1. Good morning.
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2. Lazaro, one moment.
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3. - Let me get my racket.
- Okay.
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4. Ciao bella.
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5. Versace!
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6. Can we have your autograph?
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7. Not today. Thank you.
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8. - Hey.
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9. Good morning.
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10. Hey. Good morning, Gianni.
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11. Hi. Um, W Christy... and Diana.
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12. - Thank you you so much.
- Thank you.
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13. No.
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14. Guess who I met?
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15. - Andrew!
- Guess.
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16. - You have to guess.
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17. - Gianni Versace.
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18. !
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19. Oh, my God, tell me everything.
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20. Signore Versace, buona sera.
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21. This is my friend, Andrew.
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22. Hi.
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23. It's good to see you
in San Francisco.
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24. Thank you.
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25. I'm excited to see the opera.
I think it's time
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26. we had a contemporary designer
working on...
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27. Have we met before?
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28. Yes. Lago de Como.
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29. A garden party
at your residence.
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30. I was by the shore
admiring your view
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31. and we exchanged a few words.
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32. You were most gracious.
Of course, I remember it.
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33. But for you to remember it,
it's very flattering.
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34. Yeah, Lago de Como,
that must be it.
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35. Yes. So...
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36. Yes...
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37. My mother's parents
are from Italy.
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38. From the south.
Schillaci is their family name.
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39. Maybe you know them.
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40. My mother still feels
a very strong connection
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41. to the country, but in truth,
she's never been.
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42. Can you believe that?
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43. An Italian-American that's never
even seen her own country?
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44. She never returned with you?
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45. Honestly,
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46. I think she's scared.
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47. It's almost as if...
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48. she wants to keep Italy
only in her mind as this...
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49. perfect place.
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50. Where were her parents born?
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51. Palermo.
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52. Uh, they were born in Palermo.
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53. I'll have whatever he's having.
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54. Sparkling water.
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55. - Palermo, you said. -Oh, yes.
They moved to Ohio in 1928.
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56. I used to take the ferry to
Palermo when I was a young boy.
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57. So there I am
sitting in the VIP area...
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58. Wait, where is this?
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59. - Hey, do you want some coffee,
honey? -Oh, no, no, no.
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60. I'll get it.
So, sitting in the VIP area
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61. at a private members only club—
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62. cigars, velvet upholstery...
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63. Very strict policy on
not approaching celebrities,
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64. - which I would never do,
by the way. Ugh. -No.
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65. So tacky.
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66. So I'm talking with my friend
and then this...
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67. agreeable-looking man
comes up to me
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68. and he introduces himself
as Versace.
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69. Yes. I say to him,
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70. "Honey, if you're Versace,
I'm Coco Chanel."
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71. - No, you didn't.
- I said that.
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72. It's so embarrassing.
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73. And I had to make it up to him
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74. later, when he actually did
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75. establish himself as...
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76. you know, Versace.
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77. I'm not really a fan
of his clothes,
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78. per se, it's just so... bright.
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79. It's too much,
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80. - but they say...
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81. that Armani
designs clothes for wives.
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82. I think that Versace
designs clothes for sluts,
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83. and don't you look at me
like that.
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84. Please, I know the score.
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85. There's a lecherous fag
on the prowl.
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86. - I didn't know he was gay.
- Hey, faggot is not a nice word.
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87. Not nice when
it's said by the wrong person.
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88. But what are we
supposed to call them?
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89. Homosexuals
Sounds so... scientific.
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90. Anyway, I don't have a problem
with it; it doesn't bother me.
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91. At all. Which is why I agreed.
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92. Wait, you agreed to what?
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93. Oh, didn't I say?
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94. He invited me to the opera.
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95. He's designing the costumes
for Capriccio.
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96. It's a minor work, but even so.
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97. I guess even in minor works,
one must wear clothes.
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98. And you said yes?
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99. My dear, sweet Lizzie.
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100. Versace has invited me
to the opera.
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101. Of course I said yes.
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102. So I said,
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103. "Lizzie, I'm not crazy
about Versace,
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104. but I certainly wouldn't mind
going to the opera."
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105. Versace.
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106. What do you mean?
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107. The other day I heard you say
you were half Jewish.
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108. Well... that's complicated.
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109. No, it isn't. You're not Jewish,
you're Catholic, same as me.
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110. You were an altar boy.
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111. I mean, we spoke
about what happened to you.
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112. What does it matter
what I said?
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113. It matters. -Yes.
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114. Only if they know it isn't true.
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115. But you know.
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116. I thought you'd be happy
about it.
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117. - About Versace.
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118. That you'd brag about a date
with Versace?
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119. It's not a brag.
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120. You can't even tell people
you're gay.
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121. I tell people all the time.
I've told people for years. I...
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122. You tell gay people you're gay
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123. and straight people
you're straight.
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124. I tell people
what they need to hear.
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125. How am I supposed to behave?
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126. Do I pretend to know the person
you're pretending to be?
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127. I can't keep up.
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128. Every time I feel like
I'm getting close to you,
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129. you say you're someone else.
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130. I know I'm not...
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131. - impressive.
- Okay.
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132. But I'm nice.
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133. I'm smart.
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134. And I'm kind.
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135. I honestly...
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136. Truthfully.
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137. I swear, I really do have
a date with Gianni Versace.
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138. I'm pleased for you.
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139. Good.
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140. What? No, no, no,
darling, look at yourself.
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141. Look at yourself in the mirror.
Don't look at me.
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142. In the mirror.
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143. To adjust a dress,
the most important thing
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144. is that I look at your face.
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145. It's that I see your face.
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146. I learned that from my mother.
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147. She was a dressmaker.
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148. She had a little store
in Calabria.
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149. My mother, she would stand
with her clients—
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150. who she considered her friends—
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151. in front of the mirror
and study their expressions.
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152. Not the fabric,
not the dress.
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153. Their faces, and only when
they were happy,
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154. only when they smile,
when they relax,
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155. her work was complete.
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156. My clothes serve you, darling.
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157. I work for you.
I'm not important.
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158. It's you, it's all about you.
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159. Yes?
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160. - Mm, yes.
- Now you go.
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161. You should have asked.
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162. I have nothing.
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163. You look very nice.
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164. "Nice."
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165. What were you going for?
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166. Impressive.
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167. Give me your hand.
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168. Mm-hmm.
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169. You should... No. Uh...
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170. I love you.
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171. You are ridiculous.
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172. See, that's impressive.
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173. Yes.
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174. Did you enjoy?
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175. I loved it.
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176. I thought it was inspiring.
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177. You are creative, right?
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178. Oh, pfft, of course, very much.
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179. Thank you.
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180. What do you do for work?
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181. This and that.
And for my first job,
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182. I worked for my father
on his pineapple plantations
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183. in the Philippines—
can you imagine that?
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184. Picking them in the midday sun.
You should've seen me.
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185. My father was a-a military man.
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186. He was a pilot
for Imelda Marcos,
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187. the First Lady
of the Philippines.
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188. - Yes.
He flew one of those old planes,
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189. the, um, the type
that Buddy Holly died in.
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190. Beechcraft Bonanza,
they're called,
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191. if you know them.
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192. He would fly them
low to the ground because
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193. Imelda was terrified
of crashing,
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194. and that is a true story.
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195. My father would tell her,
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196. "Imelda, when you're
flying a plane
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197. at 400 miles per hour
in a rickety tin can,
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198. it doesn't, it doesn't matter
how high you are."
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199. And then you moved to America.
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200. My father wanted me to have
the very best education.
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201. Which, of course, I had.
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202. He's retired
from the military now.
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203. He runs all of his businesses
from abroad, 'cause he can.
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204. Who knew that there was so much
money to be made in pineapples?
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205. He was here the other day,
he was just in town.
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206. He was driving around
in his Rolls-Royce
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207. with his boyfriend
as a chauffeur.
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208. Boyfriend?
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209. - Please, don't ask.
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210. He left my mom and ran off
with one of the young men
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211. who worked on the plantations.
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212. It was cute, I guess.
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213. It's all so crazy.
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214. I'm writing a novel about it.
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215. - Mm-hmm.
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216. I wish I had the patience
to write a novel.
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217. But my mind is always moving,
you know?
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218. I think you need great stillness
to write a novel.
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219. And I'm never still.
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220. Maybe you just need
a crazy family.
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221. For me, family's everything.
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222. - Everything.
- Hmm.
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223. The first dress I ever made
was for my sister Donatella.
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224. Maybe every dress I make
is for her.
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225. That makes me want to cry.
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226. Makes me smile.
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227. Uh, yes, well, that, too.
Yeah, of course.
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228. The Medusa logo,
from my company...
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229. You know it?
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230. So sophisticated.
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231. As children, we used to play
in ancient ruins
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232. close to our home in Calabria.
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233. And one day, I saw
the Medusa's head with the...
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234. hair of snakes carved on
the stone and I fell in love.
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235. I know that many people call it
pretentious, but I don't care.
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236. How could my childhood
be pretentious?
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237. I agree.
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238. My hope is that when people...
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239. wear my clothes,
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240. they will get to know me
a little bit, you know?
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241. They will get to know my
character, my-my love for life.
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242. And I think that the same
will happen with your novel.
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243. People will get to know you
a little bit
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244. when they read your book.
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245. I'll send you an advance copy.
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246. You think I should
change my name
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247. to something
a little more literary?
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248. I was, I was thinking
Andrew DeSilva.
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249. No. You should be proud
of your name.
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250. When they make a movie
of my book,
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251. you must design the clothes.
You have to.
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252. You... for Imelda, think of it.
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253. She was a fashion icon,
it'll be perfect.
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254. You know she had
3,000 pairs of shoes.
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255. I know,
but I don't design shoes.
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256. Well...
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257. But maybe I could try,
for your movie.
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258. Hmm?
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259. Maybe.
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260. I'm so happy right now.
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261. You should be.
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262. You're handsome, clever.
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263. I'm sure...
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264. you're going to be someone
really special one day.
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265. Hey!
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266. Hey!
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267. Gianni.
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268. Help!
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269. Help!
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270. Please help.
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271. I just need an ambulance.
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272. Get an ambulance.
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273. Ah...
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274. Yes!
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275. Ha!
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276. You know who that is?
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277. No.
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278. It's Gianni Versace.
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279. Ambulance...
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280. Where's the ambulance? Please.
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281. - Jesus.
- Please help!
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282. Move! Get an ambulance!
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283. Yes!
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284. Here we go.
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285. All right.
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286. Hey, stop!
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287. All units, suspect last seen
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288. entering 13th Street garage
wearing red baseball hat,
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289. gray T-shirt. Please advise.
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290. No red hat,
but some guy in a red shirt.
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291. Latino. A security guard
or parking attendant.
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292. - I'll check him out.
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293. Patient has GSW
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294. times two to the head,
found in cardiac arrest.
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295. Asystolic,
pupils are fixed and dilated.
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296. How long has he been down?
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297. - We're in.
- Get him to Trauma One.
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298. Hey, you!
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299. Stop right there!
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300. Freeze!
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301. Freeze!
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302. Freeze!
Freeze, right there!
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303. - Come on, people. Let's go.
- Keep him centered.
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304. - Push, push.
- Coming through, coming through.
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305. I need that pulse.
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306. GCS, level 3.
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307. Suspect on the run, in pursuit!
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308. Española Way.
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309. Heading east.
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310. Suspect is down.
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311. - Turn him over!
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312. Let's go, let's go, let's go!
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313. We need a crash cart.
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314. - Get a cart, get a cart.
On three.
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315. - One, two, three. Lift.
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316. Attempting CPR.
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317. Get a second line.
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318. Come on.
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319. I have a weak pulse.
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320. Let's go, people,
we've got a pulse.
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321. Let's prep him for x-ray.
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322. Hey, guys.
I-I have the only photo.
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323. The only...
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324. I have the only photo
of Versace.
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325. Bidding starts at $30,000.
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326. Looks like the bullet
entered the maxilla
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327. and lodged in the vertex.
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328. Tore through the parietal lobe.
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329. Not operable.
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330. Hold CPR.
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331. Call it.
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332. Time of death: 9:21 a.m.
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333. Who is he?
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334. Boyfriend.
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335. Go, go, go, go, go, go.
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336. Stay behind the line.
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337. Hey! You want to be arrested?
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338. Breaking news from Miami Beach.
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339. We've received reports
of a shooting
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340. at fashion designer
Gianni Versace's mansion
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341. on Ocean Drive.
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342. The shooting occurred
this morning at 9:00 a.m.
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343. No official statement
from police has been made,
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344. but the investigation
is ongoing at this time.
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345. Eyewitnesses have confirmed
there is at least
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346. one victim who was shot
and rushed to the hospital.
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347. Our reporter is standing by.
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348. Well, we have just arrived
at the scene,
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349. but we can confirm
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350. that world-famous
fashion designer Gianni Versace
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351. has been shot here on the steps
outside his villa.
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352. South Carolina tags.
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353. Sam-King-William-2-6-3.
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354. Nah, nothing's coming up.
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355. Could be stolen plates.
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356. Try the vehicle ID number.
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357. King-1-Adam-1-0.
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358. Yeah. Vehicle linked to
the homicide of William Reese.
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359. Suspect name is Andrew Cunanan.
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360. Pronounced "Ver-sash-shay."
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361. Singer?
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362. That's Liberace.
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363. It's the jeans guy.
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364. Listen up, everyone.
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365. Who do we have in Miami?
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366. You heard about the Chevy?
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367. Red Chevy 1500.
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368. - That's right.
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369. Hot damn, that's Cunanan.
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370. That's Andrew Cunanan.
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371. Agent Evans has been looking
for Cunanan for several months.
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372. In Miami?
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373. In Fort Lauderdale, too.
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374. Who is he?
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375. How many people has he killed?
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376. Four. Five now with... Versace.
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377. How many flyers have gone out?
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378. How many have gone out,
Agent Evans?
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379. Shortly before 9:00 a.m.,
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380. fashion designer Gianni Versace
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381. was shot on the steps
of his villa.
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382. He was then taken
to Jackson Memorial Hospital,
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383. where he was pronounced dead
at 9:21 a.m.
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384. Miami Beach Police
investigators,
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385. in cooperation with the Federal
Bureau of Investigation,
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386. and the Florida Department
of Law Enforcement,
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387. are currently looking for
Andrew Phillip Cunanan
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388. as a suspect in the murder
of Gianni Versace.
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389. Cunanan should be considered
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390. armed and extremely dangerous
at this time.
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391. What was your involvement
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392. with Mr. Versace?
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393. My involvement?
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394. You were the person who found
these, uh, dancers, models,
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395. escorts, and brought them back
to the house for sex?
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396. Who told you that?
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397. Mr. D'Amico, this is
a police investigation.
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398. We need to know everything.
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399. The staff told me
when I interviewed them.
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400. Well, I was his partner,
not his pimp.
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401. By partner, you mean...
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402. What
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403. Hey. Listen, I'm...
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404. I'm on your side.
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405. I'm just trying to figure out
what was going on at the house.
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406. Now, you say you're partners.
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407. Partner.
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408. His companion.
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409. I loved him.
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410. Though you were, um,
bringing back other men?
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411. For him?
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412. You were...
having sex with them, too?
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413. With him there?
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414. Sometimes.
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415. Sometimes he wouldn't join in?
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416. No, not always.
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417. Sometimes...
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418. it was-it was
whatever he wanted.
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419. These other men, uh,
did they consider themselves
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420. to be Versace's partner, too?
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421. - No. Of course...
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422. What's the difference?
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423. 15 years.
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424. I lived with Gianni for 15
years, that is the difference.
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425. Okay. That-that's, um...
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426. that's a good length of time.
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427. Could you give us their names?
These other men.
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428. I can-I can find out.
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429. Were they paid?
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430. Oh, yes, no.
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431. Most of the time
they just fell for him.
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432. He was a genius.
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433. He cast a spell.
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434. Hmm. Were you paid?
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435. Was I paid?
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436. To love him?
Was I paid to love him?
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437. I'm sorry.
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438. I know you're upset, but...
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439. this is new to me, I'm just
trying to get everything clear.
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440. Don't want to make presumptions.
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441. Yes, and I'm trying to help,
but...
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442. Did you see the man
who shot Versace?
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443. No.
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444. Well, might it be one
of these men who killed him?
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445. Get them out, please.
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446. That's not what I need
from you right now.
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447. What do you need from me?
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448. What were you saying
to the police?
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449. I don't know, they were
asking some questions.
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450. About Gianni's life.
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451. What about my brother's life?
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452. They will find out, Donatella.
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453. What
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454. Everything.
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455. Nothing was ever asked of you
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456. except to take care of him.
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457. And you couldn't even do that.
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458. You are not to speak to anyone
about my brother
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459. without consulting me first.
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460. Please sit down.
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461. Well...
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462. Thank you for coming.
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463. For me to talk about business
at this time,
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464. it's... kind of crazy, no?
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465. As you know, my brother,
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466. who I love very much, is dead.
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467. And now,
the press and the police
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468. will rake through his life.
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469. Every rumor, every indiscretion.
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470. They'll judge the killer, yes,
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471. but they'll
judge the victim, too.
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472. At first people weep.
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473. Then they whisper.
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474. Gianni grew his company
from one small store in Milano.
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475. On Via della Spiga.
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476. With a single rack of clothes,
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477. a little wooden bench,
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478. and a pietra grigia stone floor.
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479. The same stone
that's in our family chapel.
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480. Our mother was there, Franca.
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481. She was so proud.
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482. From that to all this.
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483. Everything you see around us.
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484. This house, this company...
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485. He was a creator,
he was a collector,
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486. he was a genius.
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487. And this company was his life.
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488. When he was sad,
it made him happy.
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489. When he was sick,
it kept him alive.
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490. And my brother is still alive,
as long as Versace's alive.
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491. I will not allow that man—
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492. that nobody—
to kill my brother twice.
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493. The family thanks
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494. all those who have paid
their respects...
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495. and marked their grief
with silence.
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496. This is a heinous
and inexplicable crime.
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497. Neither Gianni Versace,
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498. nor any of his family,
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499. knew or had any contact
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500. with the suspect
known as Andrew Cunanan.
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501. Thank you very much.
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502. That was last
night's official statement
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503. from the house of Versace.
Lydia's at the scene.
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504. With the death
of Gianni Versace,
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505. Miami is now at the center
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506. of one of the largest
FBI manhunts of all time.
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507. The police have named
Andrew Cunanan as the suspect.
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508. Please call
the Channel 15 tip line
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509. if you have any information.
Operators are standing by.
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510. This is a nationwide manhunt.
Be on alert.
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511. I gave him $190 cash
for that coin.
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512. Okay, I did everything right.
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513. I did everything by the book.
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514. I asked him for his ID,
he gave me a U.S. passport.
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515. Andrew P. Cunanan.
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516. I asked him for his address.
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517. He gave me this address,
right here. Okay?
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518. I handed the paperwork
in to you guys, July 7.
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519. Seven days before
Versace was shot.
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520. We got an address
on Andrew Cunanan.
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521. Gianni had hoped to
be the first Italian designer
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522. to list his company on both
the Milan Borsa
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523. and the New York Stock Exchange.
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524. The papers with Morgan Stanley
were signed.
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525. They were signed a week ago.
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526. That's why he was here,
in this country.
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527. So, I know how much
it meant to him.
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528. We can still go ahead.
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529. He would have wanted us to.
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530. Yes, he would have wanted that.
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531. He would have wanted his death
to change nothing,
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532. but it changes everything.
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533. If we pull out,
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534. we won't be able to try again
for many years, Donatella.
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535. Maybe. But if we are
a public company,
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536. we are in the hands
of strangers, Santo.
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537. They can turn against us.
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538. For good reasons, bad reasons,
fair reasons, unfair ones.
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539. This is not a time
for strangers.
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540. This is a time for family.
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541. Tell Morgan Stanley...
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542. tell them we will not be listing
on the New York Stock Exchange.
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543. We'll remain a private company.
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544. A family company.
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545. I'm sorry.
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546. Go, go, go, go, go!
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547. - Don't fucking move.
- Room's clear!
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548. - I said don't move.
!
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549. What's your name?
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550. - Ronnie. Ronnie.
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551. Do you know him?
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552. No.
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553. - All of them.
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554. Captioned by
Media Access Group at WGBH
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