1. You gotta take this class, bro.
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2. Gene's teachings
changed my life.
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3. Folks. Ryan Madison...
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4. is dead.
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5. We got two DBs in the BMW...
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6. They look Russian or Chechen...
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7. Freeze, calf-boy.
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8. You killed two of my men.
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9. One of them
was best Chechen assassin.
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10. - Well, he wasn't that great.
- Hey...
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11. This hit is urgent.
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12. I want you to do it, Barry.
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13. - Yes, or we kill him now.
- Barry...
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14. If you— if you hurt him...
I'll come back here...
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15. and I'll kill
every single one of you.
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16. He cares about Fuches.
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17. That's just nice.
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18. We all act
in our everyday lives.
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19. The basketball player
acts angry to get the crowd
to their feet.
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20. The woman acts
as if she's had a climax
with the incompetent lover.
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21. We all act.
But what I want you to do
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22. is simply identify,
moment to moment,
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23. what you've been
doing subconsciously
your whole life.
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24. I remember once,
Patrick Swayze—
a true friend
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25. until we had a falling out...
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26. and he had it written
into his will
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27. that I was barred
from his funeral—
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28. Yup?
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29. Hey, man.
Are you seeing
this beautiful morning?
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30. What are you doing?
How are you?
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31. What am I doing?
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32. I'm set up to kill Paco
like you asked me to.
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33. What do you mean,
what am I doing?
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34. Oh, right. Duh.
Umm, here's the thing.
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35. I need you to wait, Barry,
just a little bit longer
for my signal.
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36. Wait? For what? Wait—
What— What signal? Why?
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37. Because we sent bullet
to the Bolivians.
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38. You sent a bullet
to the Bolivians?
What, like in the mail?
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39. DHL.
It's actually really cool.
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40. So, Paco is our informant
within the Bolivians.
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41. We tell him, "Trust us.
Tell us everything you know."
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42. He tell us,
because he is stupid,
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43. and now we have
to kill him before he tell
other people he tell us.
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44. Okay, what does
that have to do
with mailing a bullet?
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45. See, this way,
we send message
to the Bolivians,
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46. get inside their heads.
They open mail.
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47. Bullet. "What?"
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48. Phone rings. "Hello?
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49. - Paco's dead?
- What?"
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50. Little "what" leads
to big "what" for full effect.
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51. Hank, you can't do this
to me right now, all right?
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52. I'm fully exposed here.
I gotta do this now.
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53. All right?
I gotta do it right now.
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54. Well, when I get
DHL confirmation...
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55. from www.DHL.com,
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56. all right,
that's when you kill Paco.
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57. Can you be a bro
for me please?
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58. Wait for high sign?
Hank, I got a clear shot
of Paco right now.
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59. I'm taking him.
I'm not waiting
for some fucking bullet.
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60. I'd rather
you did, though.
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61. Oh my God.
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62. I cannot
fucking believe you're doing
this to me, man. Fuck you!
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63. Fuck you and Pazar!
Fuck you guys!
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64. Mailing a bullet?
What fucking grade
am I in, man?
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65. You bald fuck.
Fuck you, man.
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66. Come on,
you don't mean that.
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67. Website says
it's out for delivery,
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68. so the bullet should
be arriving anytime
between now and midnight.
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69. Bolivian time.
So just wait.
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70. Because if you do not,
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71. we do have Fuches
here still with us,
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72. and I would hate
for something
to happen to him.
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73. I know you guys
are best friends.
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74. Barry? Hello?
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75. He must have bad reception.
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76. Did he ask how I was?
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77. No, but he did seem
weirdly frustrated.
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78. Yeah, I couldn't help
but overhear.
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79. You mailed a bullet?
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80. This Paco seems like
a good informant.
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81. Why kill him at all?
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82. Look. The whole...
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83. mailing bullet concept
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84. is something Goran's
been work-shopping
for years now.
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85. Mmm.
And I just think
this time...
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86. we can really stick
the landing with Paco.
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87. Hank!
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88. Hank. Hank.
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89. I just get call from home.
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90. Okay.
They are sending
Lucky's replacement.
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91. They are sending... Stovka.
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92. What?
Oh my— Stovka?
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93. He's coming here?
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94. Oh my God!
Who's Stovka?
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95. He is best assassin
in history of Chechnya!
Yes!
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96. Oh! Ow! Okay.
A legend!
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97. Oh! Right, right.
It's still tender,
but he is beyond legend.
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98. Okay? He has taken out
whole armies by himself.
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99. He must've murdered over—
what, hundreds?
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100. More. Way more.
He is unreal.
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101. - Simply unreal.
- Okay. When I was kid,
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102. I saw him
once walking out
of discotheque.
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103. He flicks cigarette at bird,
knocked it out of sky.
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104. When will he be here?
Within hour they said.
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105. Yeah, real quick.
What does this mean
for me and Barry?
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106. We'll cross that bridge...
We'll probably kill you.
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107. when we get there.
But I haven't checked
with Goran yet.
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108. Now, the Spring Princess
gathers the fairy dust
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109. for the Rainbow Festival!
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110. Birthday girl.
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111. Let's count her turns.
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112. One, two,
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113. three, four...
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114. - Five, six...
- Hold on.
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115. Hello?
Sally, it's Mike.
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116. How's my favorite
almost-client?
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117. Good, good, I'm great.
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118. You got an audition
this afternoon.
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119. Uh, today?
Oh wow.
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120. Network. TV version
of the Matt Damon movie,
We Bought a Zoo,
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121. only instead of the dad,
it's a millennial girl.
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122. They asked
for you by name.
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123. They did?
For the lead?
18...
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124. No, it's the role
of a mom,
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125. pivotal to the episode.
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126. Cool. So like
a millennial mom?
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127. I don't know.
I haven't read it.
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128. Can I tell them
you'll be there?
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129. Absolutely.
24...
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130. Great.
25...
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131. Sweetie!
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132. Rebecca! Rebecca!
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133. - Shit. Oh, sorry.
- Are you all right, honey?
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134. - Is she okay?
- Oh my God.
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135. You gotta be
fucking kidding me.
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136. Oh, fuck you.
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137. This is
so fucking stupid.
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138. Nice.
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139. Nice. Great.
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140. All right.
That's enough.
That's enough.
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141. Come on, get out.
Go, go, go.
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142. Back to work. Go.
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143. This one's going
on the wall.
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144. Stovka.
Welcome to America.
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145. Ah.
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146. Pop!
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147. Pop!
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148. You want coffee,
something?
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149. Come inside.
No.
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150. I'd rather just sit here.
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151. Okay. Uh... Oh!
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152. This...
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153. was my father's.
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154. I know he would've
wanted you to have this.
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155. First time in LA?
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156. Yeah, I picked up on that,
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157. what you and the big guy
were talking about there.
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158. When my partner
gets back, you're gonna...
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159. kill us, yeah? Pop!
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160. You know,
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161. there's a version
of this where...
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162. you don't do that.
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163. My whole life...
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164. ever since a boy...
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165. is death.
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166. Well, you're a regular
Family Circus cartoon.
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167. Moss, Moss, Moss, Moss, Moss.
What, what, what, what, what?
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168. I just talked to the manager
of the gym...
What?
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169. where Ryan Madison worked.
Uh-huh?
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170. And it turns out
that Romeo Madison
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171. was "training"
Goran Pazar's wife.
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172. "Training."
Oh shit.
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173. Like fucking her.
Fucking.
Motive.
Copy !req
174. So, we know
why the Chechens
would kill Ryan.
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175. But who killed
the Chechens?
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176. You know, I feel
like the unknown shooter's
probably defending Ryan, right?
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177. Well, he's probably
someone from the gym
or the acting class,
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178. 'cause Ryan didn't have
much life outside of these
two places, right?
Copy !req
179. All right, guys.
Hopefully, you've been working
on your private spaces.
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180. Nick, you're up.
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181. Why don't you come up
and amaze us all?
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182. Okay.
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183. Let's see your space.
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184. Wow.
I'm in my childhood bedroom.
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185. Oh, look, here's the ball
from the championship game.
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186. Oh!
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187. Oh, my play chest.
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188. Whoa.
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189. What are
my sister's dolls
doing in here?
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190. I think that's enough.
Thank you.
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191. I'm in my friend's zoo
with my 14-year-old son,
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192. who's the same age
I was when I had him.
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193. My son is nervous,
because we've arrived
at the ape pit.
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194. Tell me, Sally,
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195. what's in the ape pit?
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196. Apes.
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197. Okay, Barry, yes,
we have established
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198. we're in your bedroom,
so what do you see?
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199. Um...
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200. Toy chest?
Don't use Nick's room.
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201. The primary responsibility
of any actor
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202. is to create the reality
and let audience live there.
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203. Mm-hmm.
So, where are we?
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204. Anywhere.
You've been somewhere.
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205. Come on.
Where have you been?
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206. Uh, grocery store.
Are you asking me
or you telling me?
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207. No, I've been
to a grocery store.
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208. All right,
we're in a grocery store.
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209. All right,
here we go.
This is great.
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210. What do you see
up there on the shelves?
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211. Gum.
Gum is
at the register, Barry.
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212. All right?
Here we go.
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213. We're walking
down the aisle.
Get your cart.
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214. Get your cart.
All right?
Pretend to do this?
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215. Do you feel—
do you feel the handle?
Yeah.
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216. Here we go.
Now, take a look around.
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217. What do you see?
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218. Soup.
You see soup.
What kind of soup?
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219. Umm...
Chicken noodle?
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220. Consommé?
I don't know.
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221. What do you mean
you don't know?
I don't know.
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222. Just look
at the shelf.
I can't.
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223. Why?
Someone bought it?
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224. No one bought it.
That's a lie.
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225. Take your hands out
of your pocket.
Don't slouch.
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226. You're stuck.
Barry, I need you
to surrender.
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227. No, no. Stay in place,
don't move.
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228. Take your hands out
of your pocket.
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229. Just... surrender.
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230. Surrender
to the soup, Barry.
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231. I don't know
what that means.
Let's pick a soup.
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232. I don't—
Let's pick
a soup.
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233. Your favorite soup.
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234. I just like broth.
I need help.
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235. Kids, please.
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236. What emotion
do you associate
with soup?
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237. Thirst?
Thirst?
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238. - Thirst is not an emotion.
- No.
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239. What is your emotional
connection to soup?
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240. Like for me, I feel like
it's somehow related to your
relationship with your mom.
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241. Like, maybe there
was sickness.
Sickness. Yes.
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242. Yeah, like
stomachache or the flu.
Yeah.
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243. Cancer. Yeah, dozens.
There are so many cancers.
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244. - Can we stay on topic?
- Yeah, it's probably
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245. most likely
about the mother, like—
Excuse me.
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246. I'm Detective Moss.
This is Detective Loach.
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247. Lovely.
We're in the middle
of a class.
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248. We would like
to speak with you
all about Ryan Madison.
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249. All right,
let's take a hard five.
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250. You think about—
Take your hands out
of your pocket.
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251. Jesus.
Think soup.
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252. Let's do this
in my office.
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253. Stovka, let me
tell you something.
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254. You get on the 10 freeway,
it's the Christopher Columbus
Transcontinental Highway.
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255. You can just drive
and become whoever
you want to be.
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256. This is the country
that invented Superman.
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257. And the women.
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258. Oh my God, the women here!
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259. Stovka, they would love
that accent of yours.
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260. If— I know— I know
a couple of gals in Cleveland
who would love to—
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261. How— how old a guy
are you, Stovka?
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262. Forty-five.
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263. Jesus Christ.
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264. Okay. Okay.
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265. Uh, I— I know one gal—
There's nothing for me.
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266. I had a wife,
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267. a child.
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268. But they leave me.
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269. She say I'm broken.
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270. You talk of freedom?
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271. As long as I work
for them, I never free.
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272. It will always be the same.
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273. My whole life...
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274. ever since a child...
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275. is death.
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276. There is only
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277. one true way out.
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278. Yeah, I caught
about half of that, Stov.
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279. If you could take
my cell phone out of my—
my pocket here,
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280. I could show you one gal—
she's Cherokee!
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281. She's really wild.
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282. What did you do?
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283. Okay, your name?
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284. Barry Berkman.
Sasha Baxter.
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285. Sally Reed.
And your occupation.
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286. I'm an actor...
and— and a barista.
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287. I'm an actress.
I work in auto parts.
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288. I manage
three franchises
of "Coors" gym.
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289. What?
"Coors."
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290. - Coors?
- "Coors."
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291. - Coors?
- Curves.
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292. Oh, Curves.
Right, Curves.
Curves. The gym. The gym.
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293. I just did this
web series— well, it wasn't—
it wasn't a web series.
Copy !req
294. It was a YouTube video,
but, umm— but it's...
up to 249 views.
Copy !req
295. Do you have any water?
You seem a little nervous.
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296. Nope.
Am I under oath?
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297. Did you kill him?
No.
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298. - What? How?
- How?
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299. Can I have a little more?
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300. What's your impression
of Mr. Madison?
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301. He was my best wingman.
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302. He was the bait.
I was the...
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303. the stick to fish with.
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304. He just seemed
like a good dude.
Copy !req
305. Ryan and I did a bunch
of scenes together.
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306. We did Shakespeare in Love.
Have you seen that movie?
Uh-uh.
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307. We did Breaking the Waves.
Have you seen that movie?
Uh-uh.
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308. We did Dogville.
Have you seen that movie?
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309. No. No, wait.
I saw that one.
Mm-mm.
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310. We did a scene
from True Blood,
Copy !req
311. he did a lot of talking,
and I didn't really get
to say much.
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312. Is there anything else
you can think of
Copy !req
313. that would be helpful
in the investigation?
Copy !req
314. No.
Okay. So, thank you
for coming in, Mr. Berkman.
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315. Yeah? Okay.
Thank you, guys.
Yup, you're good.
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316. Fucking idiot.
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317. Someplace else
you need to be, Barry?
No. No.
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318. Hey, uh, Mr. Cousineau,
I'm really sorry about
my exercise in class.
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319. I— I really—
I couldn't see anything.
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320. Barry, you want
to be an actor?
Mm-hmm.
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321. You better get out
of your own way.
Okay.
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322. Life is about taking a risk,
making the unsafe choice.
Copy !req
323. Okay.
All right, here's a little
story just to illustrate.
Copy !req
324. I once auditioned
for the guy that robbed
the house on Full House,
Copy !req
325. and I carried a loaded Beretta
with me into the audition
Copy !req
326. just to feel
the weight of it.
Wow.
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327. Did you get the part?
Oh, they freaked out.
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328. Now look,
you're in a shell.
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329. You need to break out,
and I've got the perfect
anecdote for you.
Copy !req
330. 10cc's of pure Mamet.
Copy !req
331. Mamet?
Yeah, you're gonna play Blake
Copy !req
332. in Glengarry Glen Ross,
the movie.
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333. I'm gonna send you
the pages.
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334. Here's my only direction:
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335. let the cat out.
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336. - Good night.
- Good night.
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337. Hey, Barry.
Hey.
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338. Hey. I booked an audition.
Oh, cool.
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339. Well, actually, Mike said
that the producers asked
for me by name.
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340. Oh wow.
Wait, who's Mike?
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341. My agent.
Oh.
Copy !req
342. Well, actually,
he hip-pocketed me,
Copy !req
343. but once I book something,
he'll be my agent.
Copy !req
344. That seems fair.
Mmm. Can you drive me?
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345. It would really help
to run lines in the car.
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346. Umm...
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347. I can't.
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348. Oh. Okay.
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349. Well, how—
how long will it take?
Copy !req
350. Not long. I promise.
Copy !req
351. Hey, Detective.
Mmm?
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352. You know, I've done
my share of ride-alongs.
Copy !req
353. I know the ins and outs
of your profession.
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354. Mm-hmm?
From where
I'm standing,
Copy !req
355. you check all the boxes.
Copy !req
356. What the fuck are
you supposed to be?
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357. I run this place.
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358. I'm gonna call you.
Copy !req
359. I— I swear.
Copy !req
360. I— I was just making
friendly chitchat.
Copy !req
361. I wasn't— I wasn't pulling
any Hannibal Lecter shit.
Copy !req
362. Why would he do this?
Copy !req
363. He was at top
of his profession.
Copy !req
364. I cannot tell my family.
Copy !req
365. They will be very angry.
Copy !req
366. This might destroy us.
Copy !req
367. I can see you're feeling
a bit insecure,
Copy !req
368. and I'm surprised.
Copy !req
369. But, to be honest,
Copy !req
370. I find it refreshing
you're open with your feelings.
Copy !req
371. Nah. It is weak.
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372. No!
Copy !req
373. That's your family talking.
Copy !req
374. They clearly did
a number on you.
Copy !req
375. No, what you need,
if we're being honest,
Copy !req
376. is a world-class assassin,
Copy !req
377. and I happen to be
very close with one.
Copy !req
378. Barry?
Copy !req
379. That's your son?
The little boy who fell
in the ape pit?
Copy !req
380. Yeah.
Copy !req
381. And when he was down there,
he learned a few things...
Copy !req
382. about how life
doesn't always go
according to plan,
Copy !req
383. and when
you need a friend,
Copy !req
384. sometimes you find one
in unexpected places.
Copy !req
385. You're right.
No. They're right.
Copy !req
386. These animals have
so much to teach us.
Copy !req
387. They're...
incredible creatures?
Copy !req
388. Yeah.
"Incredible"
or "amazing"?
Copy !req
389. "They're amazing creatures."
Copy !req
390. They're amazing creatures.
Copy !req
391. Uninhibited,
intuitive, empathetic.
Copy !req
392. That was amazing.
Thanks.
Copy !req
393. Hey, do you think—
Copy !req
394. you know, when Cousineau
sends me the Mamet stuff,
Copy !req
395. do you think maybe
you could help me—
Sally?
Copy !req
396. We're ready
for you now.
Copy !req
397. With me luck.
Good luck.
Copy !req
398. Hey, you'll wait
for me, right?
Copy !req
399. Oh... uh, yeah. Sure.
Copy !req
400. Thank you. Hi.
Copy !req
401. Hi.
Copy !req
402. Sally.
Copy !req
403. Liv?
Copy !req
404. Hey, girl!
Hi.
Copy !req
405. Oh my gosh. It's so good—
Hi.
Copy !req
406. Sally and I did six episodes
Copy !req
407. of this show
about roller derby together.
Copy !req
408. Sally here was the star.
Copy !req
409. You— you look great.
Copy !req
410. Thank you.
Wow. I— wow.
Copy !req
411. So do you.
Oh, thanks.
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412. Skinny.
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413. - So, what was the show?
- Oh, you never heard of it.
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414. It never aired.
It was really good.
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415. We just got a little unlucky
with the timing of some
world events.
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416. Oh, that's too bad.
What was it called?
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417. Bonnie
and the Boston Bombers.
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418. Oh shit.
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419. Yeah, it was tragic—
both things, obviously.
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420. Super tragic. I—
Super tragic.
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421. So, wait, do you work
for the casting people now?
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422. No.
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423. Wh— No, no, I'm—
I'm on the show.
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424. I'm the one
who bought the zoo.
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425. It's—
It's— You're the lead?
It's your—
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426. Wow. Wow!
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427. That is... awesome.
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428. Listen, so I asked casting
to bring you in for this.
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429. Mm-hmm.
They did not think
you were right...
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430. Mm-hmm.
but I fought for you...
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431. Mm-hmm.
because I really, really,
really want you to get this.
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432. Thank you.
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433. Break a leg, okay?
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434. That was your son?
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435. What? The little boy
that fell in the ape pit?
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436. Yeah. And when
I was down there, I—
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437. Oh. Sorry. Umm...
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438. Yeah, and when
he was down there,
he learned a few things...
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439. about how life doesn't always
go according to plan,
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440. and, umm...
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441. I'm sorry,
I know this. I...
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442. About how life doesn't always
go according to plan,
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443. umm, and sometimes,
when you need a friend,
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444. you find one
in unexpected places.
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445. I'm really sorry. Umm...
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446. Can we just—
Can we start over?
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447. Yeah, well, see,
the thing is,
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448. you're scattered, Goran.
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449. You and your guys,
you're all over the map.
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450. What is it exactly...
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451. that you want?
I want
what Bolivians have.
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452. They have stash house
in Sylmar that I know
makes so much money.
Copy !req
453. Bolivians. Aren't they those,
uh, short motherfuckers?
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454. Statistically,
one of shortest
nations on Earth,
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455. but they are very mean.
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456. So, they got
a stash house you want,
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457. then that's what
you should go after,
the assets.
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458. You're trying to create
a mood with a bullet.
Copy !req
459. Those are lateral moves.
This isn't theater.
Copy !req
460. - It's business.
- Yes!
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461. DHL shows bullet
was delivered
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462. and signed for
10 minutes ago.
Copy !req
463. See, this is exactly
what I'm talking about.
Copy !req
464. Hank. Leave.
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465. What? Come on, man!
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466. This is the thing!
Get out!
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467. Let grown-ups talk.
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468. I will go tell Barry then.
Jeez Louise.
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469. Thank you.
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470. Look, you want to get
a man's attention,
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471. take something away from him.
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472. What, uh, what's
this Bolivian fella's name?
Copy !req
473. Cristobal Sifuentes.
He is... crazy man.
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474. No. Don't sell
yourself short, big guy.
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475. I mean, you...
you were about to take
all my teeth out there.
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476. You're a goofball too.
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477. Me?
You're a goofball.
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478. I'm goofball?
Yeah.
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479. Come on.
So... do something goofy.
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480. Take his stash house.
Copy !req
481. Then when he comes
up here to LA
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482. to deal with that,
you kill him.
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483. You could have Barry
handle these things?
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484. Look, what are we thinking
about this lock, huh?
Copy !req
485. Seems like a remnant.
Copy !req
486. Fuck!
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487. Oh. Hey.
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488. Are— are you okay?
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489. Oh yeah, I had to cry
for the scene, so.
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490. Mom in zoo cries?
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491. My son fell
in an ape pit, Barry.
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492. It's okay.
This day sucks.
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493. I'm sorry.
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494. Hey. Let's go
do something.
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495. Well, I'd, um— I'd love to,
but I gotta go to work.
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496. I thought
you gave notice.
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497. I did, but, um,
this delivery showed up
Copy !req
498. last second.
I've gotta go
take care of it.
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499. Call in sick.
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500. I can't.
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501. That's okay. Sorry.
I'm being a bitch.
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502. You gotta pay
the bills, right?
That's right. Fine.
Copy !req
503. Jesus fucking Christ.
Copy !req
504. Yup?
Copy !req
505. Is it done?
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506. "Is it done?"
Hank, you know,
Copy !req
507. I can't just walk up
to his front door
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508. with a big fucking gun.
That would be stupid. Right?
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509. Okay.
Look, I'm in position,
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510. and, uh, you know,
these things take
as long as they take.
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511. Okay.
Okay? It's called
being professional.
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512. Got it.
Right.
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513. It's just
that timing is key.
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514. Right.
Because to properly get into
someone's head, it is truly—
Copy !req
515. Hey, Sally. Cousineau
gave me this Mamet stuff,
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516. - and it's got a lot of words.
- I was Bonnie.
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517. Are we doing another scene?
Liv was just one
of the Bombers.
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518. I was the lead
on the TV show.
She was just supporting.
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519. She was number five
on the fucking call sheet.
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520. That was four fucking
years ago, and what, now
she has her own fucking show?
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521. How can she be a millennial,
and I'm a mom...
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522. Shit.
when we're
the same fucking age?
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523. I mean, that doesn't
even make any fucking sense.
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524. She was wearing a tube top.
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525. Oh my God,
it was so humiliating.
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526. - Maybe I deserve it.
- Fuck.
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527. Maybe I'm just
a shitty fucking actress.
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528. What? No, you're—
Come on.
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529. Sally, you're like one
of the best actresses
I've ever seen.
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530. Are you sure
you can't hang right now?
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531. Look, I'd really like to,
but I can't.
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532. I don't wanna be alone.
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533. Barry?
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534. I'll be over in half an hour.
Copy !req
535. - No tienes que hacer esto!
- Shit.
Copy !req
536. No tienes
que hacer esto!
Copy !req
537. It's like a flannel—
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538. Anyway...
No tienes
que hacer esto!
Copy !req
539. No tienes
que hacer esto!
Copy !req
540. No tienes que hacer esto!
Copy !req
541. The more I think about it,
the more I think
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542. that Liv planned that whole
thing just to embarrass me.
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543. You know, she was always
such an operator, and I'm not
the only one who felt that way.
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544. All the Bombers,
they all hated her.
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545. We weren't supposed to know
this, but the producer secretly
got her acting lessons.
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546. Yeah. I take them
for the craft.
Copy !req
547. - Hello?
- Hey, man, how's it going?
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548. - It's done.
- Sitting on good news—
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549. Release Fuches.
Copy !req
550. I don't know
if you know this, but you have
herpes for life. Life.
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551. That's why all those guys
keep breaking up with her.
Copy !req
552. I mean, she's
the common denominator.
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553. I know I said
she was the same age as me...
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554. but she's been fucking lying
about her age for years.
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555. Yeah, my friend Amy,
one of the other Bombers,
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556. she had a nightmare
about her last night.
Copy !req
557. She has leukemia, that's—
You just passed my house.
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558. Do you think
I'm gonna be a star?
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559. Like a movie star? Yeah.
Copy !req
560. You're, like,
the best actress I've ev—
Copy !req
561. What kind of soup
do you want?
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562. Lentil vegetable?
Yeah. That's fine.
Copy !req
563. All right,
what else we got?
Some gum?
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564. No tienes
que hacer esto!
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565. No— No tienes
que hacer esto!
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566. No tienes
que hacer esto.
Copy !req
567. Why did you say that?
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568. Umm, do you know
what it means?
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569. Mmm.
"You don't have
to do this."
Copy !req
570. Yeah, I guess not.
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