the
Bill Engvall sitcom, okay?
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284. Okay.
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285. Good parts come with time,
but you gotta hang in there.
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286. I know it's so frustrating,
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287. but it's the way this industry works.
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288. - Okay?
- Okay.
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289. - Is that the plan?
- Yeah.
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290. - Yeah, that's the plan.
- Okay.
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291. - Thank you, Lindsay.
- You bet, yeah.
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292. Hey. Monroe Fuches.
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293. Thank you.
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294. Monroe Fuches?
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295. No.
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296. Detective Loach, LAPD.
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297. Just like to ask you a few questions.
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298. Yeah.
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299. So, Mr. Fuches,
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300. I have your tooth at the scene
of a quadruple homicide.
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301. How does that happen?
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302. You know, that's funny.
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303. I was gonna call the cops about that.
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304. Uh, my tooth... this one.
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305. I woke up, and it was gone.
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306. I have no idea where it went.
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307. You have no idea where it went?
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308. No idea.
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309. Okay. All right. I'm
not gonna lie to you.
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310. I was with a lady.
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311. And I think, maybe,
while I was sleeping...
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312. she extracted it.
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313. Why would she do that?
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314. Who knows what these
foreign prostitutes do?
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315. I mean she might've taken
it as some sort of...
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316. trophy or something?
Copy !req
317. You know, like an ivory
tusk or a rhino horn.
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318. Maybe she wanted to grind it
up and use it as a potion.
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319. I don't know what goes on with them.
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320. So...
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321. - in this scenario...
- Uh-huh?
Copy !req
322. how does it end up in Pazar's garage?
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323. Hmm, well...
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324. Uh, she might've taken it with her
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325. - on her route and left it there.
- Uh-huh.
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326. I don't think they have routes.
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327. Well, I mean suit yourself.
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328. But if I'm a cop, I want to
look at all the possibilities.
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329. Hey, do you know this guy?
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330. Is that a guy?
Copy !req
331. Looks kind of gender-liquid to me.
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332. Well, his name is Barry Block,
Copy !req
333. but his real name is Barry Berkman.
Copy !req
334. And he's from right here
in Cleveland, like you.
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335. - Hmm.
- Hmm.
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336. Yeah, well I've never seen
him before in my life.
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337. - Hmm.
- Mm-hmm.
Copy !req
338. So you, you definitely...
Copy !req
339. you definitely didn't
see him kill Pazar.
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340. I don't know this dipshit,
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341. and I don't give a fuck about Pazar.
Copy !req
342. Yeah.
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343. I don't give a fuck about Pazar, either.
Copy !req
344. You know what I do care about?
Copy !req
345. I care about who killed my partner,
Copy !req
346. Detective Janice Moss.
Copy !req
347. And I think this guy might've
had something to do with it.
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348. He might be a cop killer.
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349. And if I find out that you're
even slightly involved
Copy !req
350. with this fucking guy,
Copy !req
351. like in any way, shape, or form,
Copy !req
352. you're going to prison.
Copy !req
353. You got me?
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354. No, no, no, no. Come on.
Copy !req
355. Come on! I fucking pushed the button!
Copy !req
356. - The game says you didn't.
- Well, that's bullshit,
Copy !req
357. because I'm obviously
pushing the button.
Copy !req
358. - Hey, guys.
- Hey, roomie. Not now, okay?
Copy !req
359. I got bread, mac and cheese,
Copy !req
360. and, Jermaine, I got your Gatorade.
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361. Sweet. Thanks, B.
Copy !req
362. Um, I'm actually a little light.
Can I get you tomorrow?
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363. Sure, yeah.
Copy !req
364. - Word.
- Aw, goddamn, it's happened again!
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365. Yeah, you really aren't good at this.
Copy !req
366. Hi, Dad.
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367. Leo, hi!
Copy !req
368. Oh, what a lovely coincidence!
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369. I don't know if you know this,
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370. but I've just recently lost
someone very close to me.
Copy !req
371. Mom told me.
Copy !req
372. And I thought to myself, you
know, life is so short.
Copy !req
373. A father should have a
relationship with his son.
Copy !req
374. Okay.
Copy !req
375. Were you planned? No.
Copy !req
376. But then there you were.
Copy !req
377. So I did what every great
actor does, I improvised.
Copy !req
378. You left.
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379. Look, you want to leave them
wanting more, not less.
Copy !req
380. And then there was my work, my students.
Copy !req
381. Your fucking students. Okay...
Copy !req
382. Look, you're jealous, Leo.
It's totally natural.
Copy !req
383. I don't care about your
students and neither do you.
Copy !req
384. That whole theater is
just a big shrine to you.
Copy !req
385. Even this is about you.
Copy !req
386. We don't have a relationship, Dad,
Copy !req
387. and I'm fine with that, I really am.
Copy !req
388. No reason to force this.
Copy !req
389. Barry, you are worthless and weak.
Copy !req
390. Do you hear me, Barry,
you cemented head?
Copy !req
391. Yes, Mr. Cousineau.
Copy !req
392. Are you aware you are
incapable of playing
Copy !req
393. a character with a mil...
Copy !req
394. mildest set of balls?
Copy !req
395. I think it's because I've never
had an adult male role model,
Copy !req
396. so I don't have the emotional
tools to advocate for myself.
Copy !req
397. I know, Barry. I'm going
to give you those tools,
Copy !req
398. and thus change your life.
Copy !req
399. It's going to be incredible,
Copy !req
400. and I'm going to owe it all to you.
Copy !req
401. I am Gene. This is my
theater. It's what I do.
Copy !req
402. Barry...
Copy !req
403. Hey, Mr. Cousineau! Mr. Cousineau.
Copy !req
404. Yeah, we just put this up on its feet.
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405. - It's feeling pretty good.
- Yeah.
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406. Yeah, we had a ques...
What was the, um...
Copy !req
407. - Balls.
- Oh, yeah.
Copy !req
408. Did you say I have no nuts
Copy !req
409. or that I have no balls?
Copy !req
410. We just wanna make sure it's accurate.
Copy !req
411. Barry, you're gonna do the
story from Afghanistan.
Copy !req
412. - What?
- Just be your real self.
Copy !req
413. Afghanistan.
Copy !req
414. I don't think he liked your performance.
Copy !req
415. He's not wrong.
Copy !req
416. I mean, thank God Lindsay's
on my team, you know?
Copy !req
417. Because my other two agents,
Copy !req
418. Mike and Michael, they
just don't get me.
Copy !req
419. I mean, they keep sending me up
for these shitty little parts.
Copy !req
420. It hurts that they don't think that
I'm ready for something bigger.
Copy !req
421. So your burden is that
you're booking work?
Copy !req
422. Okay, fair. I'm booking, yeah,
Copy !req
423. but, you know, nothing
substantial, nothing meaty.
Copy !req
424. Just like... housewife,
stepmother, assistant.
Copy !req
425. Nothing I can really bring
my truth to, you know?
Copy !req
426. Just a bunch of weak women.
Copy !req
427. Oh, you don't like weak women.
Copy !req
428. You can't bring your truth to them.
Copy !req
429. - No.
- Why?
Copy !req
430. I...
Copy !req
431. What do you mean, "Why?"
Copy !req
432. I'm a very self-sufficient person.
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433. Well, I, um... I'm
extremely independent.
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434. Um, when I moved out here, I
didn't know a single person,
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435. and I had no money, and I'm
doing just fine, thank you.
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436. Okay.
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437. Okay, Gene, I think I know
what you're trying to do here,
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438. and I'm just, I'm not going
to fall for it, okay?
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439. I just... I know what you,
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440. you want me to say. I get it, okay? I...
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441. Okay, you want me to
say that I was married
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442. and he was abusive and I
stayed in it for years anyway.
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443. Is that what you want?
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444. That's what you wanted to hear.
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445. Wait, you think that I'm
booking all these weak women
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446. because I was weak in my marriage?
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447. Well, you're wrong.
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448. You're wrong, I am not weak.
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449. I left, okay?
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450. I... I moved to LA to live for me,
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451. and now I stand up for myself and...
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452. and I don't apologize
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453. and... and I am with someone
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454. who respects and accepts
me for who I am, okay?
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455. And I will never, ever be
with a violent man again.
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456. Don't you think that that
might be your story?
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457. I, uh...
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458. Shit.
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459. Shit.
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460. Shit! Shit!
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461. Aah! Shit!
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462. Oh, shit.
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463. Shit.
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464. Fuches?
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465. Yeah.
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466. Hey, look, I know, I know
that you don't wanna see me,
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467. and I don't wanna see you. I get it.
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468. What the fuck are you doing here, man?
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469. I don't... I don't want to bother you,
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470. but I'm just a bit
freaked out, you know.
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471. You know what I'm saying? The
LAPD, they came to Cleveland
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472. and they were asking a
bunch of questions.
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473. - How the fuck did you find me?
- Barry, just shut the fuck up
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474. and listen to me.
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475. Did you kill a fucking cop?
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476. That's all. Huh? Did you?
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477. Because they think I'm involved,
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478. and I've got to fucking
know exactly what happened,
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479. - what the fuck you did.
- Yeah, you gotta go. You gotta go.
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480. - Fuches, you gotta go.
- No, I could go to jail.
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481. You don't ambush me like this.
You don't ambush me like this!
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482. - You gotta go!
- I could go to fucking jail!
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483. - It's not about you, it's about me, man!
- I don't care. Fuck off.
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484. Fuck off!
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485. I can fucking help you!
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486. I don't wanna see you again!
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487. I can get him. Just
give me another shot.
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488. Someone is trying to play with us, Hank.
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489. Esther and her men were
attacked last night.
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490. Wow. What dirtbag would attack
you and fail, thankfully?
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491. Are you struggling with your piece?
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492. I know better than anybody
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493. how scary it is to confront the past.
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494. The first time I killed someone
was the best day of my...
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495. No, no, no, no.
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496. So this is how you're
earning a buck now?
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497. Selling sports bras?
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498. Fuches, I'm really glad you're here.
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499. Really?
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500. You start telling the truth,
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501. they are never gonna look
at you the same way again.
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