1. Now the story of a wealthy family
who lost everything...
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2. and the one son
who had no choice...
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3. but to keep them all together.
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4. It's Arrested Development.
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5. Michael Bluth was working
at home when he noticed something unusual.
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6. That can't be good.
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7. Okay, I checked underneath,
and there is a problem.
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8. - You know this isn't a real house?
- It's a model house.
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9. Well, the drain pipes aren't hooked up.
Just empty under the house.
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10. - Plus, there's a lot ofblue paint down there.
- And some pieces of denim?
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11. - Yeah.
- We've got a guy like that here.
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12. Well, that's why
your living room is sinking.
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13. And I think the city's
gonna have to red-tag it.
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14. The city is sending out an inspector.
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15. They're gonna be crawling over every inch
of this place. You're going to need to leave.
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16. Where the hell do you want me to go?
Back to your mother's?
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17. I believe there's a freeloading loser
in my bed.
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18. Buster just lost a hand.
He's going through a lot.
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19. I'm talking about Oscar.
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20. Oh, yes. Your brother.
I can see why that would bug you.
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21. In fact, Oscar had stayed with
Lucille primarily to reconnect with Buster...
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22. - whom he secretly believed to be his natural son.
- Hey, Uncle.
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23. I feel so responsible for that.
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24. Oscar had gotten injured on a shoddy device
George Sr. Had invented...
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25. - when he forgot Buster
was wearing a prosthetic hand.
- Buster! The Cornballer!
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26. - It's my father's fault!
- My fault?
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27. I was trying to keep you
from burning yourself, you idiot!
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28. I mean, yes, yes.
George Sr. Sure rushed this to market.
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29. The only reason she likes him
is he has hair.
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30. And the only reason he has any
is because he's never had any stress.
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31. Yeah? Well, you could save me
a lot of stress if you just turned yourself in.
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32. No, never. I can't go back to the joint.
No, I cannot go back there.
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33. - Hey, man!
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34. Yeah!
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35. - It's a hell-hole.
- I finally got the court to try you in absentia.
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36. Which means we're not supposed to
have any idea where you are.
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37. So you don't have to go to prison,
but you can't stay here.
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38. Remember that French movie we tried to
sneak into once- Dangerous Cousins?
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39. No, l-Why? Did we-
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40. I don't remember that, no.
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41. George Michael remembered very well.
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42. In fact, he currently had a copy of the DVD
hidden in his sock drawer.
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43. Kind of.
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44. Why do you ask?
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45. I got passes to the premiere of the American
remake. Supposed to be great.
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46. It wasn't great, and Maeby knew it.
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47. The studio at which she'd finagled a job
had hoped to avoid controversy...
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48. by artlessly explaining that the two leads
weren't biological cousins.
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49. Shut up and kiss me!
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50. - Where is everybody?
- They've been fired.
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51. And you gotta fix this,
or you're gonna be fired too.
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52. - Cut it down if you have to.
- But it's only 71 minutes long.
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53. And it's only, like, 63 minutes long.
So bring Ann.
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54. No, that's not her kind of thing.
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55. I mean, if it maintains any of the complex
eroticism of the French original anyway.
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56. I like the way they think.
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57. And later, at the office,
Michael had another surprise.
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58. This can't be good.
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59. "Michael, it saddens me
greatly to say to you...
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60. "that I can no longer work
at the Bluth Company.
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61. - You've been a great boss"-
- I'm sorry, Tobias. Do you work here?
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62. Do I work- I developed an eating disorder
being your assistant, Michael.
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63. I never saw you at the desk.
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64. Well, excuse me if I was too busy
on my knees in front of the toilet, Michael.
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65. "I have a tremendous opportunity...
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66. "now that the Blue Man Group
has dropped their cease-and-desist...
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67. "and invited me to audition in Las Vegas.
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68. Also, I've developed
some issues with food"-
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69. I'm sorry to interrupt one more time.
Is this the real Blue Man Group this time?
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70. Tobias had recently been asked
to address a group of depressed men...
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71. who had been described
over the phone as blue.
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72. I feel like a- idiot.
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73. Fortunately, I found a wonderful circle
of men to get me through that.
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74. Oh, before I forget, your old secretary,
Kitty Sanchez, called...
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75. and wanted to meet with you.
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76. - I penciled her in for 4:00 today.
- Why didn't you tell me?
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77. Oh, this is my fault too?
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78. Everything- No. No!
I will not let this make me eat!
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79. So get this. Tomorrow I gotta go on record
and say I don't know where Dad is.
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80. And now Kitty Sanchez
wants to meet with me.
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81. And meetings with Kitty
had never ended well.
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82. - Say good-bye to these.
- Spring break! Whoo!
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83. - Perhaps this'll jog your memory.
- Oh! They're crooked!
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84. Plus, Dad will not leave the attic,
which means he's gonna get caught...
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85. which means I'm gonna
get caught for hiding him.
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86. Well, why don't you get Gob
to do your dirty work for you?
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87. Shall I knock Dad out
and chain him to a pipe somewhere?
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88. Or should I risk another
herpes outbreak with Kitty?
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89. - Which is it this time?
- Definitely not one of those two things.
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90. But are you upset about something, Gob?
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91. I made you a thank-you gift last week
about which you haven't said word one.
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92. Come on.
You asked me for $5,000...
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93. so that you could invest
in a Franklin CD.
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94. Now, I assumed that you were
talking about the mutual fund...
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95. and not a compact disc
of you singing to your hand.
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96. Gob had recently made
a recording of his ventriloquism act.
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97. "Franklin Comes Alive." Take one.
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98. He hoped it would break down racial
barriers and maybe be a crossover hit.
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99. It ain't easy bein' white
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100. It ain't easy bein' brown
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101. All this pressure to be bright
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102. I got childrens all over town
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103. Sometimes-
Hey, where'd the guy go?
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104. I tried to express something to you
in a couple of those numbers...
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105. and maybe, just maybe,
heal this country a little bit.
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106. But you, you didn't even
bother to listen to it.
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107. I did listen to it.
L-l-l-I am listening to it. Gob. Hey.
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108. Maybe the reason I didn't say anything
is 'cause I didn't want to embarrass you.
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109. It's my favorite, favorite record.
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110. Well, then you-
you- up.
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111. Because I am so embarrassed.
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112. It's a good CD.
It's a really good CD.
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113. - I can't believe that you love it.
- I love it so much.
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114. Oh, God. Oh, God, look at us.
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115. Crying like a couple of girls.
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116. Aw, you're the only one crying.
But I love the music.
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117. - And the card with your face on it?
- And the healing.
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118. Home run!
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119. We'll do your dirty work
for you, Mikey.
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120. - You leave the rough stuff to Franklin and me.
- Now I gotta listen to that CD.
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121. - Hi, Dad.
- Right.
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122. You remember Franklin.
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123. - Hey, Franklin.
- My man!
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124. - How 'bout some tongue?
- Wha- Oh-
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125. But Franklin didn't want to kiss at all.
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126. Gob had soaked
the puppet's mouth in ether.
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127. And downstairs, Tobias shared
his good news with Lindsay.
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128. "... once in a lifetime."
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129. Tobias, I am not uprooting my life
and moving to Vegas.
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130. Maybe this is a sign that our relationship
isn't working, and we should split again.
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131. Wait a second. I thought we were split up,
and this would bring us back together.
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132. Well, maybe the fact that we don't know
if we're together or not...
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133. is a sign that we should split again.
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134. Or stay split up.
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135. Okay, forget about Vegas.
We'll stay here and get back together.
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136. Or stay together and either
rekindle or fan this fire.
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137. And soon, Gob was on his way to
dump his father on the police station steps.
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138. Do you forgive me?
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139. And he decided to let himself off the hook
using his ventriloquist skills.
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140. I cherish you, Gob.
Come here and give me a kiss.
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141. I'm driving, Dad.
Now!
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142. It was weird.
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143. And that's when Gob noticed the CD
and card that he'd made for Michael.
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144. It's not even open. Michael!
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145. Meanwhile, Michael's meeting with Kitty
wasn't as distressing as he'd thought.
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146. The program has changed my life. And I have
a sponsor now. He's famous.
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147. - That's great.
- I can't tell you who he is.
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148. But let's just say that
he was on Night Court.
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149. - Well, you look great.
- I can tell you who it's not.
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150. It's not Bull.
It's not Harry Anderson.
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151. - I got it.
- He's white.
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152. I know who it is.
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153. What happens is, when I don't have
a man in my life, I tend to go a little crazy.
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154. - Mm-hmm.
- But I'm keeping it together now.
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155. And I wanted to tell you I'm not gonna
try to hurt you guys anymore.
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156. - Don't suppose I can get that in writing.
- You did try to blow me up.
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157. - Sorry about that.
- Just don't piss me off again.
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158. You all right?
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159. "Oftentimes the heart acts
without consulting the head, and thusly"-
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160. Oh, I see you wasted no time
in filling my seat hole.
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161. Oh, no, no. I just came by so that you
could say good-bye to these.
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162. - Oh, no, no, no, no.
- It's the last time you're going to be seeing these.
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163. How ironic.
I just found out I'm staying.
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164. - Will you take these back?
- Okay, let's just all put our tops down.
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165. Just put 'em on down.
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166. You're not goin' to Vegas?
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167. Sadly, my wife said no to my dream.
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168. So I shall continue
to toil through this waking life.
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169. Wow, you are so real.
Why can't I meet someone like you?
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170. And Michael decided that he
better keep Kitty occupied with a man.
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171. At least until after his meeting.
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172. Hey, gang, I got an idea. Tobias, why don't
you take Kitty out for the afternoon?
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173. Huh?
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174. Are you trying to set up your former
assistant with your current assistant?
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175. What a great idea for a
Hugh Grant-Julia Roberts type movie.
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176. I recently heard that the actor, John Larroquette,
was looking for a meaty character piece.
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177. And so, free of obstacles...
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178. Michael prepared
to sign the affidavit...
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179. maintaining he had no idea
where his father was.
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180. You have not been in contact with him.
Are you prepared to do that?
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181. Officers!
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182. Michael, these men are here-
just a little bit early-
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183. because we have
photographic evidence...
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184. which discredits
the affidavit you just signed.
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185. Are those balls? 'Cause the last time
we were here, they were balls.
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186. These are not balls. This was taken
with a traffic camera.
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187. It shows you in your car with your father
within the last 24 hours.
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188. I wish they were balls.
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189. Michael was in police custody...
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190. after a photo ofhim helping
his father escape had turned up.
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191. Did you see that picture?
That's you, right?
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192. Were you holdin' up
a photo of me or somethin'?
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193. Of course you don't recognize it.
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194. - It's the card from the CD you didn't even open.
- You found that, did you?
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195. Right between the gearbox
and the "pull back from aircraft" lever.
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196. So this is how you repay me
for how I repay you?
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197. I actually did not get
a chance to listen to it yet.
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198. Probably should've told you,
but I didn't want to hurt your feelings.
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199. Oh, you're so sensitive.
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200. Just like when you whipped up those tears
talking about how much you loved it.
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201. I will listen to it, I promise. But I'm
in a lot of trouble here. Where is Dad?
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202. I've got him stashed away
somewhere safe now.
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203. - Get him, quickly,
otherwise I'm gonna be stuck in here.
- Good!
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204. - I hope you rot in here!
- What-
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205. And guess what else?
Dad kissed me.
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206. How? He looked pretty unconscious
in that picture.
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207. I didn't say he was totally into it.
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208. And George Michael
tried to break up with Ann.
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209. I can't go out tomorrow night,
'cause there's this movie premiere at-
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210. It's kinda racy, but-
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211. Oh, the cousin one? I can't believe it.
I was just gonna ask you to go.
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212. - You want to see that?
- No, I want to get
the whole church group together.
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213. We're gonna picket those bastards.
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214. George Michael
had only heard Ann swear once before...
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215. when hejoined some ofher youth group
to protest the home of Marc Cherry...
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216. executive producer
of the hit show Desperate Housewives.
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217. - It's a satire!
- There's nothing funny about fornication!
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218. The bastard saw us!
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219. And the promise of another kiss
was too enticing to turn down.
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220. Well, yes. The bastards.
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221. Oscar, meanwhile,
checked in on Buster.
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222. Buster! Buster! Be careful!
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223. - It's not a real hand, remember?
- I'm so forgetful.
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224. - I hope you don't get that from me.
- Get that from you?
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225. Do you feel okay?
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226. Just forget it!
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227. I wanted to share my Pop Secret with you.
Oh, but forget it!
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228. Pop secret?
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229. Pop se- Is Oscar my real father?
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230. Lucille, meanwhile,
was on the phone with Michael.
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231. They're keeping me overnight.
Could you tell my son I'm on a business trip?
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232. - Why can't the girl at work do it?
- Tobias?
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233. I sent him on a date with Kitty
to keep her off our backs.
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234. You better hope Lindsay doesn't find out.
She'll be devastated.
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235. - Find out what?
- Your husband's dating Kitty the whore.
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236. He is? That's- That's horrible.
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237. Do I know my daughter?
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238. She only wants what she can't have.
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239. Since you're devastating people...
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240. tell Gob I'll be telling the cops
it was him in the truck...
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241. so he'll be joining me here.
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242. I've got a nice, hard cot
with his name on it.
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243. - You'd do that to your own brother?
- I said "cot."
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244. Where's Mother?
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245. You lied to me. You said my father
was my father, but my uncle is my father.
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246. My father is my uncle!
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247. At that moment, the guards
played a CD they'd recently confiscated.
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248. Now I got a special thank you
to the brother who made this happen.
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249. Is that Franklin?
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250. Michael realized that
he could never turn his brother in.
- Michael!
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251. - Gob, meanwhile, was having a similar epiphany.
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252. Barry, it's Gob.
Tell Michael not to testify.
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253. I'm bringing in Dad.
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254. Franklin.
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255. You've ruined the act, Gob.
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256. And Lucille confronted Oscar.
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257. - You told him you were his father?
- I did no such thing!
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258. - You're high!
- You're drunk!
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259. Not this time.
I've had enough of you.
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260. So say good-bye to these,
because it's the last time-
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261. And Ann in a protest at the theater.
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262. George Michael?
Are you protesting this?
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263. - This isn't the line?
- Yes, he is protesting this.
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264. He even helped me make the signs.
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265. Well, only mine and the one that says,
"This is a tricky, gray area."
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266. - What are you guys protesting?
- It's a disgusting movie...
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267. about cousins
who are into each other.
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268. Are there any more seats?
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269. Yeah. It's the best 52 minutes
you'll spend all day.
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270. Oh, no. We're making it worse.
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271. Prepare to be swallowed
into the depths of hell!
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272. - I guess that means no kiss?
- I'm not really in the mood for a kiss.
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273. This isn't Marc Cherry's house.
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274. - Where's your dad?
- I don't know. I just got here.
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275. Oh, that's right.
Mother told me he went to jail.
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276. I'm so mad at her.
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277. - Guess who I just found out my father is?
- Jail?
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278. Oscar! He didn't mean to tell me,
but I figured it out.
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279. - No, I mean, my dad is in jail?
- I wouldn't worry about it. Barry's very good.
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280. I'm going to take a long shower. I don't
even want to smell like Mother anymore.
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281. I don't think we're supposed
to shower right now, Bus-
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282. - Tobias back yet?
- No.
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283. Oh, my God. He's really out with her.
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284. - Are you drunk?
- Not enough.
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285. I pushed him right into
someone else's skanky, bony arms.
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286. Well, let me tell you something,
George Michael.
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287. You have to grab love while you have it.
Don't let it get away.
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288. Oh, there you are.
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289. Oh, Maeby, everything's fine.
Your daddy's just out.
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290. Yeah, we're doing great.
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291. Mommy's gonna take a bath
with a bottle of wine.
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292. - I don't know if we're supposed to use-
- So get this.
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293. All the press actually made the premiere a hit.
There's lines for the next show.
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294. Thanks, buddy.
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295. Hey, look at that.
We didn't get swallowed up into hell.
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296. And that's when George Michael
finally got close to Maeby...
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297. who, by the way, might not
be his biological cousin.
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298. Just then, Gob came home to retrieve
his father from where he'd stashed him.
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299. - Dad's gonna be crushed.
- You don't have to tell him!
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300. But Gob was referring
to his own father...
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301. who he had hidden under the house.
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302. Uh-oh.
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303. Gob had hidden his father
under a house that had just collapsed.
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304. Children, you're small.
Crawl under there.
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305. - We don't want to go under there.
- He's not under there.
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306. He got away. Thank God.
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307. But then Gob remembered that this meant
Michael would have to go to prison.
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308. - We-
- l-
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309. And Michael and Barry
made their way to the arraignment.
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310. Gob is bringing your father.
Everything is going to work out fine.
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311. I wish they'd hurry up.
But I gotta tell you, I am a little torn.
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312. My father, he has created
a lot of problems for the family...
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313. and by staying in the attic he was insuring
I would go to jail with him, but-
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314. Well, maybe I'm not so torn.
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315. - Michael. Barry.
- Hey, Gob.
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316. - Where's Dad?
- Great news. Dad wasn't crushed to death.
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317. - Was there risk of that?
- Yes.
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318. Well, I handcuffed him
under the house.
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319. But he got free- the pipes I chained him
to weren't connected to anything.
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320. - Oh, I'm not prepared for this case.
- Are you insane?
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321. - No "thank you" for trying?
- I'm sick of you needing constant
validation for screwing up.
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322. Let me tell you what's gonna happen.
I'm gonna tell them it was you in the stair car.
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323. Well, let me tell you
what's gonna happen.
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324. First, I'm gonna beat the crap out of you,
then I'm gonna call an ambulance.
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325. Then knowing you, I'm gonna have
to wait for some kind of an apology.
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326. Come here!
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327. As the boys set to once again
fighting in front of the courthouse-
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328. - Stop it! Stop it!
- the family began to show up for the arraignment.
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329. I know you're in the middle of something,
but I'm afraid I can't work for you today.
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330. I'm going to Vegas with Kitty.
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331. But Lindsay wasn't
about to lose her man without a fight.
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332. Over my dead body!
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333. Oh, my-
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334. Hey! Hey! I said- I said enough!
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335. Now, stop it.
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336. I am so tired of this family fighting.
The anger ends now.
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337. You're brothers, and brothers
stick together no matter what.
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338. Families stick together.
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339. I have torn this family apart
with my lies and my cowardice...
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340. but that comes to an end now.
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341. So I'm turning myself in.
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342. I don't want you to come
and visit me in prison this time.
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343. 'Cause you deserve Oscar now.
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344. Tobias, I actually fought for you.
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345. I can't believe it.
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346. - I'm going to Vegas with Kitty.
- Huh?
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347. Oh, George, I've lost you again.
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348. Take back Oscar, Mother.
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349. I think I lost him too.
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350. In fact, Oscar
was on his way out of town...
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351. when he was approached by George Sr...
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352. who had just escaped
from under the house.
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353. I want you to turn me in so you can
get the reward, take care of the family.
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354. Why would you do that for me?
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355. Because we're brothers.
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356. Later, while George Sr. Was shaving
his unconscious brother's head...
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357. he wondered whether there really was
a reward, and ifhe could get it.
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358. But there was no time, and getting even
with his brother was reward enough.
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359. So it was Oscar who was going to be
spending a little time alone in prison.
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360. I guess Dad finally came through for us.
He actually made a sacrifice.
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361. Although who knows
what he's up to.
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362. We should just stay away from him,
let him have a little time alone in prison.
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363. He is right about one thing, though.
We're brothers. We shouldn't be fighting.
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364. - We cannot afford to lose each other.
- I can't.
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365. - I already lost a brother today.
- Franklin?
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366. Well, I didn't lose him.
But he's all puckered and white.
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367. On the plus side, you can take him
to lunch at the club now.
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368. That's the kind of joke
he would have loved.
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369. Oh, man!
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370. - Please don't do this.
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371. - All right.
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372. On the next season
of Arrested Development.
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373. I burned them on a Cornballer.
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374. Oscar, robbed of his fingerprints,
has difficulty proving his identity...
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375. My hair's gonna grow back.
You'll see.
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376. Tobias and Kitty go to Vegas...
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377. - only to find that his dream job has been filled.
- You found someone already?
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378. Just came out of nowhere, this guy.
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379. And the great thing is,
he's never out of character.
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380. And George Sr. Turns out to be right
about the effects of stress.
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381. What's happening to me?
Why won't it grow back?
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