1. Faster
than a speeding bullet...
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2. more powerful
than a locomotive...
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3. able to leap tall buildings
at a single bound...
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4. Look! Up in the
sky! It's a bird!
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5. It's a plane!
It's Superman!
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6. Yes, it's Superman, strange
visitor from another planet
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7. who came to Earth
with powers and abilities
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8. far beyond those of mortal men.
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9. Superman, who can change
the course of mighty rivers,
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10. bend steel in his bare hands,
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11. and who, disguised
as Clark Kent,
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12. mild-mannered reporter for a
great metropolitan newspaper,
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13. fights a never-ending battle
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14. for truth, justice and
the American way!
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15. And now, another
exciting episode
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16. in The Adventures of Superman!
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17. When do I get to
pull this trigger?
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18. Take it easy, Shorty.
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19. You got nothing
to draw a bead on
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20. till Kent answers
that telephone.
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21. How much time have
we got, inspector?
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22. We better leave in five minutes
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23. if we expect to
catch that plane.
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24. Be ready in four.
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25. Optimist.
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26. Maybe them California
lines are busy,
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27. and the boss can't get through.
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28. What's the matter?
You trigger-happy?
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29. Just got an itchy finger.
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30. There she goes. Get set.
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31. Mind catching that
for me, inspector?
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32. Hello?
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33. Hold it, Shorty.
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34. That's the copper. We want Kent.
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35. Okay.
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36. It's for you, Kent.
Long distance.
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37. Thanks.
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38. Hello, Kent speaking.
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39. It's Hollywood.
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40. All I see is the
back of that copper.
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41. He'll move.
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42. Kent, boss.
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43. Hello, Kent.
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44. Luigi Dinelli.
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45. It's Dinelli!
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46. They tell me you and
Inspector Henderson
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47. are coming out here
to work in the movies.
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48. That's right, Dinelli.
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49. National Studios bought
that series of articles
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50. I wrote about you
for the Daily Planet.
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51. "Czar of the
Underworld," remember?
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52. I didn't like what them
articles said in the paper, Kent.
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53. I'm gonna like them
less in the movies.
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54. Well, now, that's
too bad, Luigi.
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55. What do you suggest?
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56. Friends of mine tell me
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57. that picture shouldn't
ought to be made.
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58. They say you and Henderson
should call off your trip.
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59. You tell your friends...
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60. The copper moved! Come
on, make with the trigger!
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61. I'm pulling on it,
but nothing happens!
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62. You're telling me!
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63. Ah, she must have jammed.
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64. Well, open her up and fix it.
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65. The boss will keep him
gabbing until he hears the shot.
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66. Okay, okay. Take it easy.
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67. And another thing, Luigi.
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68. You better tell your friends
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69. Czar of the Underworld starts
shooting tomorrow morning.
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70. And Inspector Henderson and I
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71. intend to be on
hand for the occasion.
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72. And you can tell
them for me, Dinelli,
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73. that this picture will pack
more wallop than a Tommy gun.
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74. When you see the
stuff we're putting into it,
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75. you won't be able to find a
hole deep enough to crawl into.
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76. Luigi?
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77. That was Inspector Henderson.
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78. Well, how do you like that?
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79. I finally get her working again,
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80. and all I can see is
that copper's back.
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81. I'm sorry, Luigi, but I'm afraid
we'll have to cut this short.
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82. We have to shove
off for the airport.
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83. See you in sunny California!
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84. I'm warning you, Kent.
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85. You and that copper
won't leave California alive
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86. if you go ahead
with that picture.
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87. It's too late to stop
them now, Luigi.
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88. They start shooting
tomorrow morning.
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89. Them friends of mine are
liable to start shooting too.
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90. Tell them to contact me
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91. any time after tomorrow
at National Studios.
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92. Might be sooner than you think.
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93. Now!
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94. Keep back, inspector!
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95. But they tried to plug you!
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96. Skip it. Come on, we're late.
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97. But, Kent, that call was a
plant to get you to the phone.
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98. This was an attempted murder!
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99. We haven't got time
to worry about that now.
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100. Come on, let's go!
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101. Westbound from Metropolis,
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102. Chicago and Kansas City
now unloading at gate five.
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103. Got a match, bud?
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104. So this is Hollywood!
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105. Not quite. Hollywood's
about 10 miles north of here.
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106. Oh. Let's get a cab.
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107. Excuse me, are you
Inspector Henderson?
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108. That's right.
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109. Mr. Abner sent me to drive
you and Mr. Kent to the studio.
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110. Well, this is certainly
rolling out the red carpet!
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111. Yes, sir! I'll take your bags.
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112. Thank you.
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113. Right this way, gentlemen.
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114. You know, I'd like to meet
a few of these movie stars
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115. before we pull out.
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116. I'd settle for five minutes
with that Luigi Dinelli, myself.
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117. I'd like to repay him for
that telephone call last night.
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118. He'll get paid once
this movie comes out.
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119. What's wrong?
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120. Why did we pull in here?
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121. The right rear tire's
soft. Gotta check it.
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122. Only be a couple of
seconds, gentlemen.
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123. Ah, this is the life, boy!
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124. Private car, chauffeur...
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125. Chauffer, my eye.
Duck! It's a trap!
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126. Kent, where are you?
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127. Stay down.
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128. Don't move.
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129. We walked right into this one.
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130. Don't worry, we'll
walk right out again.
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131. Just don't move.
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132. Got your car around
the back? All set.
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133. Okay. Luigi's gonna take
care of them two in person.
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134. Let's go.
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135. Kent, how'd you do it?
We were locked in here.
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136. One of the little tricks
that Superman taught me.
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137. You know, Kent, sometimes I
get a feeling you are Superman.
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138. I may have to be to
get this picture made.
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139. Cut it!
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140. I'd like it once again.
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141. You were late again with
that pistol cue, Dexter.
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142. Let's go, Dexter. We can't spend
all day on this shot, you know.
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143. Call a doctor!
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144. This man's dead!
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145. Dead?
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146. Get that rifle, Kent.
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147. It's only loaded with blanks.
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148. That's what you think.
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149. How many times must I tell you
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150. not to barge into my
office without knocking?
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151. I know, chief, but
this is important.
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152. Don't call me "chief."
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153. Yes, chief. I mean,
yes, Mr. White.
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154. Okay, what is it?
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155. It just came in
over the press wire.
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156. "Hollywood. Flash.
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157. "Alan Dexter,
motion-picture star,
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158. "shot and killed on
National Studios set today
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159. "while filming crime exposé
Czar of the Underworld.
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160. More to follow."
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161. Let me see that.
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162. Yes, Mr. White?
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163. Get me Clark Kent or
Inspector Henderson
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164. at the National
Studios in Hollywood.
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165. A perfect setup for the scoop.
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166. My own reporter right there on
the scene and what happens?
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167. I've got to get the news
over the press wire.
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168. Just wait till I get Kent
on the phone. Just wait!
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169. When did that come in?
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170. Just a few minutes ago.
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171. Well, go out and see
if there's any more.
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172. Yes, sir.
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173. I have Inspector Henderson
on number four, Mr. White.
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174. Okay.
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175. Hello. Hello?
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176. On number four, Mr. White.
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177. Hello! Hello!
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178. Hello?
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179. Hello. Is that you, Henderson?
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180. Yes, how are you, Mr. White?
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181. I'm fit to be tied, that's
how I am. Where's Kent?
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182. Probably checking
up on something.
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183. We've had a little trouble
out here, you know.
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184. Oh, really? How would I know?
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185. Does anybody ever
tell me anything?
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186. You tell Kent for me
that in case he's forgotten,
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187. he's still working
for the Daily Planet
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188. and not the National Studios!
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189. Now, listen, Mr. White...
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190. And, furthermore,
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191. when a story breaks
and he's on the scene,
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192. I expect to get my
information from him
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193. and not from a press service.
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194. If that Hollywood
stuff's gone to his head,
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195. you can tell him from
me he can stay out there
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196. and not bother to come back!
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197. Now, be reasonable.
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198. "Be reasonable. Be reasonable."
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199. Great Caesar's ghost!
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200. Well, if you'll stop shouting
for a minute and let me explain.
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201. Go ahead, but make it good.
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202. Well, we haven't had a chance
to breathe since we got out here.
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203. And then this thing
had to happen.
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204. What thing?
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205. Well, Alan Dexter's murder.
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206. Are you sure it was murder?
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207. No question about it.
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208. And Kent didn't notify me.
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209. Didn't even have
the common decency
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210. to call me and tip me off!
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211. No, I've got to
get my information
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212. from a press service!
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213. Mr. White...
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214. What does that nincompoop
think I pay his salary for?
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215. To keep me in the dark
when a big story breaks?
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216. Hasn't he any loyalty
to me or to the paper?
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217. Didn't it occur to him
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218. that we might be interested
in getting that story
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219. before every other
newspaper in the country got it?
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220. Or doesn't he care?
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221. Now, that's ridiculous.
I told you th...
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222. I don't care what you told me.
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223. All I know is Kent was on
the scene when it happened,
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224. and all I've got in this office
is a news Teletype report.
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225. Did you hear me?
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226. A news Teletype report
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227. instead of an eyewitness
account from my own reporter!
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228. I'm sorry, Mr. White, but I
have to attend a meeting
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229. with the head of the
studio and the police chief.
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230. I'm not through yet.
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231. I'm not through by a long shot.
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232. You tell Kent that if
he thinks for one minute
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233. I'm gonna stand by while he...
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234. Hello? Hello?
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235. Hello, Henderson. Are you there?
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236. He hung up on me.
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237. He hung up on me!
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238. Is, uh...?
Is this Dexter's trailer?
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239. That's right.
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240. I take it, gentlemen, that
your verdict is murder.
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241. No question about it, Mr. Abner.
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242. Dexter was shot through
the heart by a live bullet
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243. someone slipped into the
chamber of the automatic rifle.
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244. Which means Dinelli
has a confederate
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245. right here in the studio.
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246. Well, who is it?
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247. We checked every person
on the stage. No suspects.
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248. Evidently Dinelli's
playing for keeps.
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249. And so are we, Mr. Kent.
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250. He's not going to stop
production on this picture.
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251. I'll replace Dexter with a new
leading man this afternoon,
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252. and we'll resume
shooting in the morning.
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253. What about the actors and crew?
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254. Will they go along, Mr. Carr?
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255. One hundred percent.
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256. Does that go for you
and Inspector Henderson too?
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257. Mr. Abner, we came
out here to do a job...
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258. And we're staying
until it's finished.
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259. Good. Thank you.
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260. I don't think there's
anything more for me to say.
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261. I want to see you
in my office, Carr.
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262. Mr. Carr was telling me
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263. Dexter lived right
here in this trailer.
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264. That's right, Mr. Kent.
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265. He had it fixed up with
all the latest improvements:
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266. running water, telephone,
all the comforts of home.
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267. Sounds great.
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268. Say, do you think
it'd be all right if I...?
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269. If I slept in here tonight?
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270. Sure. If you really want to.
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271. Now, why would anyone
want to sleep alone
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272. in a place like that?
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273. You're welcome to keep me
company if you want, inspector.
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274. With a complimentary suite
at the Mark Stevens Hotel?
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275. Ha-ha! No, thank you.
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276. Like to look at the
inside of the trailer?
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277. Yes, I would. Thank you.
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278. Now, what do you
suppose he's up to?
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279. Oh, reporters always
gotta be snooping around.
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280. It's in their blood.
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281. Buy you a beer, chief.
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282. You took the words
right out of my mouth!
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283. Yeah? Ollie's here.
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284. Send him in.
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285. Hey, boss, I got
news for you! Yeah?
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286. I was just talking to Frank.
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287. So what?
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288. They put another
actor in Dexter's place,
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289. and they're going
ahead with the picture,
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290. starting tomorrow morning.
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291. What else?
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292. Frank also told me to tell you
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293. Clark Kent's spending
the night at the studio.
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294. He's gonna sleep in Dexter's
dressing room on stage 13.
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295. Where's the copper staying?
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296. Henderson? The Mark Stevens.
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297. Tommy? Yeah, boss?
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298. Is Frank still at the studio?
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299. No, but he'll be
home in half an hour.
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300. Okay. Get in touch with him.
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301. Yeah.
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302. Tell him he's working tonight.
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303. Okay, boss.
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304. Frank Dinelli, the
brother of Luigi.
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305. That's the one I want
the information on.
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306. The Los Angeles Police
haven't got any more
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307. than what's right there.
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308. Nothing since 1938?
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309. That's the year he
got out of San Quentin.
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310. He disappeared after that.
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311. He's probably had his face
lifted, changed his name,
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312. started life all over again
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313. somewhere where nobody knew him.
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314. Mm-hm.
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315. That address on
Luigi, is it still good?
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316. We can put our
finger on him anytime.
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317. The trouble is we can
never get the goods on him.
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318. He's too smart,
even for the FBI.
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319. Oh, they always slip
up sooner or later,
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320. even the smartest of them.
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321. Yes, I know.
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322. But Dinelli's been getting
away with murder for 20 years.
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323. I have a funny feeling
tonight's the night.
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324. You still planning
on going ahead
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325. with your plans to
spend the night...?
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326. You still gonna spend
the night in here?
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327. Why not?
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328. Well, if Dexter's murderer
is still around the studio,
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329. you might give him ideas.
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330. Nothing like a well-baited
hook to catch a big fish.
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331. Yes, but you might be baiting
that hook with your life, Kent.
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332. Don't worry. I intend to take
every precaution to keep it.
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333. You reporters have
certainly got a lot of nerve.
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334. Sometimes we have to have it.
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335. What are you doing
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336. snooping around here
at this time of night?
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337. Well, I...
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338. I was just lining up
my camera angles
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339. for tomorrow morning's work.
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340. What are you pointing
that gun at me for?
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341. Oh.
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342. Better luck next time, chief.
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343. Well, I always say
you can't be too careful.
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344. I'm sorry, Mr. Carr.
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345. Mm-hm. Good night.
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346. Good night!
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347. Well, I better get going.
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348. Well, can I drop
you off somewhere?
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349. I'm just on my way home.
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350. No, I wanna have a quick
talk with an old friend.
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351. Well, maybe you're
going in my direction.
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352. No, I'm gonna mosey along
by myself, if you don't mind.
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353. This old friend of mine
is allergic to uniforms,
Copy !req
354. especially police uniforms.
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355. Good night. Good night.
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356. There
have been no new developments
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357. in the mysterious murder
of screen star Alan Dexter
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358. who was shot to
death this morning
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359. while rehearsing a scene
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360. for the forthcoming
motion-picture crime exposé
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361. Czar of the Underworld.
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362. The police are
making every effort
Copy !req
363. to uncover a clue to
the murderer's identity,
Copy !req
364. but as yet have
been unable to explain
Copy !req
365. how the live bullet
that killed Dexter
Copy !req
366. got into the automatic rifle
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367. fired by a fellow
actor on the movie set.
Copy !req
368. Good evening, Dinelli.
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369. What's the idea?
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370. The window? I was in a
hurry. I just took a shortcut.
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371. Wise guy, huh?
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372. Tommy, Ollie, come in here!
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373. I was wondering
when you'd do that.
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374. Any more, Luigi?
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375. Your aim is bad, Luigi.
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376. Now, what are you gonna
do with the empty gun?
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377. Keep away from me!
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378. What do you want?
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379. I want you to come
to the studio with me
Copy !req
380. so I can show you
how movies are made.
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381. No, I won't go.
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382. Yes, you will.
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383. Come in!
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384. This steak is so good,
waiter, I think I'll have another.
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385. Might as well, since
the studio's paying for it.
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386. Superman!
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387. How are you, inspector?
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388. Never happier in my life.
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389. So I see.
Copy !req
390. Well, after all, the studio's...
Copy !req
391. The studio's paying
for it. I know, I know.
Copy !req
392. Well, is it any fault of mine
Copy !req
393. if Kent decides to stay away
Copy !req
394. when all this is
given to us for free?
Copy !req
395. I hardly think Kent's
just twiddling his thumbs.
Copy !req
396. What brought you out here?
Copy !req
397. Same business that brought
you and Kent, inspector.
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398. We could sure use you.
Copy !req
399. This Dinelli's a tough customer.
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400. I think we've got
him where I want him.
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401. You've seen him already?
Copy !req
402. Returned the
greetings he extended
Copy !req
403. to you and Kent this morning.
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404. Ah, we can always count on you.
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405. Inspector, how would you
like to be on the kill tonight?
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406. The kill?
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407. Yes, if you can tear yourself
away from your dinner.
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408. Oh, I've finished mine already.
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409. I was eating Kent's.
Copy !req
410. I see.
Copy !req
411. Well, here's the situation.
Copy !req
412. I just left Dinelli sound asleep
Copy !req
413. in a trailer on stage
13 at the studio.
Copy !req
414. Dinelli in the trailer?
Copy !req
415. How'd you do it?
Copy !req
416. Oh, a little
artificial persuasion.
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417. Yes, but where's Kent?
Copy !req
418. Oh, he's around somewhere.
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419. The point is, if the
murderer shows up
Copy !req
420. to try any more funny business,
Copy !req
421. I'd much rather Dinelli
be in that trailer than Kent.
Copy !req
422. No telling who
it is in the dark.
Copy !req
423. Exactly.
Copy !req
424. Well, shall we...? Shall we go?
Copy !req
425. After you.
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426. What's that noise?
Copy !req
427. It's the motor on that car!
Copy !req
428. Open that trailer door!
Copy !req
429. That little carbon-monoxide
deal was meant for me.
Copy !req
430. For you?
Copy !req
431. I mean, for Kent.
Copy !req
432. I better take a look at Dinelli.
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433. You better leave it open.
Copy !req
434. It's all right. It's
clear in there now.
Copy !req
435. How is he? All right.
Copy !req
436. He's out cold, but we
got here just in time.
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437. What was that?
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438. It's our murderer! Where?
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439. Up there on that light platform!
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440. Down, inspector!
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441. Chief!
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442. Yes.
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443. Chief to you and
all the rest of them.
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444. My real name is Frank...
Copy !req
445. All right, inspector.
Copy !req
446. Put the cuffs on him!
Copy !req
447. What do you know,
Luigi Dinelli in custody!
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448. You got nothing on me!
Copy !req
449. This time we have, Luigi.
We've got you for keeps.
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450. What for? Murder, my friend.
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451. The murder of your own
brother, Frank Dinelli.
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452. I didn't kill him! He
was dying already.
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453. I only put him
out of his misery.
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454. That's your story.
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455. It's possible you killed him
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456. to keep him from talking.
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457. What do I care if he talked?
Got nothing to do with me.
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458. I got nothing to be afraid of!
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459. What about the
murder of Alan Dexter?
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460. Okay, so Frank
put the live bullet
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461. in that rifle they were
playing with on the movie set.
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462. It's got nothing to do with me!
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463. Yes, it has. You were
giving Frank his orders.
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464. I'd like to see you prove that.
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465. We'll prove it.
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466. Kent would get a
big kick out of this.
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467. The Czar of the
Underworld in bracelets.
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468. Too bad he isn't here.
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469. Oh, he's here.
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470. In a way.
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