1. It's only a rough idea.
Copy !req
2. And what is the idea?
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3. I believe, for a woman,
a dress is a weapon
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4. to get what she wants.
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5. Perhaps we could add steel?
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6. Let me see that.
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7. There you go.
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8. Gianni will get this.
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9. Is no one going
to talk about it?
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10. No one wants to say
what is wrong with him.
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11. No one even admits
there's anything wrong.
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12. Which of these are yours?
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13. Mine?
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14. These are not your sketches.
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15. No, my idea is there.
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16. A dress as a weapon.
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17. What are you?
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18. Are you a designer?
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19. No, what are you?
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20. What are you?
Are you a collector
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21. of other people's ideas?
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22. - Call me what you want.
- No, no, no, no, no, no.
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23. Tell me.
How do you call yourself?
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24. I assist you
the best that I can.
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25. You have the opportunity
to be great
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26. and you choose to assist.
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27. No. None of us chose
this situation, Gianni.
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28. Gianni, maybe you should rest.
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29. I won't talk to you
when you are like this.
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30. No, this is how I talk.
And if you don't like it,
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31. good, we never talk again.
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32. Gianni, I know why you are angry
and I am angry, too,
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33. - but it's not my fault!
- I'm sick.
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34. We have to face it...
because I cannot hide it.
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35. What do you want from me?
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36. I want everything.
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37. You have it all.
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38. I give you all.
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39. Then it's not enough.
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40. It's not enough.
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41. Sorry.
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42. Now you go.
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43. Now you go. Go!
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44. Go assist! Go assist
and bring me coffee,
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45. And bring me espresso,
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46. and maybe arrange some flowers!
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47. What?
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48. I'm not afraid of your temper.
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49. She's not ready.
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50. Go apologize to her.
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51. Don't have time to be kind.
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52. You don't have time to be cruel.
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53. I can't sketch.
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54. I just can't.
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55. - Neither can I.
- You're just saying that.
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56. No, it's true.
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57. Ask any designer.
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58. It's not the quality
of the sketch.
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59. It's the quality of the idea.
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60. I'm scared.
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61. I know.
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62. Pretending to be bold
is not enough.
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63. I'm not asking you to pretend.
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64. I'm asking you to grow.
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65. Into what?
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66. Into you?
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67. We're going to design
a dress together.
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68. Something new.
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69. Just you and I.
We're going to work together
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70. as if it were the last dress
I'll ever make.
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71. Don't talk like that, please.
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72. I have to because soon
it will be just you.
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73. All of this will rest on you.
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74. This company is you.
It's not me.
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75. You have to make it yours.
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76. You have to take it.
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77. You have to own it.
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78. This dress you want us
to make together...
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79. what do you want to achieve?
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80. This dress is not my legacy.
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81. You are.
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82. I like that toothpaste.
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83. I'm sorry?
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84. I'm actually finishing my PhD
at UCSD.
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85. Just a few more shifts here.
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86. Great.
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87. Have a nice day.
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88. Not on my time.
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89. Does it ever bother you?
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90. What?
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91. That the customers only know you
as that helpful man.
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92. Does it bother you?
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93. I can't pay you for time
you're not here.
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94. You're always late.
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95. The money's fine for me.
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96. I wasn't thinking about myself.
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97. I was thinking about my mom.
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98. Is your dad still sending money?
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99. No.
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100. He's gone.
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101. You need a plan.
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102. No more magazines.
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103. Vogue is not a plan.
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104. I didn't get all this
by being idle.
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105. Yes, Mr. Mercado.
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106. It was half the price
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107. and the same flavor
as the HäagenDazs.
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108. Why do you have to get so upset
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109. about a silly thing
like ice cream?
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110. Because I want the best!
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111. Well, who says that German stuff
is the best, anyway?
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112. It's not even German, Mom.
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113. It's just a name
that they made up
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114. to make it sound special.
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115. Ha, well, a madeup name,
there you go.
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116. Reuben Mattus, the founder,
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117. his parents came from Poland,
but he lived in Brooklyn,
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118. but he wanted the brand
to sound Danish
Copy !req
119. because the Danes helped out
the Jews in World War II.
Copy !req
120. It's even why there's a map
of Denmark on the early cartons.
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121. You are so smart, Andrew.
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122. Next time...
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123. buy HäagenDazs.
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124. Okay, Andrew.
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125. So, what's the plan tonight?
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126. Someone old.
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127. Someone new.
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128. How about you?
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129. Plenty of options.
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130. But you never make a move.
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131. The idea of being told no
is not worth it.
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132. - We're all told no.
- You're not.
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133. That is not true.
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134. For me, being told no is like
being told I don't exist.
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135. Thanks. -It's like I've
disappeared or something.
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136. Hey.
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137. You're a catch.
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138. Not like them.
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139. It's a look, that's all.
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140. It's a look people want.
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141. You serve your country.
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142. I respect that so much.
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143. Thank you.
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144. I'm living my childhood dream.
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145. I spend my days
at college being asked
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146. to join the Republicans
Against Welfare Club.
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147. I'm against welfare.
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148. You said that your dad
Copy !req
149. works at Merrill Lynch.
My dad works there.
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150. Modesto.
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151. People call him Pete.
Hehe's been assigned
Copy !req
152. to a longterm project
in the Philippines.
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153. I didn't know Merrill had
operations in the Philippines.
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154. They opened their offices
in Manila in 1957?
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155. Three years before Tokyo.
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156. Andrew knows everything.
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157. He's amazing like that.
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158. Modesto from Manila.
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159. I'll tell my dad
to look out for him.
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160. Love you.
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161. I love you, too.
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162. Have fun.
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163. Go home.
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164. Swim off the hangover
in your pool.
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165. It's a good idea.
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166. I'll settle it next time.
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167. No problem.
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168. When...
Copy !req
169. most young guys
walk into this place...
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170. they don't even see me.
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171. But you always do.
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172. Can lie about a lot of things
in life.
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173. But there's either money
in your wallet...
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174. or there isn't.
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175. Andrew.
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176. Where have you been?
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177. For hours and hours.
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178. Where do you go?
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179. Where do I go?
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180. Are you drunk?
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181. Drunk on dreams.
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182. What dreams?
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183. Dreams of getting out of here.
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184. Dreams of getting far,
far away from here.
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185. What about me?
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186. Little mama, don't you know?
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187. No.
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188. Don't you know
that you're my dream woman?
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189. You're coming with me.
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190. You most certainly are.
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191. And where are we going?
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192. We're going... up.
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193. High.
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194. Skyhigh...
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195. where they all look up at us,
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196. and we look down on them.
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197. I'm Andrew Cunanan.
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198. You look like
you're dressed for church.
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199. You understand
what this place is?
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200. - It's an escort agency.
- I know.
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201. Up against the wall.
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202. Age?
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203. 23.
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204. What are you?
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205. What am I?
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206. Latino.
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207. My mother is ItalianAmerican,
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208. and my father's
from the Philippines.
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209. He was in the U.S. Na...
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210. I'm not interested
in your story,
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211. I'm just interested
in your stats.
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212. I'm AsianAmerican.
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213. Straight men like Asian women,
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214. but gay clients don't ask
for Asian men.
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215. What if I had told you
my father was Portuguese?
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216. You said I looked Latino.
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217. But if somebody asks
for a Latino,
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218. I can't send them an Asian.
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219. And my Latinos are studs.
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220. What are your
greatest attributes?
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221. I'm clever, witty.
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222. I'm very fun to be around...
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223. My clients aren't looking
for a wife.
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224. I was thinking more
along the lines of how big.
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225. I'm wellendowed.
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226. Show me.
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227. Put it away.
Roll up your sleeves.
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228. No, never.
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229. Smile.
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230. Pick any book. Talk about it.
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231. Why'd you pick that one?
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232. It's the only one
I haven't read.
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233. Now, you couldn't
possibly have...
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234. Ask me any question.
Any question at all.
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235. So, you can hold your own
at a dinner table conversation?
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236. I am the dinner table
conversation.
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237. Do you have experience
with older men?
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238. In high school, I took a man
in his 30s to my senior prom.
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239. He bought me nice things.
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240. A lot of men have
bought me nice things.
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241. I'm very good with older men.
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242. In fact, I'm much better
with older men
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243. than I am with men my own age.
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244. It's a gift.
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245. You've got a lot going for you,
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246. but my clients rarely
ask for Asians,
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247. and they never ask for Asians
with attitude.
Copy !req
248. Wait.
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249. II can work harder
than any of those men.
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250. This isn't a sweatshop,
sweetheart.
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251. Nobody gives a shit
how hard you work.
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252. This is about being
what people want.
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253. - But I can do this.
- No can do.
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254. I can't sell a clever Filipino.
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255. Even one with a big dick.
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256. Then I'll sell myself.
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257. Turn around.
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258. You like it?
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259. I don't like it.
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260. I don't like it, I love it.
Copy !req
261. How can you do this?
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262. I will never be able
to do what you do.
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263. You're learning.
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264. This is perfect on Naomi.
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265. You know who's perfect
for this dress?
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266. Donatella.
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267. Come on, this dress needs
a model.
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268. No, this dress needs you.
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269. - It's not appropriate.
- What's more appropriate
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270. than the creator wearing
her own creation?
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271. - Gianni, I'm not the creator.
- We made this together.
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272. It needs confidence.
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273. It gives confidence.
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274. And I want the world to see you
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275. in a way that you have
never been seen before.
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276. I would look so absurd.
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277. You would look like a star.
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278. Do you remember when
I took you to.
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279. Sì.
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280. We ran so late,
we ended up in the back.
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281. I had to put you on my shoulders
to see the concert.
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282. I watched the concert
through your eyes.
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283. But we're not children anymore.
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284. No.
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285. You're ready.
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286. Fuck me.
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287. Donatella. Gianni, right here.
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288. Right here, Donatella.
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289. - Donatella, over here.
- Gianni!
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290. Gianni, Donatella,
over here. Hey.
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291. Gianni.
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292. - Gianni.
- Gianni!
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293. - Donatella.
- Beautiful.
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294. Gianni, how about some
with Donatella, yeah?
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295. - Gianni.
- Donatella...
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296. Donatella?
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297. Good evening. Red wine, please.
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298. - Thanks.
- Thank you.
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299. Glass of red wine, please.
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300. - Excuse me.
- Excuse me.
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301. Enjoy.
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302. - Keep the change.
- Thank you.
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303. I'm curious.
Copy !req
304. What handsome young man comes
to an 18thcentury play
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305. all by himself?
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306. The play is in repertory
with the Thérèse Racquin,
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307. which I enjoyed very, very much.
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308. So, I thought why not
give this one a try?
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309. Andrew DeSilva.
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310. DeSilva?
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311. It's Portuguese.
On my father's side.
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312. I'm Norman.
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313. Norman, did you know that in
the original production of this,
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314. it was considered a failure?
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315. The critics thought that
it was inappropriate
Copy !req
316. for a princess to seduce
a young man dressed as a man.
Copy !req
317. No, II didn't know that.
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318. I'm so sorry, II have a tendency
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319. to sound like
I'm in a lecture hall.
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320. That's why I'm not very popular
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321. with people my own age.
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322. I find that very hard
to believe.
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323. No, it's true.
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324. I've always preferred
the company of...
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325. older men.
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326. May I buy you
another glass of wine?
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327. I leave you alone for one second
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328. and you find the most
handsome man in the house.
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329. I'm Lincoln.
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330. A pleasure.
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331. This is Andrew.
He's a very clever young man.
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332. I'm Gallo, if anyone cares.
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333. We're having dinner
after the show.
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334. You'll join us?
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335. I'd be happy to join.
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336. If you don't mind.
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337. No, I don't mind.
I don't mind at all.
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338. I should find my seat.
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339. Who's your interior designer?
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340. My wallet.
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341. Norman's the one with taste.
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342. Lincoln always leaves an empty
space for some young man.
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343. He's superstitious like that.
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344. Pay no attention to him.
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345. I'm bitter and unloved.
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346. Nice tux.
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347. Before you return it,
be sure to have it cleaned.
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348. They charge extra if it's dirty.
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349. He's hilarious.
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350. Aside from French theater,
what brings you to La Jolla?
Copy !req
351. To tell the truth,
I'm in hiding.
Copy !req
352. II don't want to bore you
with the details.
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353. No, please, tell us.
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354. I was married for a time.
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355. Her name is Lizzie.
She's a wonderful woman.
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356. Funny, caring, kind.
Copy !req
357. Most men would be lucky
to call her his wife.
Copy !req
358. II tried to love her.
I really did.
Copy !req
359. But I couldn't live a lie.
Copy !req
360. I became depressed,
I was drinking.
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361. II was dying.
I had to escape, so I ran away.
Copy !req
362. Well, very sad.
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363. You're very young to be married.
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364. I'd like to suggest a toast.
Copy !req
365. To outcasts.
May they find new friends,
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366. new families,
and be outcasts no more.
Copy !req
367. Outcasts no more.
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368. Thank you.
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369. You'll stay?
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370. What's everyone else doing?
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371. I have to leave for Phoenix
early in the morning.
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372. That is a shame.
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373. Phoenix?
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374. I can stay.
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375. He's a very interesting
young man.
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376. He's not your type at all.
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377. You're a sore loser.
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378. $100 a night.
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379. I'll make you a counteroffer.
Copy !req
380. A weekly allowance,
an expense account,
Copy !req
381. and I am available
to you at all times.
Copy !req
382. I like variety.
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383. I know everyone in San Diego.
Copy !req
384. I'll organize parties.
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385. I can make this condo
the center of gay San Diego
Copy !req
386. and you the mayor of it.
Copy !req
387. That does sound like fun.
Copy !req
388. Let's discuss your wants...
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389. and my terms.
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390. She's here.
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391. No! No!
Copy !req
392. Donatella, congratulazioni.
Ching, ching. -Thank you.
Copy !req
393. Brava.
Copy !req
394. - Viva Donatella! Hey!
- Grazie.
Copy !req
395. Thank you to all.
All of you are amazing.
Copy !req
396. I love you guys!
Copy !req
397. Donatella, Gianni
would like you to join him.
Copy !req
398. Okay.
Copy !req
399. Guys, we never had
this kind of coverage.
Copy !req
400. We all felt some of
the criticisms are unfair.
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401. It's okay.
Listen to this article.
Copy !req
402. "Either the Versace woman
is wielding the whip,
Copy !req
403. "or she's the one who's
harnessed and being ridden
Copy !req
404. around the room wearing
a collar and a leash."
Copy !req
405. I guess we all know
which woman I am.
Copy !req
406. It doesn't matter really.
Copy !req
407. They talk about us...
They love it, they hate it...
Copy !req
408. But they are talking about us.
Copy !req
409. I want more ideas like this.
Copy !req
410. Our store managers
report customers
Copy !req
411. entering the premises...
Copy !req
412. I'm sorry.
Copy !req
413. I was saying, customers
are discussing the dresses,
Copy !req
414. but not buying them.
Copy !req
415. Even after all that publicity?
Copy !req
416. They celebrate my sister,
but they don't buy the dress?
Copy !req
417. I don't understand.
Copy !req
418. We are in the midst
of a global downturn.
Copy !req
419. Customers are turning away
from grandeur and showmanship.
Copy !req
420. They want simplicity
and practicality.
Copy !req
421. Who wouldn't want the dress
that made my sister a star?
Copy !req
422. I can only comment
on the numbers,
Copy !req
423. and the numbers are bad.
Copy !req
424. Perhaps the dress
Copy !req
425. is perfect for the red carpet,
Copy !req
426. but we need a simpler version
for the customer.
Copy !req
427. One design, two dresses?
Copy !req
428. Yes, one dress to catch
the headlines,
Copy !req
429. to get the attention,
and another one to be worn.
Copy !req
430. Okay.
Copy !req
431. Gianni, please don't start.
Copy !req
432. I'm only reacting to the sales.
Copy !req
433. I'm reacting
to the sales as well.
Copy !req
434. Tell me,
what do you want to remove?
Copy !req
435. Do you want to sell nothing?
Copy !req
436. Is that acceptable
for a business?
Copy !req
437. Tell me what do you want me
to remove from the dress
Copy !req
438. that you and I made. Tell me.
Copy !req
439. You want me to wear the dress
Copy !req
440. and talk about
female empowerment,
Copy !req
441. and then keep my mouth shut
when we are in the studio.
Copy !req
442. No, Donatella,
a design is a design.
Copy !req
443. It has a heart. It has a soul.
Copy !req
444. It is whole.
Copy !req
445. And there is a place for that,
on the runway.
Copy !req
446. But there also has to be a place
Copy !req
447. for a woman to be able
to wear a dress
Copy !req
448. and not feel uncomfortable.
Copy !req
449. Feel uncomfortable?
Copy !req
450. Not every woman wants to be
the center of attention.
Copy !req
451. Well, then this is not
the dress for them!
Copy !req
452. Why does everything
have to be so extreme?
Copy !req
453. Am I being patronized?
Copy !req
454. All I'm saying is that
we are a fashion house,
Copy !req
455. and we have to make clothes
that people want to wear.
Copy !req
456. That's all I'm saying.
Copy !req
457. Madame, what are you wearing?
Copy !req
458. Thatthatthat neat little suit?
Copy !req
459. Well,
Copy !req
460. you cannot expect me to give
a sales presentation
Copy !req
461. wearing this.
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462. Wearing this?
Copy !req
463. Okay.
Copy !req
464. Gianni.
Copy !req
465. Stop.
Copy !req
466. Gianni.
Copy !req
467. Now. Now.
Copy !req
468. Now it sells?
Now it's gonna sell?
Copy !req
469. It's gonna sell more,
this little black dress?
Copy !req
470. Is it normal enough?
Copy !req
471. Gianni.
Copy !req
472. What is it?
Copy !req
473. Gianni, you are too tired.
Copy !req
474. I can't, I can't hear you.
Copy !req
475. I can't... Do you hear her?
Copy !req
476. I can hear her perfectly.
Copy !req
477. - I can't hear you either.
- Perfectly, Gianni.
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478. I can't... I can't hear.
I can't hear.
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479. - Call a doctor.
- I'm gonna get a doctor.
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480. Donatella, I can't hear.
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481. Donatella, I can't hear, I can't hear.
It's okay.
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482. Right.
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483. You still haven't explained
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484. how you're so ridiculously
wealthy all of a sudden.
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485. I'm a consultant
for a Texan oil millionaire,
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486. his name's Lincoln Aston.
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487. What do you know about oil?
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488. I know how to work
a greasy pole.
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489. I can vouch for that.
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490. - To Andrew.
- To Andrew.
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491. Yeah, cheers.
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492. What do you think everyone
at this restaurant sees
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493. when they look at us?
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494. We're making all this noise
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495. and spending all this money.
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496. Who do you imagine
they think we are?
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497. Man at the bar.
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498. Handsome, blonde, eating alone.
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499. Doesn't know anybody here.
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500. Probably couldn't stand the idea
of eating by himself
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501. in his hotel room, so...
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502. here he is, amongst people...
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503. hoping someone will see him.
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504. II didn't order this.
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505. The man at the table behind you
sent it over.
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506. What man?
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507. Might be easier to look
for yourself, sir.
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508. I'm afraid I'm gonna
turn bright red.
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509. He wants to know
if you'll join him.
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510. Thank you.
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511. - Hi.
- Hi.
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512. No one's ever
sent me a drink before.
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513. Will you join us?
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514. Ifif you don't mind.
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515. II... I mean, sure.
Why not, right?
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516. - We would be honored.
- Of course we would.
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517. - I'm Andrew.
- I'm David.
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518. Make yourself at home, David.
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519. This is Eli.
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520. This is Patty, it's her birthday.
David.
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521. We're celebrating her.
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522. "Mandarin Oriental."
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523. They give you these?
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524. His and hers.
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525. Of course.
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526. My God.
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527. Wow.
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528. How are the slippers?
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529. I was best friends
with this girl in high school.
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530. Leah.
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531. Almost everyone was mean to her.
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532. I can't even remember why.
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533. She was so sweet, so kind.
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534. One day I found her crying
in the bathroom.
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535. I'd had enough, so...
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536. I grabbed her hands,
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537. and I said, "Leah",
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538. "one day I'm gonna be"
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539. "the world's most successful
architect and..."
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540. "and I'm gonna build you
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541. "this big, beautiful house,
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542. "and we'll live in it together,
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543. and no one will be mean to you
ever, ever again."
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544. I even drew her a picture.
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545. A house,
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546. with a garage.
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547. For two cars.
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548. A yard.
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549. And as long as we
live there together,
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550. we'd be happy.
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551. When I finally told her
I was gay, she was...
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552. she was so upset.
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553. She must've felt betrayed.
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554. Like the sketch
was a marriage contract.
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555. She never spoke to me again.
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556. Anyway...
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557. I hope she found her house.
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558. I knew it was a good room,
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559. with a good view,
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560. but it...
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561. it didn't give me
any pleasure until...
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562. until you walked into it.
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563. It's an amazing room.
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564. You haven't answered
my phone calls.
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565. I was just in San Francisco.
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566. I was looking for new antiques.
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567. We talked about that.
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568. - You agreed.
- We didn't agree
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569. on midnight bottles
of champagne.
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570. With who?
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571. Your secret lover?
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572. While I'm here alone?
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573. II wasn't with anyone.
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574. I'm not a fool.
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575. It's an itemized bill.
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576. I can see every dollar
you spend.
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577. I have a taste
for the finer things.
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578. You know that.
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579. Not anymore.
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580. Lincoln.
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581. Wait.
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582. Lincoln.
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583. I'm straight.
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584. Okay.
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585. For a straight man, you hang
around a lot of gay bars.
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586. I've seen you here a few times.
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587. Men buy me drinks.
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588. I'm sure they do.
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589. So if you don't like guys,
what do you like?
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590. Motorbikes.
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591. I'm not gonna touch you
if you don't want me to.
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592. Don't worry.
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593. It's not my style.
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594. I'm a fan of the whole
monosyllabic John Wayne routine,
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595. but zerosyllabic is pushing it.
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596. This isn't working.
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597. Why don't you finish your drink
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598. and skedaddle on home.
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599. You can keep the $50.
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600. I'll call you a cab.
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601. Okay, so don't
finish your drink.
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602. Hehe tried to kiss me.
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603. I know.
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604. You should run.
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605. Andrew.
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606. I want to show you something.
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607. I'm gonna make a donation.
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608. I had a plaque made
with Lincoln's name on it
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609. to put on the back
of one of the seats.
Copy !req
610. I want to show it to you.
Copy !req
611. I think he would've
liked it very much.
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612. Would he?
Copy !req
613. I rather suspect
he would've called me
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614. "a sentimental old fool."
Copy !req
615. They found the killer.
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616. He's in custody.
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617. His name's Kevin Bond.
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618. He called
from a hospital in Utah,
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619. and he confessed to the murder.
Copy !req
620. And what do the police say?
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621. When Lincoln tried to kiss him,
Copy !req
622. Kevin snapped and lost control.
Copy !req
623. And no doubt,
the police considered
Copy !req
624. that defense understandable.
Copy !req
625. They say that he...
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626. he lacked the selfdiscipline
to simply leave the house
Copy !req
627. when he was put into
an uncomfortable position.
Copy !req
628. This surprises you?
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629. I've been living through this
my whole life.
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630. We fall sick, it's our fault.
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631. We're murdered, it's our fault.
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632. You can rob us, you can beat us,
you can kill us,
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633. you'll get away with it.
Copy !req
634. Andrew, II can't just move.
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635. I've lived in Phoenix
for a long time.
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636. It's your old life.
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637. And my new life?
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638. Let me make a home for you here.
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639. A new house.
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640. You could be happy.
Copy !req
641. Tell me, honestly.
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642. Do you really think
you could live with me?
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643. Yes.
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644. Let me think about it.
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645. In high school,
I had this best friend, Mary.
Copy !req
646. Everyone was so cruel to her.
Copy !req
647. I can't even remember why.
Copy !req
648. But I used to find her crying
all the time.
Copy !req
649. And one day,
Copy !req
650. sheshe just couldn't
take it anymore.
Copy !req
651. She was suicidal, sheshe tried
to... kill herself,
Copy !req
652. and she'd cut her wrists,
and showed me the scars.
Copy !req
653. So I took her hands
and I told her,
Copy !req
654. "I don't want you
to worry about a thing.
Copy !req
655. "Because one day,
I'm going to be rich,
Copy !req
656. "I'm going to be successful,
and I'm going to buy
Copy !req
657. "a beautiful house
for both of us to live in.
Copy !req
658. "And no one's ever going to
be mean to you again.
Copy !req
659. "You won't ever
feel lonely again.
Copy !req
660. "We could be happy there,
Copy !req
661. be safe."
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662. Norman, I can make that home
for you.
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663. I can make that dream for you.
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664. Traveling around the world
with Signore Versace.
Copy !req
665. I met him in San Francisco,
remember?
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666. We've stayed in touch;
We have dinner once a year.
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667. Anyway, he's asked me
to join him.
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668. How amazing.
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669. Paris,
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670. Milan, London, Tokyo.
Copy !req
671. Anywhere there's,
an opera house.
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672. I've always wanted
to go to Paris.
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673. Well, I'll send you a postcard.
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674. I thought I was coming with you.
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675. What?
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676. Well, you said I could come.
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677. - Mom.
- Well, I have to come with you.
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678. I can't afford this apartment
on my own.
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679. Well, I'll send you some money.
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680. But you promised.
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681. I can't take you with me.
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682. Well, I'm not gonna be
any trouble.
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683. II'll make your bed,
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684. and II'll do your washing,
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685. and I'll even pack for you, and
you don't have to call me Mom.
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686. You... -II don't, I don't need
anybody to make my bed, Mom.
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687. II'll be staying in hotels.
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688. Well, whatever you need then.
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689. You just... you say what it is,
and I'll do it.
Copy !req
690. I'll do anything, just...
Copy !req
691. don't leave me here alone.
Copy !req
692. - Not all alone.
- Stop, stop.
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693. You let me
talk to Signor Versace?
Copy !req
694. - Just stop. I can...
- He'll understand.
Copy !req
695. He's Italian and I'm Italian.
Copy !req
696. He understands family, yeah?
Let me talk to him and...
Copy !req
697. No, you're not
gonna talk to anybody...
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698. Well, just a few minutes
of his time, Andrew.
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699. He's understanding,
he's a kind man,
Copy !req
700. he's a decent man,
he's a good man.
Copy !req
701. And if he says no, well, then,
of course, I'll understand,
Copy !req
702. but you need to let me try.
Copy !req
703. Why not let me try?
Copy !req
704. No! Stop it!
Copy !req
705. Your shoulder blade
is fractured, Ms. Cunanan.
Copy !req
706. It's a very serious injury.
Copy !req
707. Can I ask... how this happened?
Copy !req
708. It was an accident.
Copy !req
709. My son found me.
Copy !req
710. He called the ambulance.
Copy !req
711. He's a good boy.
Copy !req
712. He's always been a good boy.
Copy !req
713. Morning.
Copy !req
714. I need to speak with all of you.
Copy !req
715. So... my brother is sick.
Copy !req
716. You all know this.
Copy !req
717. Gianni is suffering
a rare form of ear cancer.
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718. And he decided
to go to Miami and rest.
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719. While he is recovering,
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720. I will be taking care
of the daytoday operations.
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721. And he will be communicating
through me.
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722. My brother is stubborn.
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723. Don't forget that.
Copy !req
724. He's stubborn about life.
Copy !req
725. And he will beat this illness.
Copy !req
726. He loves every one of you.
Copy !req
727. He loves his work,
he loves this place.
Copy !req
728. So have no doubt
my brother will be back.
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729. In the meantime,
I am honored and humbled
Copy !req
730. to take the reins of this
company while he recovers.
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731. Our last runway show
Copy !req
732. was our most talked about
to date.
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733. We must be talked about,
or we are nothing.
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734. And now that Gianni's away,
we have to be even more bold,
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735. not less.
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736. We have to show
that we are strong, daring,
Copy !req
737. that we are relevant.
Copy !req
738. And that this house
will survive.
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739. No matter what, it will.
Copy !req
740. Be very careful with that.
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741. Andrew, I don't have enough
stuff to fill a place this big.
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742. Don't worry.
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743. I am gonna make this
the most beautiful home
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744. you have ever lived in.
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745. We'll be very happy here.
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746. Okay.
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747. Let me show you the terrace.
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748. If they could see me now.
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749. Who?
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750. Everyone.
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751. Captioned by
Media Access Group at WGBH
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