1. It's a catastrophe! It's unprecedented!
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2. It's off-book! It's unfortunate!
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3. The Baudelaires are lost
and unsupervised!
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4. Do you know what that means?
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5. - Without supervision?
- Good God, man, you're right!
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6. We must act now.
We must act without delay.
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7. We...
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8. need...
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9. We need...
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10. Oh!
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11. Oh, my.
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12. Oh, my. This is excellent chowder.
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13. Mmm, mmm. Good.
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14. Oh, God...
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15. I hope Mr. Poe isn't too worried about us.
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16. Good point.
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17. If you like watching stories
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18. in which children enjoy pleasant rides
in truck beds,
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19. on their way to colorful destinations...
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20. What the gum?
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21. where they finally solve
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22. the curious mysteries
plaguing their lives...
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23. Get a job, hitchhikers!
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24. that story is streaming elsewhere.
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25. - What now?
- We walk.
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26. It's okay, Sunny. I got you.
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27. We're almost out of the woods.
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28. "Out of the woods" is an expression
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29. referring to the fact
that woods are dangerous places to be.
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30. In Hansel and Gretel...
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31. two siblings enter the woods
and are menaced by an elderly cannibal.
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32. In Little Red Riding Hood,
a wolf enters the woods
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33. and is menaced by a rude little girl.
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34. And in Walden,
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35. a poet enters the woods
and is menaced by revelations
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36. that we should abandon civilization
and live by a pond.
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37. It is for that reason that
"out of the woods" has come to mean
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38. "a return to safety, away from menace
and disturbing revelations."
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39. I am sorry to say while Violet was right
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40. in that the Baudelaires
were almost out of the forest...
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41. they were far from out of the woods.
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42. It looks like there was a fire here.
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43. - Everything's gone.
Not everything.
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44. "Lucky Smells Lumbermill."
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45. Maybe this is where all the clues lead us.
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46. The secret safe and the strange
photographs at Aunt Josephine's.
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47. The secret message and
the strange statue lady at Uncle Monty's.
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48. The only thing standing between us
and all our parents' secrets...
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49. is an enormous wooden wall.
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50. What if we don't like what we find?
Knowing can be a terrible thing.
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51. But not knowing, isn't that worse?
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52. I bet I could invent a catapult
to get us over.
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53. I read about walls.
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54. The Wall of Jericho,
the Great Wall of China.
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55. All I need is a lever, a counterweight
and a very large spoon.
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56. Pink Floyd's The Wall.
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57. Although Mother wouldn't
let me watch that one.
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58. - Sunny?
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59. - Does this make us trespassers?
- We're children.
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60. Those aren't mutually exclusive.
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61. If we get caught, we'll just say we were
on a school trip. Come on.
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62. What exactly are we looking for?
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63. It's like Father said about fine art.
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64. We'll know it when we see it.
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65. I think we're in the right place.
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66. Or the very, very wrong place.
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67. - It could just be a coincidence.
- It could be Count Olaf.
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68. Maybe we should leave.
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69. Forgive me.
I thought you might be trespassers.
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70. But now I see you're just children.
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71. - They're not mutually—
- We're on a school trip.
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72. Right, because we're schoolchildren.
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73. Well, this lumbermill is hardly
a safe place for children.
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74. And I should know, I run it.
I'm Charles.
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75. Do you recognize any of these people?
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76. I think you better come
and see my partner.
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77. Do you know what happened
to the town over there?
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78. Well, it's a sad story.
Paltryville used to be booming.
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79. We had a world food market,
two hot yoga studios,
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80. and there was even talk of a water park.
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81. The name Paltryville was a misnomer.
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82. And then one day, the whole town
burned down in a terrible fire.
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83. Luckily, the lumbermill survived...
and the eye-shaped building,
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84. which actually belongs to...
Oh, look, here we are.
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85. Uh, children, I'd like you to meet...
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86. Call me Sir.
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87. Everybody does 'cause I tell 'em to.
I'm the boss.
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88. They have to do what I say,
even my partner here.
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89. Doesn't "partner" mean "equal"?
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90. Well, in fact,
"partners" can mean several things.
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91. It could mean "two people who own
a lumbermill together, or a cupcakery."
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92. Now, with the advent of
more progressive cultural mores,
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93. not to mention certain High Court rulings,
it could also mean...
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94. I do all the work. He irons my clothes.
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95. I also cook your omelets.
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96. The definitions are not
mutually exclusive.
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97. I found them wandering unsupervised,
poor dears.
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98. Well, you know what we do
with trespassers, don't you, Charles?
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99. But they're only children.
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100. I thought we could take them in.
Give them a loving, normative home.
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101. Nonsense.
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102. I believe you treat children
like grown-ups.
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103. Put 'em to work in the mill.
It'll teach them responsibility.
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104. It'll teach them the value of hard work.
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105. And it'll teach 'em how to make
flat wooden boards out of trees.
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106. - But, Sir—
- Don't argue with me. We're partners.
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107. If we work in the mill,
do we get to stay here?
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108. "Get to"?
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109. This one gets it.
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110. In this economy,
children are lucky to have a job at all.
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111. - What's your name, young lady?
- Violet... Baudelaire.
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112. - A Baudelaire.
- Wait, do you... do you know that name?
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113. Of course I do.
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114. Every man, woman and child in Paltryville
knows the name Baudelaire.
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115. Why? Did you know our parents?
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116. Who are the other people
in this photograph?
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117. I don't understand what "ack" means,
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118. but if you want to know about
your parents, they—
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119. - Sir.
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120. Every time we're about to get
some answers.
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121. - Seriously?
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122. It's these cigars.
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123. I hate the things, but I can't quit
smoking 'em. I'm the boss.
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124. Now, where was I?
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125. Oh, yeah. There's a reason
this town will never forget your parents.
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126. They're the ones that burned it down.
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127. Our parents did what?
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128. I'm an important man.
Don't make me repeat myself.
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129. They burned down the town!
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130. They're, um...
not anywhere nearby, are they?
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131. They died... in a fire.
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132. Good.
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133. What goes around comes around.
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134. It's a terrible thing, startin' a fire.
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135. Why are you still standing there?
You got work to do in the morning.
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136. Tell me, truck driver,
you're sure there were three of them?
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137. I'm sure I'm sure.
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138. A tall girl, a boy with glasses
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139. and a little baby
who I think bit a hole in my spare tire.
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140. And did they seem like orphans
with an enormous fortune?
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141. I don't know about that.
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142. They snuck into my truck
and I threw 'em out
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143. maybe 2.5 miles outside of Paltryville,
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144. - like I told you.
Paltryville.
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145. - You've been there before?
- Mmm. It's been years.
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146. - Tell me, truck driver—
- I said my name was Evander.
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147. Did you ever know a woman, truck driver,
who took your heart
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148. and rattled it like a baby in a cage?
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149. Who joined you for years
on a sequence of heists and schemes
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150. until the two of you were forced apart
by circumstance,
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151. and also because you ran off
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152. in the middle of the night
with a bunch of her valuables?
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153. Uh, no, I've been in the lumber industry
all my life.
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154. Hmm.
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155. You can let me off here,
in the middle of town.
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156. For you.
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157. Seriously?
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158. That night
in the lumbermill workers' dorm,
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159. the Baudelaires pondered
what they'd heard,
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160. and the weight of it felt like
it had aged them a hundred years.
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161. Though, of course, it hadn't.
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162. Did you hear about the new recruits?
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163. - They're Baudelaires.
- I hear their folks were arsonists.
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164. I hear they checked out library books
and never returned them.
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165. I hear they drank blood
from the skulls of chupacabras.
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166. You mean they drank from baby skulls
like chupacabras.
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167. I know what I heard.
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168. That's ridiculous.
Did any of you actually meet our parents?
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169. - I think Jimmy did.
- Norma Rae is here longer.
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170. Don't look at me. Look at Cesar.
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171. Do you know anything
about what happened to this town?
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172. - We're not allowed to talk about that.
- It's too terrible.
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173. Also, we don't know.
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174. Then you shouldn't be spreading rumors.
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175. I never believed those rumors anyway.
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176. So... where are your parents now?
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177. We're orphans.
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178. Lucky you!
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179. The unsupervised life.
No rules, no curfews.
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180. Lights out. Two seconds.
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181. But it's only six o'clock.
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182. Oh, boy, more time for dreaming.
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183. I'm Phil,
and I am excited to work with you kids.
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184. Thank you. I'm Violet.
These are my siblings, Klaus and Sunny.
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185. Listen, I... I know things seem dark.
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186. But you have to look on the bright side.
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187. So your parents burned down towns.
You don't have to be like your parents.
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188. My parents were Olympic athletes
and look at me.
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189. I work in a lumbermill.
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190. From Phil's words,
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191. the Baudelaires could tell that
their new coworker was an optimist...
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192. Who wants a welcome packet?
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193. a word meaning
"person who thinks hopeful thoughts
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194. about even the bleakest situation."
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195. For example, if an optimist were to have
his right arm bitten off by an alligator,
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196. he might say, "Oh, boy,
half-price manicures for life."
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197. Whereas the rest of us would say,
"Ah, my arm!"
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198. "Optimist" is not to be confused
with "optometrist,"
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199. a word meaning "healthcare professional
who performs eye exams."
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200. Though both can be dangerous.
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201. Still, while they pored over the dense
contents of their welcome packets
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202. and poked at dense beef casserole
with their welcome spoons,
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203. the Baudelaires faced
their first night in Paltryville
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204. with some attempted optimism of their own.
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205. Look. The mill has a library.
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206. Maybe you can research what happened here
and clear our parents' names.
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207. Look. The mill has machines.
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208. Maybe you could invent a way of making
wooden planks out of trees faster.
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209. What does it say it is?
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210. Optimist's office.
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211. I meant optometrist's office.
Father always said he didn't trust either.
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212. But what does an optometrist's office
have to do with Count Olaf?
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213. Maybe Phil was right.
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214. We should look on the bright side.
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215. This mill may be miserable,
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216. but since we got here,
we haven't seen Count Olaf once.
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217. What if that eye really was a coincidence?
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218. What if we've finally found a place
where Count Olaf won't find us?
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219. Wish I could say she was right,
but Violet was asking the wrong questions.
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220. The question
she should have been asking was...
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221. where does Count Olaf's
ex-girlfriend work?
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222. - Who is it?
- I'm looking for a Dr. Orwell.
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223. Um... who's calling, please?
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224. I'm just an old friend.
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225. Um, Dr. Orwell's not here right now.
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226. And she doesn't have any old friends.
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227. Ah, but this is an old friend
who severely regrets his actions.
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228. - Really?
- Yes.
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229. He's brokenhearted, and he wants very much
to forget the whole thing.
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230. So he isn't just knocking
on Dr. Orwell's door
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231. because he needs something for himself?
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232. No. He's just in town,
looking for Dr. Georgina Orwell,
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233. in the hopes
of somehow making things right.
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234. Because life is so short,
it is so rare to meet,
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235. to find someone
who shares one's brilliance, one's charm,
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236. one's dubious moral code
in a world gone gloriously wrong.
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237. Such people must stick together
like comrades, like partners, like...
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238. You've changed your hair.
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239. Olaf.
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240. Georgina.
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241. I swore I would never
let you darken my door again.
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242. I took a solemn oath that my office
would be closed to you forever,
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243. even during regular business hours.
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244. You're not still mad about...
whatever I did.
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245. You left me to drown.
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246. Water under the bridge.
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247. - That's where you left me.
- Are you sure that was you?
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248. Sorry, I have my own life now,
with my own evil scheme,
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249. which I've put a lot of work into
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250. and I don't need you ruining,
like that bar mitzvah.
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251. What if I told you we had another chance
to destroy the Baudelaires?
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252. The Baudelaires?
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253. Well, their miserable children this time.
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254. Fate has brought us together, my pet.
Fate and fortune.
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255. How big a fortune are we talking?
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256. Is Sunny asleep?
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257. She's dreaming about biting something.
Why?
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258. What Sir said about our parents.
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259. - You don't think it could be true.
- Of course not.
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260. Then you agree what we have to do.
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261. - Of course. Clear their names.
- Get out of here. Wait, what?
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262. If we clear their names,
maybe we can finally get some answers.
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263. - Maybe they wouldn't want us here.
- Then they shouldn't have left us alone.
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264. You know that's not what they did.
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265. I'm sorry. I know it's not their fault.
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266. And I know
you're just trying to be cautious.
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267. I guess we're not seeing eye to eye.
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268. I wish they were here.
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269. - Our parents.
- I know.
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270. I don't like this place either.
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271. But staying is the best way to find out
what our parents were hiding.
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272. The best way to find out
would be to ask them.
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273. But we never can.
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274. - We can't keep hiding like this.
- You're right.
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275. - Our enemies are too close already.
- I mean from the children.
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276. We can't keep hiding
this part of our lives.
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277. When we get back,
we're gonna tell them everything.
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278. What we do. Why we do it.
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279. We need to make it back first.
What do you think?
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280. We're not out of the woods.
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281. Morning is an important time of day,
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282. because how you begin your morning
can often tell you
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283. what kind of day you're going to have.
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284. If you wake up in a mansion
to a butler serving you blueberry pancakes
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285. and fresh-squeezed orange juice...
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286. your day will probably be wonderful.
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287. If you wake up in a lumbermill
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288. to the sound of metal pots
banging together...
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289. Get up, lumber workers!
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290. - This is your new foreman,
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291. and you've got a new shipment of logs
to turn into flat wooden boards.
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292. What's that horrible noise?
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293. It sounds like
someone banging metal pots together.
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294. I believe everyone has a good side.
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295. But I have to admit,
our last foreman was a lot nicer.
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296. - What happened to your last foreman?
- Must've quit in middle of the night.
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297. It happens a lot around here.
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298. Hurry up. It's log day.
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299. I hate log days.
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300. Now grab a debarker
and start debarking.
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301. You too, lumber midgets.
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302. Oh, I love log day.
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303. Lunch break, lumber slowpokes.
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304. - I hate log days.
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305. Told ya!
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306. We finally get a break.
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307. Lunch break. Five minutes.
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308. Oh, boy, five whole minutes.
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309. It's gum. This is gum.
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310. Gum isn't lunch.
It's not even a snack.
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311. It's not very filling, but it's all
they'll let you eat until dinner.
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312. Can we use our wages
to buy some sandwiches?
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313. - Lady, we're not paid in wages.
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314. We're paid in coupons.
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315. I got one for 20% off a shampoo
at Ed's Haircut Palace.
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316. I got a free refill of iced tea.
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317. I got "Buy two banjos, get one free."
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318. 'Course I can't buy any banjos
'cause I don't have any money.
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319. Just coupons.
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320. That can't be legal.
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321. It's not like we have a constitution.
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322. If this place is so miserable,
why don't you leave?
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323. Lucky Smells is our life.
Lucky Smells is our home.
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324. We need to find those answers
and get out of here, fast.
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325. According to the map,
the mill library should be just behind...
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326. behind this door.
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327. Trying to get out of log day, are you?
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328. We wanted to visit the library
on our lunch break, Sir.
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329. Oh, what a lovely idea.
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330. I told you a library
would be good for morale.
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331. Nonsense.
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332. Lunch breaks are for chewing gum,
not sneaking off to libraries.
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333. - That's why you only need five minutes.
- But, Sir—
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334. You're not gonna cause trouble
for this mill, are you?
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335. Trouble? I'm your partner.
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336. - I'm speaking to the Baudelaires.
- Right.
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337. I took a chance
on treating you like grown-ups.
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338. Don't make me regret it.
Now, get back to work!
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339. You'll have to excuse Sir.
He recently cut down on the smoking.
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340. Do you know he feeds the workers gum
and pays them in coupons?
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341. Yes, well, I've tried to discuss that.
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342. If you guys are partners,
you should be able to stand up to him.
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343. It's complicated.
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344. I know Sir can be prickly,
Copy !req
345. but you have to understand,
he had a very terrible childhood.
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346. I understand.
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347. I'm having
a very terrible childhood right now.
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348. Okay.
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349. - You're thinking something.
- It's the new foreman.
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350. Phil said he just showed up last night.
Copy !req
351. What if he's Count Olaf
and being a foreman's his new disguise?
Copy !req
352. He is cruel like Count Olaf,
Copy !req
353. but Count Olaf runs a horrible
theater company, not a lumbermill.
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354. But isn't it suspicious
how we never see his face?
Copy !req
355. And we only ever hear his voice
over the loudspeaker.
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356. The mill is noisy.
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357. Besides, it's probably the only way
anyone could ever hear him.
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358. I know what you're trying to do.
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359. Keep us safe.
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360. Find a reason to leave.
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361. And we will, I promise, as soon as
we clear our parents' names.
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362. I... I need a new debarker.
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363. - What are you doing, midget?
- I... need a new debarker.
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364. Spoiled brat wants a new debarker.
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365. Old rusty one
isn't good enough for him, eh?
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366. They're over there, rich boy.
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367. Wait...
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368. - Whoopsie!
- Klaus!
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369. Your glasses, they're—
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370. - Twisted.
- Cracked.
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371. Hopelessly broken.
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372. They look A-okay to me.
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373. The foreman kicked him
and stepped on his glasses.
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374. How could I kick him
when I'm up in this booth?
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375. It was probably karma.
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376. - Can you see?
- A little.
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377. He'll live. Get back to work.
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378. He can't work if he can't see.
He needs an optometrist.
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379. Lucky for you, we've got a great one
right here in what's left of our town.
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380. The building shaped like an eye?
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381. Oh, yeah,
Dr. Orwell treats all the workers.
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382. You probably saw the coupon
in your welcome packet.
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383. I better get you there.
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384. I'll be fine.
Maybe I can find some answers.
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385. Maybe I can find some answers, too.
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386. Your cruelty is as sweet as this coffee
I'm dumping this sugar into.
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387. Oh, Georgina, I missed this.
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388. You, me, an evil scheme, a little death.
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389. La petite mort.
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390. You know I love it when you speak Spanish.
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391. Let's run away to Europe and find
a charming little country to take over.
Copy !req
392. What about the children?
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393. Shouldn't we live together first?
Copy !req
394. The Baudelaire children.
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395. Hmm.
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396. - Oh!
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397. Let me.
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398. Dr. Orwell's office.
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399. Hey, boss.
He's on his way.
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400. - He—
Copy !req
401. He's on his way.
Copy !req
402. In the book The Great Gatsby,
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403. there's a famous sign
shaped like a pair of eyeglasses.
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404. Does it represent an optometrist?
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405. It represents the eyes of God staring down
and judging society as a moral wasteland.
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406. Oh, that sounds like a fun book.
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407. Listen... I know going to the doctor
can be scary.
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408. But doctors are your friends.
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409. Come on.
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410. Phil was wrong, of course.
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411. As anyone who's been to a doctor knows,
doctors are not necessarily your friends,
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412. any more than butchers, mail deliverers,
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413. or refrigerator repair people
are your friends.
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414. I myself once fought with a most
unfriendly refrigerator repair person.
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415. I wonder what ever happened to him.
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416. Ordinarily, we'd never impose,
but we're in urgent need of a ride.
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417. - Partners?
- Always, darling.
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418. We better hurry,
before the foreman realizes we're gone.
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419. Or before Sir gets back.
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420. They're all The History
of Lucky Smells Lumbermill.
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421. Who would want so many copies
of the same book?
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422. Of course.
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423. Whenever Klaus reads
a long, difficult book,
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424. the first thing he does
is reads the table of contents.
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425. "Chapter 12. The Paltryville Fire."
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426. "The Baudelaires were
unequivocally responsible..."
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427. The rest is crossed out.
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428. This one's crossed out, too.
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429. This one's not crossed out.
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430. Sir, your goat cheese
and beef jerky omelet is ready.
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431. We have to get out of here.
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432. A dictionary.
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433. But why are you showing this to me?
You can't read.
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434. The quote that Sunny found scrawled
on the inside cover has been said
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435. by many of my associates over the years.
It goes...
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436. "In every library,
there is a single book
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437. that can answer the question
that burns like a fire in the mind."
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438. It wasn't the quote
that caught Sunny's eye,
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439. nor was it the reference to fire
that set Violet's heart racing.
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440. It was the handwriting.
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441. For when Violet saw
the strong left lean of the L's,
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442. and the confident closed loop
of the O's, she knew who wrote it
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443. even before she saw the name
on the library checkout card.
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444. "Bertrand Baudelaire."
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445. Or as Violet and Sunny knew him...
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446. Father!
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447. They're good children.
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448. I don't see why we have to lie to them.
The truth is right there in your book.
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449. Not anymore.
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450. I had it redacted.
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451. - Sir, you defaced your own book?
- I didn't have a choice.
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452. Charles, we made certain deals
to keep this mill open.
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453. And if she wants us to cover up the truth
and blame the fire on the Baudelaires,
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454. well... that's the cost of doing business.
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455. Is it really worth it?
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456. This mill is all I have, Charles.
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457. And you.
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458. Of course I have you.
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459. Klaus Baudelaire.
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460. You're Dr. Orwell?
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461. Yes, I'm sorry to keep you waiting.
I was on my lunch hour.
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462. Looks like somebody broke their glasses.
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463. See? Perfectly friendly.
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464. Well, you catch more flies
with honey than with vinegar.
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465. Actually, you catch the most flies
with manure.
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466. Aren't you smart?
It's just an expression.
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467. A fancy way of saying you're more likely
to get what you want
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468. by acting in a sweet way,
than in a distasteful way, like vinegar.
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469. Wave goodbye to your friend.
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470. Goodbye?
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471. Is this really necessary
to fix my glasses?
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472. An eye exam is standard procedure
for all my patients.
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473. You look nervous.
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474. Father always said he didn't trust
optimists or optometrists.
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475. Well, sounds like he may have had
a bad experience with one.
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476. I wonder who she was.
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477. Or if she ever practiced
optometry again...
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478. after the heartbreak, and the lawsuit
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479. and the plastic surgery to assume
a new identity in a faraway town.
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480. - What did you say?
- I said try not to blink.
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481. You're a smart boy.
Do you know what bedside manner means?
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482. It's when—
- It's when a doctor speaks
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483. in a calm and reassuring voice
to make sure his patients trust him.
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484. And how are we feeling, Klaus?
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485. - Not good.
- Because you broke your glasses.
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486. Because of this town.
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487. Everyone thinks our parents did
this bad thing,
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488. but they never even met them.
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489. Well, I'm not like everyone else.
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490. You don't believe it.
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491. I met your parents.
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492. Standard procedure
for nervous little boys.
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493. That's standard, too.
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494. Now focus here, Klaus,
and tell me what you see.
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495. An E or an A?
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496. - An—
- An E or an A?
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497. - An A.
- An A or a C?
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498. - A C.
- A sea or a lake?
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499. - Wait, what?
- A reptile or an amphibian?
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500. Fire or accident?
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501. A blonde or a bottle blonde?
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502. A parent or an arsonist?
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503. Tell me what you see, Klaus.
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504. Yes, you little bookworm,
tell us what you see.
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505. I'm sure he'll be back soon.
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506. Why don't you play a game of solitaire
to pass the time?
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507. - Violet?
- Hmm?
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508. That's not a window.
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509. Lights out.
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510. Klaus?
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511. We were worried.
You were gone so long.
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512. You're not wearing your glasses.
Are they still being fixed?
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513. What was it like inside the eye? Klaus?
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514. You're smiling.
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515. I'm happy to be here, sir.
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516. What? I'm not Sir. I'm your sister.
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517. While you were gone,
I heard Sir talking to Charles.
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518. He said he made a deal
to cover something up.
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519. There's something bigger going on here.
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520. - Shh.
Quiet.
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521. Did you hear what I said?
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522. I guess it's been a long day.
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523. Would you like to go to sleep?
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524. Yes, sir.
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525. Your shoes are still on.
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526. Klaus?
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527. I promised our parents
I'd always look out for Klaus.
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528. But I didn't.
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529. He wanted to leave and I made him stay.
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530. Except now he's acting strange.
It's all my fault.
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531. There's no one else to fix it.
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532. Get up, lumber laborers.
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533. Lucky Smells has no time for dawdling.
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534. Klaus Baude-liar, would you like
to get out of bed this instant?
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535. - Yes, sir.
- Would you like to bring your baby sister?
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536. Klaus?
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537. Lucky boy.
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538. It's wood chipper day.
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539. Would you like to make some mulch?
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540. What are you doing?
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541. You're frightening Sunny and
you're frightening me. What's going on?
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542. Lucky Smells Lumbermill. This is he.
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543. The Baudelaire orphans
working here at the mill?
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544. That's ridiculous. They're children.
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545. They're probably somewhere
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546. enjoying a hot cup of coffee
in front of a roaring fire...
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547. wherever they are,
which certainly isn't here.
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548. Now, who is this?
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549. Hello?
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550. - What's wrong?
- With me? Nothing.
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551. We've fought a host
of unsavory characters,
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552. including a most unfriendly
refrigerator repair person.
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553. We've flown a plane into a hurricane.
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554. We've been to Peru and back
to get home to our children.
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555. And today, finally, we'll all be together.
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556. What could be wrong?
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557. Stop it and we can leave.
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558. Lucky Smells is our life.
Lucky Smells is our home.
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559. No, it's not.
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560. A home is where people take care of you,
not make you work in a mill for gum.
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561. I should've listened to you
when you wanted to go.
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562. If you're still in there,
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563. I want you to know I miss you
an inordinate amount.
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564. Inordinate?
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565. What...
what the heck does that mean?
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566. It can mean many things.
Immoderate, irregular.
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567. But in this case, I think it means
you missed me a lot.
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568. - Klaus, you're back!
- Where was I?
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569. Why am I not wearing shoes?
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570. We'll have to explain
how you hurt your leg.
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571. - Ballroom dancing?
- They'll believe that.
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572. They've seen you dance.
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573. I don't know what's going on here,
but we need to—
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574. Baude-liars!
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575. - We need to—
- I'm talking to you, lumber brats.
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576. Go to the very fancy door.
You have visitors.
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577. Ah, there you are, children.
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578. Now, I know your time here
hasn't been peachy,
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579. but your luck is about to change.
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580. Because I brought you... this peach.
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581. But who's visiting us?
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582. Oh, I don't know.
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583. But they can't come inside,
because that would be trespassing,
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584. and then they'd be put to work.
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585. But I can tell you they are just
on the other side of that very fancy door.
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586. Children?
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587. Children?
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588. Duncan, Quigley, Isadora?
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589. Mother?
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590. Father!
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591. - Get over here, you three.
- How was your work trip?
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592. Oh, we're just happy to be home.
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593. How did you hurt your leg?
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594. Breaking out of prison in Peru.
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595. I beg you, turn this program off now.
Imagine this story has a happy ending.
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596. You can pretend the woman at the door
is the Duchess of Winnipeg,
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597. and she's come to throw the Baudelaires
a pony party at her chateau.
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598. Or you can pretend that she's a butler
with a tray of blueberry pancakes,
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599. or a loving parent
that you thought you'd never see again.
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600. But if you choose to watch on,
let me warn you,
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601. the misery does not end here.
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602. In fact, I visited Paltryville myself
many years later.
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603. It was long after the Lucky Smells
Lumbermill had closed its doors...
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604. and Dr. Orwell's office
had fallen into disrepair.
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605. Of course, the building wasn't originally
an optometrist office at all,
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606. but the headquarters
of a secret organization.
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607. That is where I learned what happened
to Klaus Baudelaire.
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608. Poor, poor Klaus Baudelaire.
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609. It's enough to make you want to abandon
civilization and live by a pond.
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610. But if you choose to look this misery
in the eye,
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611. you should be asking one question.
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612. It's the same question
that the Baudelaires should've asked,
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613. my beloved Beatrice should've asked
on the day that she died.
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614. And that question is...
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615. where is Count Olaf?
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616. My, my, my, my, my!
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617. Aren't you a lucky boy?
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618. Yes, sir.
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619. Lucky Smells Lumbermill.
Yeah, this is he.
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620. The Baudelaire orphans,
working at the mill?
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621. Well, that's ridiculous.
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622. You might be wondering about the identity
of the mysterious caller
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623. who rang to inquire about the Baudelaires.
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624. I've conducted extensive research,
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625. and all that I can tell you is that,
whoever it was...
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626. Now, who is this?
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627. Hello?
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628. they were of no help whatsoever.
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629. Hmm, well...
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630. Let's see what's next on the list.
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