1. Sorry for waking all of you up so suddenly.
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2. But right now, I need your help.
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3. Find out where Konoha went.
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4. I'm counting on all of you.
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5. You found her?
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6. Where is she?
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7. Akihabara Stadium!
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8. 16bit Sensation:
Another Layer
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9. 16bit Sensation:
Another Layer
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10. Akihabara Stadium...
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11. The car that abducted Konoha
was seen coming here.
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12. That van...
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13. Who are those people?
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14. Going by their outfits and gear, they
don't look like regular security.
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15. What are these guys doing
at a construction site?
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16. What's going on here?
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17. What's Konoha gotten herself into?
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18. I don't know why they kidnapped
her, or where she is now.
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19. I can't just waltz in
through the front door.
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20. Now what, then?
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21. That's right.
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22. On top of constructing the stadium,
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23. there was one other
project that got put on hold.
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24. If that's still around, that can get me
part of the way there.
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25. Th-There are...
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26. There are people trapped inside!
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27. What is this place?
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28. None of this makes any sense!
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29. A robot?
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30. Th-That scared me...
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31. For crying out loud!
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32. The way forward is...
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33. That door, huh?
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34. The security at the Akihabara underground
market is as lax as ever.
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35. I can make do with this.
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36. Thanks for your hard work!
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37. As a kid, I cracked copy protection
schemes on games all the time.
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38. Burn hole protection, long track
protection, and CRC protection.
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39. You could even say that part was
more fun than the actual games.
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40. And now that I'm older, this time,
I'm hacking my way into Akiba.
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41. I swear.
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42. I haven't changed, even as an adult.
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43. No, perhaps I was never
an adult to begin with.
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44. This town is like a giant playground for me.
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45. Even after all these decades.
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46. Now then, for this type
of card key reader...
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47. Looks like it's time to use this.
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48. All right!
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49. No one's gotten in my way so far...
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50. But that's about to change here.
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51. The abandoned site of the
Joban New Line project.
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52. It was supposed to be a railway line to
connect to Tokyo, from Tsukuba to Akihabara.
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53. But they made a last-minute decision
not to run the line through Akihabara.
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54. Construction of the train
station was halted,
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55. and in its place, they built the radio
tower that is Akihabara Sky Tower.
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56. Could there have been a timeline
where this line ended up opening?
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57. If I climb up here...
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58. What now?
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59. A rat?
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60. What?
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61. Is someone there?
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62. Wh-What's that music?
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63. Over there!
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64. Another busy day running around in circles~
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65. I don't mind, I'm used to it by now~
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66. Halt!
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67. Th-They stopped.
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68. O-Onee-sama?
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69. Is that really you, Onee-sama?
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70. You look exactly the same as back then.
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71. But how?
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72. Toya-chan!
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73. Don't come any closer!
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74. I-I'm sorry.
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75. I-It's fine.
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76. Anyway, Toya-chan, what is this place?
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77. There's a ton of people trapped here!
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78. Toya-chan?
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79. Welcome to Planet Games.
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80. Konoha Akisato-sama.
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81. Oh, what a surprise.
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82. Just how old are you, Original Cuu?
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83. The genius creator behind The Last Waltz!
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84. You should be close to 50 years old,
but you look like a young girl!
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85. I see, I see...
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86. You truly are an extraordinary being!
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87. The perfect fit for this place!
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88. Wh-Who in the world are you?
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89. Take me back to Akiba!
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90. And what's the deal with this place?
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91. Oh, I do apologize, Ms. Konoha.
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92. My name is Glenn Faulkner.
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93. I'm the CEO of Planet Games Japan.
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94. And Ms. Konoha, you happen to find
yourself in our development room.
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95. D-Development room?
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96. You mean for developing video games?
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97. B-But...
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98. I don't see any desks, or even a computer!
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99. S-So what are these people doing, then?
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100. They're trapped in these weird tanks!
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101. Why, they're working for us, of course.
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102. You could say that they're something
like sustenance for our CI.
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103. C-CI? Sustenance?
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104. Cybernetic intelligence.
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105. Our company's glorious integrated
entertainment development system.
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106. Ms. Konoha.
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107. I'll be open with you and
tell you everything.
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108. As you know, AI has surpassed
humanity in the past few years,
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109. and all creative matters
have been left to AI.
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110. At first, there were no problems with that.
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111. A game that would take humans several years
could be finished by AI in a single day!
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112. A bright new future was upon us!
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113. Boo!
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114. However, it wasn't long
before we reached a limit.
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115. The things AI create end up
pretty much all being the same.
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116. AI are completely lacking in anything
like imagination or spontaneity.
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117. And so, the quality of a game ends up
depending yet again on time and money spent.
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118. Game development goes right back
to becoming a numbers game.
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119. But then we came up with an idea.
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120. It was time once again for
humans to be put to work.
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121. This CI is hooked up to 200 people.
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122. All of them were originally
creative professionals.
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123. What?
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124. By connecting their brains and
neural networks to computers,
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125. the CI becomes able to consult
human sensibilities,
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126. to create completely original games,
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127. the likes of which no one has seen before.
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128. 24 hours a day, 365 days a year.
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129. These people do a great
deal of work for the CI.
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130. With compensation, of course.
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131. AI used to assist human beings.
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132. Now it's the other way around.
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133. That's all there is to it.
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134. It's not a bad deal for these folks, either.
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135. The CI get to make use of their talent,
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136. without any of it going to waste.
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137. S-Still!
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138. Say what you will, but
this is way too cruel!
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139. Ms. Konoha.
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140. That talent of yours...
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141. We're the ones who can utilize it 100%.
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142. I promise we won't put those
phenomenal gifts of yours to waste.
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143. Okay, let us proceed, Ms. Toya!
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144. Onee-sama.
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145. Please enter this CI.
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146. Starting today, you'll be...
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147. hooked up to this system!
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148. It feels different here than it did earlier.
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149. Where could Konoha be?
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150. Cuu... Cuu...
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151. What's the deal with him?
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152. Doesn't look like he's dead.
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153. Cuu... Cuu...
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154. Cuu... Cuu...
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155. Cuu... Cuu...
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156. Wait, is this a debug room?
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157. But look at them...
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158. They're practically zombies!
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159. Based on the personnel
upstairs and down here,
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160. we're not dealing with
anyone ordinary here.
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161. Konoha... Is she all right?
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162. I don't wanna!
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163. Onee-sama.
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164. You won't be in any pain
when you enter the CI.
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165. You'll just be spending time
in a tank for a while.
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166. That's all.
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167. N-No!
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168. No, I don't wanna!
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169. Toya-chan, you've completely changed!
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170. What's gotten into you?
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171. It's been over twenty years since then.
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172. To save my company, to survive...
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173. I needed to accept this merger.
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174. If I didn't, my company
would have gone under!
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175. But as a result, I ended
up getting you involved.
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176. Toya-chan...
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177. You've...
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178. You've always been my idol.
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179. I still look up to you to this day!
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180. Creating such an incredible
game and changing the world!
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181. I wanted to be just like you!
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182. But I couldn't do it.
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183. Th-That's not true!
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184. Toya-chan, you're amazing!
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185. You started your own company!
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186. Y-You're way, way more
incredible than I ever was!
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187. Really... Really!
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188. I'm not...
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189. I'm not a genius like you are.
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190. But I have my employees,
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191. and fans with expectations,
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192. so I need to keep on creating games!
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193. So... Onee-sama...
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194. I'm sorry.
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195. I'm sorry...
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196. Toya-chan...
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197. P-Please don't cry.
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198. I'm... I'm not...
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199. Onee-sama?
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200. I'm sorry!
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201. I'm sorry, I'm sorry!
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202. The truth is that I'm no genius!
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203. I'm nothing but ordinary!
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204. And yet... And yet...
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205. It's my fault that the Akiba I love is gone!
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206. That the games I love are gone!
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207. Even the bishojo I love are gone!
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208. And worst of all, I was
causing you so much pain...
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209. I hate this world, and
this way of making games!
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210. Onee-sama...
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211. I have a lot to thank computers for!
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212. I mean, it's thanks to my computer
that I became a good artist!
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213. It may not be that impressive
to anyone else,
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214. but I learned to make art
that I thought was amazing
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215. because of computers and
the programs on there!
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216. But if this is where that leads us,
then to Hell with computers!
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217. There's no joy to be had making
games in a world like this!
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218. I'll make sure I rewrite it!
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219. I'll make sure I completely
overwrite such a world!
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220. I'll... I'll...
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221. create a game to make everyone happy!
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222. O-Onee-sama...
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223. Goodness gracious.
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224. I have places to be, you know.
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225. I think that's enough catching up.
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226. Please make up your mind, Ms. Toya.
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227. If you refuse, then I'll take
matters into my own hands.
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228. I'll give you three seconds.
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229. Three.
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230. Two.
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231. One.
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232. Konoha!
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233. That voice...
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234. Mamoru-kun!
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235. M-Mamoru-kun?
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236. What are you doing here?
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237. I'll explain later!
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238. Right now, just run!
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239. O-Okay!
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240. Damn it!
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241. What happened?
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242. Ah! They're getting away!
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243. What are you doing?
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244. After them!
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245. Please let them go!
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246. Keep your hands off them!
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247. Don't be ridiculous!
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248. So be it.
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249. I'll just assume command directly.
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250. Mamoru-kun, you came to rescue me?
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251. I-I'm not very athletic!
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252. Besides, do you know how old I am?
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253. I said I would help you, but
I never agreed to all this!
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254. I swear!
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255. Sorry!
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256. The robots from before!
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257. Don't worry about them.
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258. What?
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259. Huh?
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260. They're on our side now.
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261. Our side?
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262. Yeah.
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263. I've hacked them to link them up
to the PC-98s in the warehouse.
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264. What?
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265. I've said it countless times:
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266. nothing can beat the PC-98!
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267. I see them! There!
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268. Geez, wasting our time like that...
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269. Return to the lab!
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270. Wh-Wh-Wh-What now, Mamoru-kun?
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271. What?
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272. What?
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273. H-Hey, look!
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274. Return fire!
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275. D-Don't shoot!
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276. I'm just an illustrator!
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277. This way!
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278. O-Okay!
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279. Open!
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280. Sesame!
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281. Wait up!
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282. Wh-What?
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283. The doors are closing.
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284. Cut the crap! Open up!
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285. I can't do that.
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286. Why not?
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287. Is your next game an
action game or something?
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288. I don't wanna make a game
full of dead ends like this!
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289. Found them!
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290. A flare?
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291. The hell is this?
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292. Trying to create a smokescreen?
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293. That's cute.
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294. Extinguishing fire.
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295. Mamoru-kun, what was that back there?
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296. I used a flare to set off the
fire extinguisher system.
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297. It should buy us some time.
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298. What are all of you idiots doing?
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299. How much time are you going to
waste capturing two people?
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300. Damn it!
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301. Mr. Glenn!
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302. What now?
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303. Targets have been spotted!
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304. They're heading to the
surface on the cargo lift!
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305. Cut the power to the lift!
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306. Shut down all systems other
than the CI and this room!
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307. Stop it already!
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308. Oh, it's just you.
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309. Hook me up to the CI!
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310. I'll take Onee-sama's place!
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311. And here I was wondering what you'd say.
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312. You, take her place?
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313. You'll never be fit to take her place.
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314. Beat it.
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315. Go and get out of my sight.
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316. Yes!
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317. We're almost there!
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318. Yeah, we are.
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319. It stopped...
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320. M-Mamoru-kun!
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321. The lift stopped moving!
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322. You sure have given us a
hard time, Original Cuu.
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323. But our game of cat and mouse ends here.
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324. You have nowhere to run.
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325. This is checkmate.
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326. I don't see the need to be civil anymore.
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327. You're getting in that CI, Konoha Akisato!
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328. Damn it!
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329. After we made it so far!
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330. Stop this already!
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331. Guards, bring both of them along.
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332. Yes, sir!
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333. Wh-What is that?
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334. H-Hey, look!
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335. What?
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336. U... U-U-U-U-U...
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337. UFO?
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