1. Now the story of a wealthy family
who lost everything...
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2. and the one son
who had no choice...
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3. but to keep them all together.
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4. It's Arrested Development.
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5. It was Sunday morning,
and Michael was making cornballs.
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6. A Bluth family favorite since
George Sr. unsuccessfully...
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7. tried to market the device
in the mid-'70s.
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8. Time to pull out the basket
and we dig into some hot...
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9. - Son of a bitch!
- Oh, look what you did!
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10. - You plopped it!
- I'll plop you!
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11. It was a ritual Michael shared with his son...
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12. before their weekly
bike ride to Balboa Island.
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13. Be careful! Don't touch that.
Never touch that.
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14. I'm looking forward to our ride today.
We better go extra hard
to work off these cornballs.
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15. Or, you could not eat the cornballs
and let your kid lead his own life.
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16. Please. He loves this. Am I right?
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17. Actually, uh, I can't really go today.
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18. - How's that?
- My bike needs a tune-up or something.
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19. Let's not blame the bike, okay?
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20. It's the poor carpenter that blames
his shoddy tools for the... Ow!
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21. Christ!
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22. - That stupid cornballing piece of...
- You okay?
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23. - So I'm gonna go, okay?
- Yeah, yeah. It's fine.
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24. It's good.
That's okay. Have fun.
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25. - Getting too old for his daddy?
- No. He'll be fine.
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26. And I would buy him a faster bike
if we weren't trying to save every...
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27. - Did you go shopping?
- Oh, yeah. Don't worry about it.
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28. - Excuse me.
- I paid for it myself.
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29. - With what?
- Company credit card.
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30. - You're returning that.
- But...
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31. - Get a job.
- Michael. Hey, the Cornballer.
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32. I thought these things
were only legal in Mexico.
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33. In fact, the Cornballer
wasn't legal anywhere.
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34. But George Sr. continued
to market it there successfully.
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35. - Muy delicioso.
- Es verdad.
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36. - Where'd you come from?
- I had another big fight with Marta.
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37. Gob had been having an
on-again, off-again relationship...
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38. with Marta, a Spanish-language
soap opera star.
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39. It looks like I'm going to be
staying here for a while.
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40. No, it doesn't. It doesn't look like that.
I've got a full house here, Gob.
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41. He's just in a bad mood, Gob,
because his son feels suffocated by him.
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42. - Suffocated? Really?
- Yes, Michael. He's a teenager.
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43. He's probably got a little girlfriend,
and, well, let's face it...
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44. - you are overbearing.
- Maybe I should be more like
you when it comes to parenting.
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45. No borders. No limits. "Go ahead,
touch the Cornballer. You know best."
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46. Michael, if I could stick my
pretty little nose in here for one second.
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47. When I was a psychiatrist...
and this is before I became an actor...
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48. - You're still not an actor.
- Lovely.
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49. I saw a lot of this type of behavior...
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50. and I think what you're experiencing is
your son's very normal need...
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51. to distance himself from
his overbearing father.
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52. Am I touching something?
Hot! Hot, hot. Hot.
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53. - Be careful.
- Hot.
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54. - You all right?
- Hot.
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55. Now, take my daughter, for example.
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56. She lives her life...
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57. and I get the pleasure of
guessing what that might entail.
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58. Now watch this. Maeby, where are you
off to on this glorious Sunday afternoon?
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59. - She won't tell me.
- I'm going to audition for a play.
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60. Well, that time it didn't work.
What play?
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61. It's for high school.
You can't audition.
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62. I was totally wrong.
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63. She's reaching out to her actor daddy.
Does anyone have an ice pack?
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64. In truth, Maeby was reaching
out to a boy named Steve Holt...
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65. who was auditioning for
the lead in the school play.
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66. "I would kiss before I spoke."
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67. Maeby decided to audition as well...
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68. Iooking for a chance
to get closer to Steve.
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69. And then we actually
get to kiss, right?
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70. George Michael also chose to audition...
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71. Iooking for a chance
to get closer to his cousin Maeby.
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72. "I would kiss before I spoke."
Then there's a kiss, right?
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73. - Louder.
- And then there's a kiss, right?
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74. - Later, the cast list was posted.
- Steve Holt!
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75. - Steve Holt!
- Stand-in for Steve Holt?
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76. Steve Holt!
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77. Michael went to get his son
a new bike to keep him from slipping away...
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78. while Michael's mother was giving up hope
her son Buster would ever leave her side.
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79. Zip me up.
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80. Usually at this time of year...
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81. Buster would return to
his post-graduate studies.
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82. But without the resources to afford it...
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83. his summer vacation
was extending into the fall.
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84. Mom! Mom!
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85. And Lucille was beginning to resent it.
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86. What?
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87. Hi, Mama, it's Linds.
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88. It'll fly out on its own.
Why are you calling me? What do you need?
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89. Very nice, Mom.
I don't need anything.
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90. My daughter needs
some new school clothes.
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91. Buster!
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92. - It's a bird.
- I know it's a bird. I'm on the phone.
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93. - It walked on my pillow.
- Look, I have a child that
costs me money too, you know.
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94. - Why can't you get a job?
- What is it with this family and working?
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95. Michael just gave me the exact
same lecture in front of everybody.
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96. Everybody? Who's everybody?
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97. - Who's everybody?
- You know, the kids, Gob, Tobias, everybody.
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98. He didn't invite Buster.
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99. Buster's his brother too.
What's wrong with Buster?
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100. And even as she asked
the question, Lucille realized...
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101. that perhaps it was time to
let her own baby bird fly away.
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102. - Why do I have to take him?
- Because he's your brother.
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103. You run around with everyone else,
going on bike rides, making cornholes.
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104. - Mom, listen...
- Everyone's laughing, riding
and cornholing except Buster.
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105. And I know he's not the sharpest knife
in the drawer, but he's sensitive, Michael...
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106. and you could pretend
to be interested in him.
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107. Fine. He can hang out,
but he's going to work, okay?
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108. This is not going to be
a day at the beach.
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109. Th-That's cool. Mom packed me
a change of clothes.
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110. So Buster stayed and Michael
made him build the new bike.
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111. - It's in the big box in my office. Hey.
- Michael.
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112. Gob, what are you doing here,
and why are you in a bathrobe?
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113. What's he doing here?
Why is he in his bathing suit?
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114. Mom dropped me off
to spend time with Michael.
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115. Spend time with Michael,
or to serve her own menopausal needs?
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116. She's always got to wedge herself in
the middle of us, so she can control everything.
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117. Yeah.
Mom's awesome.
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118. Maybe we should call her.
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119. - So why are you in your robe?
- I camped out in the boardroom last night.
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120. What with you kicking me
out of your house...
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121. there are few places left
that you have that I can stay.
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122. Hmm. Well, you can't stay here either.
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123. Let me ask you something.
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124. Is this a business decision, or is it personal?
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125. 'Cause if it's business,
I'll go away happily.
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126. But if it's personal, I'll go away.
But I won't be happy.
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127. It's personal.
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128. I am so sorry.
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129. Michael's son, meanwhile, was
waiting with his cousin for first rehearsal.
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130. - I'm surprised you tried out for this.
- Yeah. I just love the theater.
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131. That's great. I'm just doing it
to kiss Steve Holt.
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132. Well, actually, I think I'm gonna quit.
Yeah, theater's dead.
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133. But, he's always going to be at football
practice, so I'm gonna have to kiss the stand-in.
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134. But, no. No. I love the theater...
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135. and I gave my word, so I'm back in.
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136. Tobias, meanwhile,
stopped by the school.
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137. - I know why you're doing this.
- Dad. What are you doing here? Go away.
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138. Yes, because the director
might be here soon, right? Oops. Too late.
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139. He's already here.
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140. Hello, everyone,
and welcome to the theater.
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141. I am Dr. Tobias Fünke...
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142. and I will be your new director.
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143. Oh, my God.
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144. Tobias had gotten the directing
job by meeting with the school principal.
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145. And you tell me you've got
some P.E. teacher directing?
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146. That just makes me wanna
puke all over your head, sir.
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147. Give me a chance
to tell the Bard's tale...
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148. and I give you my word
on humble knee...
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149. whence you shall not say
it wasn't e'er to be.
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150. - Jerry, you cool with this?
- Sure. Let the little fruit do it.
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151. - Huzzah!
- As the days went by...
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152. Buster's apprenticeship was proving
more trying than Michael had anticipated.
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153. We're excited. We want your business.
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154. And, uh, everybody at the Bluth Company...
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155. Here I go again.
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156. And just when
he could take no more...
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157. And we're back on track. And we're focused.
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158. And, Buster...
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159. you can't do that
in the snack room, pal?
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160. Mom told me to
stay away from microwaves.
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161. And besides, this is gonna be...
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162. the most bitchingly fast bike
in all of Orange County.
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163. - Really?
- Your son is gonna love it.
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164. Well, I guess 3:40 is as good a time
as any to call it a day.
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165. So Michael left for the high school
hoping to reconnect with his son...
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166. while Tobias's attempt to reconnect with
his daughter hit a snag.
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167. Stop! Stop it. It's all wrong.
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168. - But we were just about to do the kiss...
- Kiss. I know.
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169. It doesn't work. Look, you are
playing adults with fully...
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170. Pick that up, please.
With fully formed libidos...
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171. not two young men
playing grab-ass in the shower.
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172. Would you hold the work, please? Oh, Michael.
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173. - Dad, wh...
- So, you're in a play, huh?
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174. I'm not.
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175. - I quit.
- Maeby.
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176. - Why didn't you tell me?
- It's not really important.
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177. - I'm just a stand-in.
- And you're ashamed?
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178. Well, this should
cheer you up. Hmm?
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179. I left work early. I thought maybe
we'd go for a ride today.
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180. - No, I can't go on a bike ride right now.
- Why, because of the play?
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181. - You're just a stand-in.
- No, no. It's not the play. It's just...
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182. You know, I can't go on a million bike rides
whenever you want me to.
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183. Wait a minute. Wait a minute.
Hey, is it about a girl?
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184. - No! It's not. Just drop it, Dad.
- You can tell me.
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185. What, is Lindsay right?
Am I really suffocating him?
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186. Well, they're different people every day,
teenagers. Hormones all ablaze.
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187. Except, of course,
when they're onstage when I need it.
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188. No, he said it wasn't about a girl.
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189. Maybe he really is pulling away.
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190. Not a girl?
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191. Of course.
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192. Methinks a Cupid I shall play.
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193. Mm. Mmm. Mmm.
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194. Tobias came up with
a new plan for the play...
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195. - and a way to connect to George Michael.
- I know why you're in the play.
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196. - What?
- Watch this.
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197. Okay, everybody.
Well, we've lost a leading lady...
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198. but did you know in Shakespeare's day
that the women's roles...
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199. were played by men?
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200. Fancy that.
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201. Hmm.
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202. George Michael,
you know Steven's lines, yes?
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203. - Sort of.
- Fine. Then you are my Benedict.
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204. - And Steven Holt... Where is Steven Holt?
- Steve Holt!
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205. Yes. Get ready for the acting challenge
of your sweet young life, fair lady.
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206. For you are my Beatrice.
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207. Beatrice!
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208. Let's take it from "Peace,
I will stop thy mouth."
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209. Now we'll see if some sparks fly.
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210. As George Michael
contemplated kissing his rival...
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211. Michael sought his father's advice.
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212. - You think you never hurt me?
- What are you talking about?
When have I ever rebelled?
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213. - I never see you anymore, Michael.
- You're in prison.
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214. And I was here yesterday.
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215. Oh, yeah. That's-That's... I'm sorry.
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216. I couldn't break away from the poker game.
Capital "G" was down to his boxers.
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217. - Strip poker?
- Yeah, and it's tough.
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218. We can really
only play about two hands.
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219. Listen...
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220. Let him go. Let your son go.
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221. I can't do that, Dad. He needs me.
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222. Michael, you don't want to make
the same mistake your mom made with Buster.
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223. - Yeah, boy. What happened there?
- I really don't know.
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224. Maybe it was the 11 months
he spent in the womb.
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225. The doctor said there were claw marks
on the walls of her uterus, but...
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226. he was our miracle baby, you know?
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227. And l-I was just too burned out
on raising you guys to care.
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228. So, he turned out a little, uh, soft.
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229. A little doughy.
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230. I don't know. Maybe-Maybe it was my fault.
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231. Maybe I just ignored the guy.
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232. Wow. We're just blowing
through nap time, aren't we?
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233. Yeah, I gotta let my son go.
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234. Lindsay, meanwhile,
still had the dress...
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235. - and she was starting to get
some positive reactions to it.
- Look at you.
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236. I am.
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237. So she decided to hide it
in the attic crawl space.
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238. Are you crazy? I'm a magician.
I make my living with my hands.
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239. - And if I'm going to be staying here...
- Staying here?
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240. What, did that Mexican throw you out?
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241. She's not "that Mexican," Mom.
She's my Mexican.
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242. And she's Colombian or something.
Anyway, it's over.
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243. - You've got three days.
- Hey.
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244. If I can't find a horny immigrant by then,
I don't deserve to stay here.
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245. Oh!
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246. Back at the model home,
Michael was adjusting to...
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247. the absence of his son,
by enjoying the company of his brother.
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248. You know, I'm in pretty good shape.
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249. You could be eating my dust
all day, slowpoke.
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250. And Buster was starting
to give as good as he got.
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251. Yeah. And you might be eating...
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252. Well, let's hope it doesn't come to that.
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253. Hey, Tobias. How's my son doing?
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254. Oh, well, he didn't want to
rehearse today...
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255. but I do think I have a handle
on what he's going through.
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256. I wish I could say the same for Steve Holt.
I don't know what the hell her problem is.
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257. - Her?
- Oh, uh, I'm sorry.
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258. I say that because I switched the parts,
but, it's still...
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259. off.
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260. Perhaps if she dressed as a woman.
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261. - She?
- Oh, for the love of God. She's playing a woman.
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262. Look who's back.
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263. - I'm exhausted.
- Neiman's again, huh?
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264. I've been going to the thrift store,
but I'm going to find a way to keep that dress.
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265. Things didn't work out with Mom.
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266. It was utterly macabre.
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267. Zip me up.
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268. She always makes everything about her.
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269. She's the last person I ever want to
need something from.
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270. Well, she likes to be needed, just as
long as it doesn't cost her anything.
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271. It's like she gets off
on being withholding.
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272. - Whoa. Buster.
- Look who's got something to say.
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273. I'm Mom, and I wanna shoot down everything
you say so I feel good about myself.
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274. Look who's ragging on the old lady.
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275. - Hey, hey.
- Finally.
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276. 'Cause I'm an uptight...
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277. Buster!
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278. You old horny slut!
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279. Well, no one's gonna top that.
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280. And Tobias had found
the perfect wardrobe for his leading man.
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281. The red dress he discovered
in the attic crawl space.
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282. Assuming Michael had found and returned it...
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283. - Lindsay called her mother, hoping to
get money for a new one.
- What?
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284. - Hi, Mama. It's Linds.
- Get a job.
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285. Look. Just hear me out. It's Maeby's dress.
It was stolen from her locker.
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286. They beat her up,
and, uh, took all her clothes.
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287. - Send her over. I'll take her shopping.
- Buster was right.
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288. You get off on being
withholding, don't you?
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289. - Buster said that?
- That's right.
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290. - My Buster?
- Not anymore, apparently.
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291. While Lucille
was missing her youngest son...
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292. - Michael was finally enjoying his company.
- Zip me up.
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293. And while Buster did build a faster bike...
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294. - Whoo!
- he neglected to build the brakes.
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295. I'm flying!
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296. Buster?
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297. And George Michael had news for Maeby.
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298. So, I quit the play.
I don't really like plays.
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299. Also, I think your dad thinks I'm gay.
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300. - Oh. He thinks everyone's gay.
- Do you wanna get a soda?
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301. I can't. I'm actually back in the play.
We're in the middle of dress rehearsal now.
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302. - But I thought Steve had your part.
- Steve did have Maeby's part.
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303. And Tobias had given Maeby a new part.
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304. So you want me to play the man?
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305. Yes. Don't you see?
l-I cast the parts all wrong.
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306. It was Daddy's fault.
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307. And I still get to kiss Steve, right?
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308. It's gonna be a huge disaster.
I'll get you tickets.
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309. And Michael tried to salvage
what was left of the day...
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310. - with what was left of his brother.
- I'm a little shaky, but...
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311. - but we're here to work.
- Michael.
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312. - but we're here to work.
- Michael.
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313. - Mom.
- What are you doing here?
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314. Oh. Hello, Buster.
Here's a candy bar.
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315. - Oh...
- No. I'm withholding it.
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316. Look at me getting off.
How dare you turn Buster against me.
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317. - What are you talking about?
- I know what you've all been saying.
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318. But I'm not going to let you destroy
my relationship with my son...
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319. just because you don't have one
with yours right now.
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320. Wait a minute.
Me and my son are fine...
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321. and that is not what this is.
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322. Buster is a grown man.
He can make his own decisions.
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323. - Why don't you ask Buster what he wants.
- Michael. I wanna go with Mom.
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324. - You said that she shoots you down.
- I was trying to fit in.
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325. You were flying today, buddy.
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326. Yes, I was flying...
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327. but a little too close to the sun.
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328. You let him go in the sun?
Get in the backseat. I'll be right out.
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329. Front seat, Mom. I sit in
the front seat now. Mmm?
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330. Let me tell you something, Michael.
You have to fight for your family.
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331. If you were smart, you'd grab your son
before he slips any further away.
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332. Well, I disagree, Mom.
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333. I'm not gonna control George Michael.
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334. I'm gonna let him
decide for himself what's best.
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335. Mm-hmm. Well, you better hope...
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336. that little bird decides to
fly back into your house.
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337. Because they usually don't.
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338. So, uh, can we go now?
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339. Yeah.
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340. And George Michael watched
as Maeby shared the kiss...
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341. that should've been his with
a boy he almost had to kiss.
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342. But, to Maeby's surprise,
she did not enjoy kissing Steve Holt.
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343. You smell like my mom.
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344. Michael returned to the model home
to find his son in the kitchen.
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345. - You're home.
- Yeah. I was waiting for you.
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346. - I thought we could make some of these.
- Sure.
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347. I'm sorry about what I said at the school.
It was out of line.
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348. I shouldn't have poked my nose into your life.
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349. - My life?
- I know that you're growing up.
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350. Yeah, but, Dad, you're, like,
the most important part of my life.
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351. That's a little cornball.
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352. - I don't mind.
- I don't mind either, buddy.
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353. - Watch your...
- Mother of God!
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354. Oh! Every damn time!
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355. Oh! This is a big one. Oh!
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356. On the next
Arrested Development.
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357. Tobias gets a review
of his Shakespeare play.
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358. I didn't get into this business to please
sophomore Tracy Schwarzman, so...
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359. onward and upward!
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360. On...
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361. Why, Tracy? Why?
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362. And Buster is back
where he belongs.
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363. - Mom!
- What is it?
Copy !req
364. I can't get down.
Copy !req